#1 of 5 Chasing Trane: The John Coltrane Documentary (2017)
2017 · Biography, Music
$406.9K worldwide · 76% of the chart's total
Chasing Trane: The John Coltrane Documentary (2017) is the highest-grossing documentary movie released in week 15 of 2017 (Apr 9–15), with $406.9K worldwide, ahead of Dancing Beethoven (2017) at $84.1K and Finding Oscar (2017) at $23.1K. 5 documentary films released that week report a worldwide gross, $538.2K in all, 84% of it from the US & Canada. By language, English leads with $538.2K across 5 documentary releases.
#1 of 5 Chasing Trane: The John Coltrane Documentary (2017)
2017 · Biography, Music
$406.9K worldwide · 76% of the chart's total
Chasing Trane: The John Coltrane Documentary (2017) leads with $406.9K, 76% of the total. The top 5 together took $538.2K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2017 (Apr 9–15).
Apr 13, 2017 US and Canada: – Rest of the world: – Worldwide: $84.1K
Apr 14, 2017 US and Canada: $23.1K Rest of the world: Worldwide: $23.1K
Apr 14, 2017 US and Canada: $7.7K Rest of the world: Worldwide: $7.7K Of the top 5, Finding Oscar (2017) earned the biggest share at home (100% in the US & Canada), while Chasing Trane: The John Coltrane Documentary (2017) made <1% of its gross abroad. Across all 5 films, $453.5K (84%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 15 releases took $538.2K. The biggest of these 9 weeks is week 16 (Apr 16–22) with $25.7M, led by Born in China (2017).
Of these 10 years, Week 15, 2011 earned the most: $55.7M from 4 films, led by Born to Be Wild (2011). Week 15, 2017 took $538.2K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 2008 Apr 6–12 5 films | 5 | $8.8M | – | Young@Heart (2008) $7.1M |
| Week 15, 2009 Apr 5–11 1 film · −89% | 1 | $951.4K | −89% | Anvil! The Story of Anvil (2009) $951.4K |
| Week 15, 2010 Apr 4–10 1 film · +26% | 1 | $1.2M | +26% | When You're Strange (2010) $1.2M |
| Week 15, 2011 Apr 3–9 4 films · +4563% | 4 | $55.7M | +4563% | Born to Be Wild (2011) $41.6M |
| Week 15, 2012 Apr 8–14 3 films · −100% | 3 | $71.3K | −100% | Hit So Hard (2012) $36.6K |
| Week 15, 2013 Apr 7–13 1 film · +68% | 1 | $119.9K | +68% | This Ain't California (2013) $119.9K |
| Week 15, 2014 Apr 6–12 2 films · +163% | 2 | $315.9K | +163% | Dancing in Jaffa (2014) $311K |
| Week 15, 2015 Apr 5–11 2 films · +464% | 2 | $1.8M | +464% | Dior and I (2015) $1.8M |
| Week 15, 2016 Apr 3–9 2 films · −94% | 2 | $109.2K | −94% | Vita Activa: The Spirit of Hannah Arendt (2016) $106.8K |
| Week 15, 2017 Apr 9–15 5 films · +393% | 5 | $538.2K | +393% | Chasing Trane: The John Coltrane Documentary (2017) $406.9K |
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Chasing Trane: The John Coltrane Documentary (2017) leads with $406.9K worldwide, $406.3K of it in the US & Canada. Next come Dancing Beethoven (2017) at $84.1K and Finding Oscar (2017) at $23.1K.
5 documentary films released in week 15 of 2017 (Apr 9–15) report a worldwide gross, $538.2K in all, or $107.6K per film on average.
None. The biggest, Chasing Trane: The John Coltrane Documentary (2017), earned $406.9K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2017 (Apr 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.