#1 of 3 #1 documentary movie of Week 11, 2017
2017 · Documentary
$51.5K worldwide · 79% of the chart's total
$51.5K US & Canada · 100% elsewhere · 0%
Documentary box office · Week 11 · Mar 12–18, 2017
Documentary Box Office, Week 11 of 2017: Documentary Releases of Mar 12–18
Tickling Giants (2017) is the highest-grossing documentary movie released in week 11 of 2017 (Mar 12–18), with $51.5K worldwide, ahead of Life in Four Elements (2017) at $10.6K and What the Health (2017) at $3.2K. 3 documentary films released that week report a worldwide gross, $65.2K in all, 79% of it from the US & Canada.
- week 11 releases with a gross
- 3
- combined worldwide
- $65.2K
- Tickling Giants (2017), the #1
- $51.5K
- earned in the US & Canada
- 79%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 11 of 2017?
Tickling Giants (2017) leads with $51.5K, 79% of the total. The top 3 together took $65.2K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 11 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2017 (Mar 12–18).
- 1 Mar 15, 2017 US and Canada: $51.5K Rest of the world: Worldwide: $51.5K
- 2 Mar 17, 2017 US and Canada: – Rest of the world: – Worldwide: $10.6K
- 3 Mar 16, 2017 US and Canada: – Rest of the world: – Worldwide: $3.2K
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $65.2K. The biggest of these 9 weeks is week 8 (Feb 19–25) with $10.3M, led by Kiki (2017).
- Week 5 Wk 5 Jan 29–Feb 4 A Good American (2017) $5.3K A Good American (2017)
- Week 6 Wk 6 Feb 5–11 Kedi (2017) $5.1M Kedi (2017)
- Week 7 Wk 7 Feb 12–18 Carmen (2017) $85.4K Carmen (2017)
- Week 8 Wk 8 Feb 19–25 Kiki (2017) $10.3M Kiki (2017)
- Week 9 Wk 9 Feb 26–Mar 4 Childhood (2017) $553.2K Childhood (2017)
- Week 10 Wk 10 Mar 5–11 Uncertain (2017) $831.1K Uncertain (2017)
- Week 11 Wk 11 Mar 12–18 Tickling Giants (2017) $65.2K Tickling Giants (2017)
- Week 12 Wk 12 Mar 19–25 I Called Him Morgan (2017) $312.3K I Called Him Morgan (2017)
- Week 13 Wk 13 Mar 26–Apr 1 Cantábrico (2017) $1.1M Cantábrico (2017)
Earlier years
How Does Week 11 of 2017 Compare With Earlier Years?
Of these 10 years, Week 11, 2015 earned the most: $5.7M from 4 films, led by The Wrecking Crew (2015). Week 11, 2017 took $65.2K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2008 Mar 9–15 7 films | 7 | $645.6K | – | Grand Canyon Adventure: River at Risk (2008) $402.2K |
| Week 11, 2009 Mar 8–14 5 films · +146% | 5 | $1.6M | +146% | The Unbelievable (2009) $568.7K |
| Week 11, 2010 Mar 7–13 1 film · −100% | 1 | $5.5K | −100% | American Grindhouse (2010) $5.5K |
| Week 11, 2011 Mar 6–12 4 films · +32256% | 4 | $1.8M | +32256% | I Am (2011) $1.6M |
| Week 11, 2012 Mar 11–17 1 film · −60% | 1 | $717.5K | −60% | Gerhard Richter - Painting (2012) $717.5K |
| Week 11, 2013 Mar 10–16 3 films · −22% | 3 | $563K | −22% | The Spirit of ’45 (2013) $488.9K |
| Week 11, 2014 Mar 9–15 2 films · −83% | 2 | $96.5K | −83% | Big Men (2014) $56.3K |
| Week 11, 2015 Mar 8–14 4 films · +5774% | 4 | $5.7M | +5774% | The Wrecking Crew (2015) $3.3M |
| Week 11, 2016 Mar 6–12 5 films · −87% | 5 | $722.5K | −87% | City of Gold (2016) $680.6K |
| Week 11, 2017 Mar 12–18 3 films · −91% | 3 | $65.2K | −91% | Tickling Giants (2017) $51.5K |
Archive
Documentary Box Office in 2017, Week by Week
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
- Week 1 $461.7K
- Week 2 $30.1M
- Week 3 $349.9K
- Week 4 $94.4K
- Week 5 $5.3K
- Week 6 $5.1M
- Week 7 $85.4K
- Week 8 $10.3M
- Week 9 $553.2K
- Week 10 $831.1K
- Week 11 $65.2K
- Week 12 $312.3K
- Week 13 $1.1M
- Week 14 $585K
- Week 15 $538.2K
- Week 16 $25.7M
- Week 17 $14.2M
- Week 18 $1.4M
- Week 19 $191.9K
- Week 20 $500.9K
- Week 21 $2M
- Week 22 $617.8K
- Week 23 $1.1M
- Week 24 $5.3M
- Week 25 $109.2K
- Week 26 $189.3K
- Week 27 $417.1K
- Week 28 $120.2K
- Week 29 $7.2K
- Week 30 $5.7M
- Week 31 $1.3M
- Week 32 $79.2K
- Week 33 $1.5M
- Week 34 $8.3K
- Week 35 $566.7K
- Week 36 $1.2M
- Week 37 $2.5M
- Week 38 $113.4K
- Week 39 $2.3M
- Week 40 $18.2M
- Week 41 $2.5M
- Week 42 $3M
- Week 43 $137.7K
- Week 44 $160.5K
- Week 45 $339.3K
- Week 46 $1.8M
- Week 47 $16.1M
- Week 48 $45.7K
- Week 49 $4.5M
- Week 50 $8.7M
- Week 51 No grosses
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 11 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 11 of 2017 (Mar 12–18)?
Tickling Giants (2017) leads with $51.5K worldwide, $51.5K of it in the US & Canada. Next come Life in Four Elements (2017) at $10.6K and What the Health (2017) at $3.2K.
How much did documentary movies released in week 11 of 2017 (Mar 12–18) earn?
3 documentary films released in week 11 of 2017 (Mar 12–18) report a worldwide gross, $65.2K in all, or $21.7K per film on average.
How many documentary movies released in week 11 of 2017 (Mar 12–18) made $1 billion?
None. The biggest, Tickling Giants (2017), earned $51.5K.
How is the week 11, 2017 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2017 (Mar 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2017 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.