#1 of 3 #1 documentary movie of Week 4, 2017
2017 · Documentary
$46.8K worldwide · 50% of the chart's total
$37.7K US & Canada · 80% $9.2K elsewhere · 20%
Documentary box office · Week 4 · Jan 22–28, 2017
Documentary Box Office, Week 4 of 2017: Documentary Releases of Jan 22–28
78/52 (2017) is the highest-grossing documentary movie released in week 4 of 2017 (Jan 22–28), with $46.8K worldwide, ahead of Donkeyote (2017) at $42.5K and Scream for Me Sarajevo (2017) at $5K. 3 documentary films released that week report a worldwide gross, $94.4K in all, 40% of it from the US & Canada.
- week 4 releases with a gross
- 3
- combined worldwide
- $94.4K
- 78/52 (2017), the #1
- $46.8K
- earned in the US & Canada
- 40%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 4 of 2017?
78/52 (2017) leads with $46.8K, 50% of the total. The top 3 together took $94.4K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 4 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2017 (Jan 22–28).
- 1 Jan 23, 2017 US and Canada: $37.7K Rest of the world: $9.2K Worldwide: $46.8K
- 2 Jan 28, 2017 US and Canada: – Rest of the world: – Worldwide: $42.5K
- 3 Jan 27, 2017 US and Canada: – Rest of the world: – Worldwide: $5K
Weeks around it
How Does Week 4 Compare With the Weeks Around It?
Week 4 releases took $94.4K. The biggest of these 9 weeks is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
- Week 51, 2016 Wk 51 Dec 11–17 Masters in the Forbidden City (2016) $1.1M Masters in the Forbidden City (2016)
- Week 52, 2016 Wk 52 Dec 18–24 Delicate Balance (2016) $94.5K Delicate Balance (2016)
- Week 53, 2016 Wk 53 Dec 25–31 The Curious World of Hieronymus Bosch (2016) $114.8K The Curious World of Hieronymus Bosch (2016)
- Week 1 Wk 1 Jan 1–7 Life is Fruity (2017) $461.7K Life is Fruity (2017)
- Week 2 Wk 2 Jan 8–14 Reset (2017) $30.1M Reset (2017)
- Week 3 Wk 3 Jan 15–21 Whose Streets? (2017) $349.9K Whose Streets? (2017)
- Week 4 Wk 4 Jan 22–28 78/52 (2017) $94.4K 78/52 (2017)
- Week 5 Wk 5 Jan 29–Feb 4 A Good American (2017) $5.3K A Good American (2017)
- Week 6 Wk 6 Feb 5–11 Kedi (2017) $5.1M Kedi (2017)
Earlier years
How Does Week 4 of 2017 Compare With Earlier Years?
Of these 10 years, Week 4, 2008 earned the most: $22.8M from 3 films, led by U2 3D (2008). Week 4, 2017 took $94.4K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2008 Jan 20–26 3 films | 3 | $22.8M | – | U2 3D (2008) $22.7M |
| Week 4, 2009 Jan 18–24 2 films · −98% | 2 | $529.8K | −98% | Of Time and the City (2009) $523.4K |
| Week 4, 2010 Jan 17–23 No films | 0 | – | – | – |
| Week 4, 2011 Jan 16–22 1 film | 1 | $46.6K | – | The Woodmans (2011) $46.6K |
| Week 4, 2012 Jan 22–28 2 films · +8532% | 2 | $4M | +8532% | Documentary of AKB48 Show Must Go On (2012) $4M |
| Week 4, 2013 Jan 20–26 3 films · −98% | 3 | $61.8K | −98% | Running from Crazy (2013) $33.3K |
| Week 4, 2014 Jan 19–25 3 films · +113% | 3 | $132K | +113% | Visitors (2014) $84.6K |
| Week 4, 2015 Jan 18–24 2 films · +431% | 2 | $700.4K | +431% | Cobain: Montage of Heck (2015) $686.4K |
| Week 4, 2016 Jan 17–23 3 films · +186% | 3 | $2M | +186% | Doing Good (2016) $2M |
| Week 4, 2017 Jan 22–28 3 films · −95% | 3 | $94.4K | −95% | 78/52 (2017) $46.8K |
Archive
Documentary Box Office in 2017, Week by Week
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
- Week 1 $461.7K
- Week 2 $30.1M
- Week 3 $349.9K
- Week 4 $94.4K
- Week 5 $5.3K
- Week 6 $5.1M
- Week 7 $85.4K
- Week 8 $10.3M
- Week 9 $553.2K
- Week 10 $831.1K
- Week 11 $65.2K
- Week 12 $312.3K
- Week 13 $1.1M
- Week 14 $585K
- Week 15 $538.2K
- Week 16 $25.7M
- Week 17 $14.2M
- Week 18 $1.4M
- Week 19 $191.9K
- Week 20 $500.9K
- Week 21 $2M
- Week 22 $617.8K
- Week 23 $1.1M
- Week 24 $5.3M
- Week 25 $109.2K
- Week 26 $189.3K
- Week 27 $417.1K
- Week 28 $120.2K
- Week 29 $7.2K
- Week 30 $5.7M
- Week 31 $1.3M
- Week 32 $79.2K
- Week 33 $1.5M
- Week 34 $8.3K
- Week 35 $566.7K
- Week 36 $1.2M
- Week 37 $2.5M
- Week 38 $113.4K
- Week 39 $2.3M
- Week 40 $18.2M
- Week 41 $2.5M
- Week 42 $3M
- Week 43 $137.7K
- Week 44 $160.5K
- Week 45 $339.3K
- Week 46 $1.8M
- Week 47 $16.1M
- Week 48 $45.7K
- Week 49 $4.5M
- Week 50 $8.7M
- Week 51 No grosses
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 4 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 4 of 2017 (Jan 22–28)?
78/52 (2017) leads with $46.8K worldwide, $37.7K of it in the US & Canada. Next come Donkeyote (2017) at $42.5K and Scream for Me Sarajevo (2017) at $5K.
How much did documentary movies released in week 4 of 2017 (Jan 22–28) earn?
3 documentary films released in week 4 of 2017 (Jan 22–28) report a worldwide gross, $94.4K in all, or $31.5K per film on average.
How many documentary movies released in week 4 of 2017 (Jan 22–28) made $1 billion?
None. The biggest, 78/52 (2017), earned $46.8K.
How is the week 4, 2017 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2017 (Jan 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 4, 2017 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.