#1 of 5 In the Shadow of the Moon (2007)
2007 · Documentary
$2.2M worldwide · 94% of the chart's total
In the Shadow of the Moon (2007) is the highest-grossing documentary movie released in week 36 of 2007 (Sep 2–8), with $2.2M worldwide, ahead of Lou Reed’s Berlin (2007) at $114.9K and Useless (2007) at $17.8K. 5 documentary films released that week report a worldwide gross, $2.3M in all, 51% of it from the US & Canada. By language, English leads with $2.3M across 3 documentary releases.
#1 of 5 In the Shadow of the Moon (2007)
2007 · Documentary
$2.2M worldwide · 94% of the chart's total
In the Shadow of the Moon (2007) leads with $2.2M, 94% of the total. The top 5 together took $2.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 2007 (Sep 2–8).
Sep 7, 2007 US and Canada: $1.1M Rest of the world: $1M Worldwide: $2.2M
Sep 4, 2007 US and Canada: $33.2K Rest of the world: $81.6K Worldwide: $114.9K
Sep 3, 2007 US and Canada: – Rest of the world: – Worldwide: $17.8K
Sep 7, 2007 US and Canada: $9.6K Rest of the world: $1.3K Worldwide: $10.9K
Sep 8, 2007 US and Canada: $4.1K Rest of the world: $2.1K Worldwide: $6.2K Of the top 5, The Unknown Soldier (2007) earned the biggest share at home (88% in the US & Canada), while Lou Reed’s Berlin (2007) made 71% of its gross abroad. Across all 5 films, $1.2M (51%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 36 releases took $2.3M. The biggest of these 9 weeks is week 36 (Sep 2–8) with $2.3M, led by In the Shadow of the Moon (2007).
Of these 10 years, Week 36, 2007 earned the most: $2.3M from 5 films, led by In the Shadow of the Moon (2007).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 1998 Aug 30–Sep 5 1 film | 1 | $553.5K | – | Alaska: Spirit of the Wild (1998) $553.5K |
| Week 36, 1999 Aug 29–Sep 4 No films | 0 | – | – | – |
| Week 36, 2000 Aug 27–Sep 2 1 film | 1 | $333.8K | – | Dark Days (2000) $333.8K |
| Week 36, 2001 Sep 2–8 2 films · −97% | 2 | $10.3K | −97% | Bounce: Behind the Velvet Rope (2001) $8.8K |
| Week 36, 2002 Sep 1–7 1 film · −87% | 1 | $1.4K | −87% | The Execution of Wanda Jean (2002) $1.4K |
| Week 36, 2003 Aug 31–Sep 6 No films | 0 | – | – | – |
| Week 36, 2004 Aug 29–Sep 4 2 films | 2 | $3.3K | – | Persons of Interest (2004) $1.7K |
| Week 36, 2005 Aug 28–Sep 3 2 films · +2205% | 2 | $75.5K | +2205% | William Eggleston in the Real World (2005) $44.4K |
| Week 36, 2006 Sep 3–9 5 films · +63% | 5 | $123K | +63% | Vajra Sky Over Tibet (2006) $62.4K |
| Week 36, 2007 Sep 2–8 5 films · +1779% | 5 | $2.3M | +1779% | In the Shadow of the Moon (2007) $2.2M |
47 weeks of 2007 with reported grosses; the biggest is week 39 (Sep 23–29) with $50.7M, led by Sea Monsters: A Prehistoric Adventure (2007).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
In the Shadow of the Moon (2007) leads with $2.2M worldwide, $1.1M of it in the US & Canada. Next come Lou Reed’s Berlin (2007) at $114.9K and Useless (2007) at $17.8K.
5 documentary films released in week 36 of 2007 (Sep 2–8) report a worldwide gross, $2.3M in all, or $462.2K per film on average.
None. The biggest, In the Shadow of the Moon (2007), earned $2.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 2007 (Sep 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.