#1 of 7 2013 · Documentary
$650.7K worldwide · 63% of the chart's total
Salinger (2013) is the highest-grossing documentary movie released in week 36 of 2013 (Sep 1–7), with $650.7K worldwide, ahead of Good Ol' Freda (2013) at $138.8K and Money for Nothing (2013) at $88K. 7 documentary films released that week report a worldwide gross, $1M in all, 93% of it from the US & Canada. That is down 99% on Week 35, 2013, whose releases took $77.2M. By language, English leads with $1M across 6 documentary releases.
#1 of 7 2013 · Documentary
$650.7K worldwide · 63% of the chart's total
Salinger (2013) leads with $650.7K, 63% of the total. The top 5 together took $994.6K, 97% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 2013 (Sep 1–7).
Sep 6, 2013 US and Canada: $583.6K Rest of the world: $67K Worldwide: $650.7K
Sep 6, 2013 US and Canada: $138.8K Rest of the world: Worldwide: $138.8K
Sep 6, 2013 US and Canada: $88K Rest of the world: Worldwide: $88K
Sep 6, 2013 US and Canada: $29K Rest of the world: Worldwide: $29K
Sep 6, 2013 US and Canada: $16.1K Rest of the world: Worldwide: $16.1K
Sep 4, 2013 US and Canada: $8.1K Rest of the world: $6.8K Worldwide: $14.9K Of the top 7, Good Ol' Freda (2013) earned the biggest share at home (100% in the US & Canada), while La Maison de la Radio (2013) made 46% of its gross abroad. Across all 7 films, $951.7K (93%) came from the US & Canada.
Week 36 releases took $1M. The biggest of these 9 weeks is week 33 (Aug 11–17) with $101.1M, led by One Direction: The Invasion (2013).
Of these 10 years, Week 36, 2011 earned the most: $14.2M from 4 films, led by Rebirth (2011). Week 36, 2013 took $1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 2004 Aug 29–Sep 4 2 films | 2 | $3.3K | – | Persons of Interest (2004) $1.7K |
| Week 36, 2005 Aug 28–Sep 3 2 films · +2205% | 2 | $75.5K | +2205% | William Eggleston in the Real World (2005) $44.4K |
| Week 36, 2006 Sep 3–9 5 films · +63% | 5 | $123K | +63% | Vajra Sky Over Tibet (2006) $62.4K |
| Week 36, 2007 Sep 2–8 5 films · +1779% | 5 | $2.3M | +1779% | In the Shadow of the Moon (2007) $2.2M |
| Week 36, 2008 Aug 31–Sep 6 No films | 0 | – | – | – |
| Week 36, 2009 Aug 30–Sep 5 1 film | 1 | $50.4K | – | American Casino (2009) $50.4K |
| Week 36, 2010 Aug 29–Sep 4 3 films · +1343% | 3 | $727.7K | +1343% | Vesku from Finland (2010) $408.8K |
| Week 36, 2011 Aug 28–Sep 3 4 films · +1849% | 4 | $14.2M | +1849% | Rebirth (2011) $14.1M |
| Week 36, 2012 Sep 2–8 3 films · −97% | 3 | $425.7K | −97% | Detropia (2012) $390K |
| Week 36, 2013 Sep 1–7 7 films · +141% | 7 | $1M | +141% | Salinger (2013) $650.7K |
51 weeks of 2013 with reported grosses; the biggest is week 43 (Oct 20–26) with $152.3M, led by Jackass Presents: Bad Grandpa (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Salinger (2013) leads with $650.7K worldwide, $583.6K of it in the US & Canada. Next come Good Ol' Freda (2013) at $138.8K and Money for Nothing (2013) at $88K.
7 documentary films released in week 36 of 2013 (Sep 1–7) report a worldwide gross, $1M in all, or $146.5K per film on average. Week 35, 2013 releases took $77.2M.
None. The biggest, Salinger (2013), earned $650.7K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 2013 (Sep 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.