#1 of 8 2017 · Drama, Documentary
$14.4M worldwide · 89% of the chart's total
The Next Guardian (2017) is the highest-grossing documentary movie released in week 47 of 2017 (Nov 19–25), with $14.4M worldwide, ahead of Bombshell: The Hedy Lamarr Story (2017) at $1.1M and Eric Clapton: A Life in 12 Bars (2017) at $459.1K. 8 documentary films released that week report a worldwide gross, $16.1M in all, 5% of it from the US & Canada. By language, Dzongkha leads with $14.4M across 1 documentary release.
#1 of 8 2017 · Drama, Documentary
$14.4M worldwide · 89% of the chart's total
The Next Guardian (2017) leads with $14.4M, 89% of the total. The top 5 together took $16.1M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 2017 (Nov 19–25).
Nov 22, 2017 US and Canada: – Rest of the world: – Worldwide: $14.4M
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $459.1K
Nov 21, 2017 US and Canada: – Rest of the world: – Worldwide: $122.4K
Nov 20, 2017 US and Canada: – Rest of the world: – Worldwide: $12.4K
Nov 24, 2017 US and Canada: – Rest of the world: – Worldwide: $5K
Nov 21, 2017 US and Canada: – Rest of the world: – Worldwide: $4.1K
Nov 19, 2017 US and Canada: – Rest of the world: – Worldwide: $225 Week 47 releases took $16.1M. The biggest of these 9 weeks is week 47 (Nov 19–25) with $16.1M, led by The Next Guardian (2017).
Of these 10 years, Week 47, 2017 earned the most: $16.1M from 8 films, led by The Next Guardian (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 47, 2008 Nov 16–22 4 films | 4 | $2.3M | – | Hollywood, I’m Sleeping Over Tonight (2008) $1.9M |
| Week 47, 2009 Nov 15–21 2 films · −91% | 2 | $196.7K | −91% | The Mouth of the Wolf (2009) $179.4K |
| Week 47, 2010 Nov 14–20 1 film · −76% | 1 | $46.4K | −76% | William S. Burroughs: A Man Within (2010) $46.4K |
| Week 47, 2011 Nov 13–19 2 films · +284% | 2 | $177.9K | +284% | Eames: The Architect & The Painter (2011) $163.4K |
| Week 47, 2012 Nov 18–24 2 films · +83% | 2 | $326.3K | +83% | The Central Park Five (2012) $325.7K |
| Week 47, 2013 Nov 17–23 5 films · +28% | 5 | $419.2K | +28% | Narco Cultura (2013) $163.7K |
| Week 47, 2014 Nov 16–22 3 films · −83% | 3 | $72.4K | −83% | Monk With a Camera (2014) $45.9K |
| Week 47, 2015 Nov 15–21 6 films · +75% | 6 | $126.8K | +75% | Please Remember Me (2015) $58.2K |
| Week 47, 2016 Nov 13–19 8 films · +260% | 8 | $456.9K | +260% | Best Worst Thing That Ever Could Have Happened (2016) $107K |
| Week 47, 2017 Nov 19–25 8 films · +3424% | 8 | $16.1M | +3424% | The Next Guardian (2017) $14.4M |
Dzongkha-language documentary films took $14.4M across 1 film, 89% of the total, ahead of English-language documentary films ($1.7M) and Spanish-language documentary films ($5K).
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
The Next Guardian (2017) leads with $14.4M worldwide. Next come Bombshell: The Hedy Lamarr Story (2017) at $1.1M and Eric Clapton: A Life in 12 Bars (2017) at $459.1K.
8 documentary films released in week 47 of 2017 (Nov 19–25) report a worldwide gross, $16.1M in all, or $2M per film on average.
None. The biggest, The Next Guardian (2017), earned $14.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 2017 (Nov 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.