#1 of 5 2013 · Documentary
$163.7K worldwide · 39% of the chart's total
Narco Cultura (2013) is the highest-grossing documentary movie released in week 47 of 2013 (Nov 17–23), with $163.7K worldwide, ahead of Is the Man Who Is Tall Happy? (2013) at $137K and Bettie Page Reveals All (2013) at $108.1K. 5 documentary films released that week report a worldwide gross, $419.2K in all, 94% of it from the US & Canada. By language, English leads with $413.8K across 4 documentary releases.
#1 of 5 2013 · Documentary
$163.7K worldwide · 39% of the chart's total
Narco Cultura (2013) leads with $163.7K, 39% of the total. The top 5 together took $419.2K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 2013 (Nov 17–23).
Nov 22, 2013 US and Canada: $145.1K Rest of the world: $18.6K Worldwide: $163.7K
Nov 22, 2013 US and Canada: $108.1K Rest of the world: Worldwide: $108.1K
Nov 22, 2013 US and Canada: – Rest of the world: – Worldwide: $5.4K
Nov 22, 2013 US and Canada: $4.1K Rest of the world: $876 Worldwide: $5K Of the top 5, Is the Man Who Is Tall Happy? (2013) earned the biggest share at home (100% in the US & Canada), while Weekend of a Champion (2013) made 18% of its gross abroad. Across all 5 films, $394.3K (94%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 47 releases took $419.2K. The biggest of these 9 weeks is week 43 (Oct 20–26) with $152.3M, led by Jackass Presents: Bad Grandpa (2013).
Of these 10 years, Week 47, 2008 earned the most: $2.3M from 4 films, led by Hollywood, I’m Sleeping Over Tonight (2008). Week 47, 2013 took $419.2K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 47, 2004 Nov 14–20 1 film | 1 | $36.3K | – | Every So Often in the World… (2004) $36.3K |
| Week 47, 2005 Nov 13–19 2 films · +86% | 2 | $67.5K | +86% | Zizek! (2005) $60.5K |
| Week 47, 2006 Nov 19–25 3 films · +56% | 3 | $105.4K | +56% | Our Daily Bread (2006) $71.8K |
| Week 47, 2007 Nov 18–24 3 films · −83% | 3 | $17.7K | −83% | Shadow of the Holy Book (2007) $10.6K |
| Week 47, 2008 Nov 16–22 4 films · +12610% | 4 | $2.3M | +12610% | Hollywood, I’m Sleeping Over Tonight (2008) $1.9M |
| Week 47, 2009 Nov 15–21 2 films · −91% | 2 | $196.7K | −91% | The Mouth of the Wolf (2009) $179.4K |
| Week 47, 2010 Nov 14–20 1 film · −76% | 1 | $46.4K | −76% | William S. Burroughs: A Man Within (2010) $46.4K |
| Week 47, 2011 Nov 13–19 2 films · +284% | 2 | $177.9K | +284% | Eames: The Architect & The Painter (2011) $163.4K |
| Week 47, 2012 Nov 18–24 2 films · +83% | 2 | $326.3K | +83% | The Central Park Five (2012) $325.7K |
| Week 47, 2013 Nov 17–23 5 films · +28% | 5 | $419.2K | +28% | Narco Cultura (2013) $163.7K |
51 weeks of 2013 with reported grosses; the biggest is week 43 (Oct 20–26) with $152.3M, led by Jackass Presents: Bad Grandpa (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Narco Cultura (2013) leads with $163.7K worldwide, $145.1K of it in the US & Canada. Next come Is the Man Who Is Tall Happy? (2013) at $137K and Bettie Page Reveals All (2013) at $108.1K.
5 documentary films released in week 47 of 2013 (Nov 17–23) report a worldwide gross, $419.2K in all, or $83.8K per film on average.
None. The biggest, Narco Cultura (2013), earned $163.7K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 2013 (Nov 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.