#1 of 6 2017 · Documentary
$182.8K worldwide · 52% of the chart's total
Whose Streets? (2017) is the highest-grossing documentary movie released in week 3 of 2017 (Jan 15–21), with $182.8K worldwide, ahead of Strike a Pose (2017) at $102.6K and They Call Us Monsters (2017) at $26.1K. 6 documentary films released that week report a worldwide gross, $349.9K in all, 67% of it from the US & Canada. By language, English leads with $332.3K across 4 documentary releases.
#1 of 6 2017 · Documentary
$182.8K worldwide · 52% of the chart's total
Whose Streets? (2017) leads with $182.8K, 52% of the total. The top 5 together took $343.9K, 98% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2017 (Jan 15–21).
Jan 19, 2017 US and Canada: $182.8K Rest of the world: Worldwide: $182.8K
Jan 18, 2017 US and Canada: – Rest of the world: – Worldwide: $102.6K
Jan 20, 2017 US and Canada: $26.1K Rest of the world: Worldwide: $26.1K
Jan 20, 2017 US and Canada: $20.8K Rest of the world: Worldwide: $20.8K
Jan 19, 2017 US and Canada: – Rest of the world: – Worldwide: $11.7K
Jan 20, 2017 US and Canada: $5.9K Rest of the world: Worldwide: $5.9K Of the top 6, Whose Streets? (2017) earned the biggest share at home (100% in the US & Canada), while Starless Dreams (2017) made 0% of its gross abroad. Across all 6 films, $235.6K (67%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 3 releases took $349.9K. The biggest of these 9 weeks is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
Of these 10 years, Week 3, 2016 earned the most: $1.7M from 1 film, led by Tale of a Lake (2016). Week 3, 2017 took $349.9K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2008 Jan 13–19 4 films | 4 | $698.6K | – | A Complete History of My Sexual Failures (2008) $398K |
| Week 3, 2009 Jan 11–17 1 film · −91% | 1 | $61.4K | −91% | Titãs - A Vida Até Parece Uma Festa (2009) $61.4K |
| Week 3, 2010 Jan 10–16 1 film · −19% | 1 | $49.8K | −19% | Bock for President (2010) $49.8K |
| Week 3, 2011 Jan 9–15 No films | 0 | – | – | – |
| Week 3, 2012 Jan 15–21 3 films | 3 | $320.5K | – | Crazy Horse (2012) $252.9K |
| Week 3, 2013 Jan 13–19 3 films · −80% | 3 | $63.9K | −80% | The Stuart Hall Project (2013) $39K |
| Week 3, 2014 Jan 12–18 2 films · +212% | 2 | $199.8K | +212% | Asier ETA biok (2014) $183.2K |
| Week 3, 2015 Jan 11–17 1 film · −91% | 1 | $17.2K | −91% | Girl with a Pearl Earring: And Other Treasures from the Mauritshuis (2015) $17.2K |
| Week 3, 2016 Jan 10–16 1 film · +10032% | 1 | $1.7M | +10032% | Tale of a Lake (2016) $1.7M |
| Week 3, 2017 Jan 15–21 6 films · −80% | 6 | $349.9K | −80% | Whose Streets? (2017) $182.8K |
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Whose Streets? (2017) leads with $182.8K worldwide, $182.8K of it in the US & Canada. Next come Strike a Pose (2017) at $102.6K and They Call Us Monsters (2017) at $26.1K.
6 documentary films released in week 3 of 2017 (Jan 15–21) report a worldwide gross, $349.9K in all, or $58.3K per film on average.
None. The biggest, Whose Streets? (2017), earned $182.8K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2017 (Jan 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.