#1 of 6 2015 · Documentary
$1.2M worldwide · 45% of the chart's total
That Sugar Film (2015) is the highest-grossing documentary movie released in week 31 of 2015 (Jul 26–Aug 1), with $1.2M worldwide, ahead of Best of Enemies (2015) at $892.8K and Listen to Me Marlon (2015) at $516.3K. 6 documentary films released that week report a worldwide gross, $2.8M in all, 52% of it from the US & Canada. By language, English leads with $2.8M across 6 documentary releases.
#1 of 6 2015 · Documentary
$1.2M worldwide · 45% of the chart's total
That Sugar Film (2015) leads with $1.2M, 45% of the total. The top 5 together took $2.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2015 (Jul 26–Aug 1).
Jul 31, 2015 US and Canada: $3.5K Rest of the world: $1.2M Worldwide: $1.2M
Jul 31, 2015 US and Canada: $892.8K Rest of the world: Worldwide: $892.8K
Jul 29, 2015 US and Canada: $425.8K Rest of the world: $90.5K Worldwide: $516.3K
Jul 31, 2015 US and Canada: $101.5K Rest of the world: Worldwide: $101.5K
Jul 31, 2015 US and Canada: $8.4K Rest of the world: Worldwide: $8.4K
Jul 29, 2015 US and Canada: $7K Rest of the world: Worldwide: $7K Of the top 6, Best of Enemies (2015) earned the biggest share at home (100% in the US & Canada), while That Sugar Film (2015) made 100% of its gross abroad. Across all 6 films, $1.4M (52%) came from the US & Canada.
Week 31 releases took $2.8M. The biggest of these 9 weeks is week 29 (Jul 12–18) with $40.3M, led by Northern Limit Line (2015).
Of these 10 years, Week 31, 2015 earned the most: $2.8M from 6 films, led by That Sugar Film (2015).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 2006 Jul 30–Aug 5 2 films | 2 | $34.6K | – | My Country, My Country (2006) $33.6K |
| Week 31, 2007 Jul 29–Aug 4 No films | 0 | – | – | – |
| Week 31, 2008 Jul 27–Aug 2 1 film | 1 | $4.9K | – | The Burning Season (2008) $4.9K |
| Week 31, 2009 Jul 26–Aug 1 3 films · +28479% | 3 | $1.4M | +28479% | The Cove (2009) $1.2M |
| Week 31, 2010 Jul 25–31 3 films · −99% | 3 | $15.9K | −99% | Hugh Hefner: Playboy, Activist and Rebel (2010) $10K |
| Week 31, 2011 Jul 24–30 6 films · +7845% | 6 | $1.3M | +7845% | Life in a Day (2011) $607.2K |
| Week 31, 2012 Jul 29–Aug 4 4 films · −71% | 4 | $366.7K | −71% | Dreams of a Life (2012) $291.9K |
| Week 31, 2013 Jul 28–Aug 3 5 films · +78% | 5 | $653.3K | +78% | When Comedy Went to School (2013) $369.1K |
| Week 31, 2014 Jul 27–Aug 2 4 films · −59% | 4 | $268.5K | −59% | Finding Fela! (2014) $155.2K |
| Week 31, 2015 Jul 26–Aug 1 6 films · +925% | 6 | $2.8M | +925% | That Sugar Film (2015) $1.2M |
50 weeks of 2015 with reported grosses; the biggest is week 29 (Jul 12–18) with $40.3M, led by Northern Limit Line (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
That Sugar Film (2015) leads with $1.2M worldwide, $3.5K of it in the US & Canada. Next come Best of Enemies (2015) at $892.8K and Listen to Me Marlon (2015) at $516.3K.
6 documentary films released in week 31 of 2015 (Jul 26–Aug 1) report a worldwide gross, $2.8M in all, or $458.7K per film on average.
None. The biggest, That Sugar Film (2015), earned $1.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2015 (Jul 26–Aug 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.