#1 of 3 #1 documentary movie of Week 21, 2007
2007 · Documentary
$228.6K worldwide · 97% of the chart's total
No US & Canada figure reported
Documentary box office · Week 21 · May 20–26, 2007
Documentary Box Office, Week 21 of 2007: Documentary Releases of May 20–26
Calle Santa Fe (2007) is the highest-grossing documentary movie released in week 21 of 2007 (May 20–26), with $228.6K worldwide, ahead of Mummies: Secrets of the Pharaohs (2007) at $3.5K and Never Apologize (2007) at $2.8K. 3 documentary films released that week report a worldwide gross, $234.9K in all.
- week 21 releases with a gross
- 3
- combined worldwide
- $234.9K
- Calle Santa Fe (2007), the #1
- $228.6K
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 21 of 2007?
Calle Santa Fe (2007) leads with $228.6K, 97% of the total. The top 3 together took $234.9K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 21 of 2007, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2007 (May 20–26).
- 1 May 22, 2007 US and Canada: – Rest of the world: – Worldwide: $228.6K
- 2 May 25, 2007 US and Canada: – Rest of the world: – Worldwide: $3.5K
- 3 May 25, 2007 US and Canada: – Rest of the world: – Worldwide: $2.8K
Weeks around it
How Does Week 21 Compare With the Weeks Around It?
Week 21 releases took $234.9K. The biggest of these 9 weeks is week 16 (Apr 15–21) with $1.5M, led by Full Metal Village (2007).
- Week 15 Wk 15 Apr 8–14 Rock the Bells (2007) $5.3K Rock the Bells (2007)
- Week 16 Wk 16 Apr 15–21 Full Metal Village (2007) $1.5M Full Metal Village (2007)
- Week 17 Wk 17 Apr 22–28 O Mundo em Duas Voltas (2007) $294.9K O Mundo em Duas Voltas (2007)
- Week 18 Wk 18 Apr 29–May 5 Joy Division (2007) $293.6K Joy Division (2007)
- Week 19 Wk 19 May 6–12 ShowBusiness: The Road to Broadway (2007) $198K ShowBusiness: The Road to Broadway (2007)
- Week 20 Wk 20 May 13–19 In Search of Mozart (2007) $104.2K In Search of Mozart (2007)
- Week 21 Wk 21 May 20–26 Calle Santa Fe (2007) $234.9K Calle Santa Fe (2007)
- Week 22 Wk 22 May 27–Jun 2 Prinzessinnenbad (2007) $1.2M Prinzessinnenbad (2007)
- Week 23 Wk 23 Jun 3–9 No reported grosses – No reported grosses
Earlier years
How Does Week 21 of 2007 Compare With Earlier Years?
Of these 10 years, Week 21, 2006 earned the most: $50.5M from 2 films, led by An Inconvenient Truth (2006). Week 21, 2007 took $234.9K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 21, 1998 May 17–23 No films | 0 | – | – | – |
| Week 21, 1999 May 16–22 No films | 0 | – | – | – |
| Week 21, 2000 May 14–20 No films | 0 | – | – | – |
| Week 21, 2001 May 20–26 2 films | 2 | $265.6K | – | Ram Dass: Fierce Grace (2001) $238.3K |
| Week 21, 2002 May 19–25 1 film · +172% | 1 | $723.1K | +172% | Australia: Land Beyond Time (2002) $723.1K |
| Week 21, 2003 May 18–24 1 film · −78% | 1 | $160.6K | −78% | Gigantic (A Tale of Two Johns) (2003) $160.6K |
| Week 21, 2004 May 16–22 2 films · +1611% | 2 | $2.7M | +1611% | Control Room (2004) $2.7M |
| Week 21, 2005 May 15–21 2 films · −97% | 2 | $71.2K | −97% | Shake Hands with the Devil: The Journey of Roméo Dallaire (2005) $68.2K |
| Week 21, 2006 May 21–27 2 films · +70742% | 2 | $50.5M | +70742% | An Inconvenient Truth (2006) $49.8M |
| Week 21, 2007 May 20–26 3 films · −100% | 3 | $234.9K | −100% | Calle Santa Fe (2007) $228.6K |
Archive
Documentary Box Office in 2007, Week by Week
47 weeks of 2007 with reported grosses; the biggest is week 39 (Sep 23–29) with $50.7M, led by Sea Monsters: A Prehistoric Adventure (2007).
- Week 1 $1.3M
- Week 2 $328.3K
- Week 3 No grosses
- Week 4 $77.3K
- Week 5 $1.1M
- Week 6 $13K
- Week 7 $315.7K
- Week 8 $240.2K
- Week 9 $48.5K
- Week 10 $58.8K
- Week 11 $2.8M
- Week 12 $260.6K
- Week 13 $670.7K
- Week 14 $4.8M
- Week 15 $5.3K
- Week 16 $1.5M
- Week 17 $294.9K
- Week 18 $293.6K
- Week 19 $198K
- Week 20 $104.2K
- Week 21 $234.9K
- Week 22 $1.2M
- Week 23 No grosses
- Week 24 $793.1K
- Week 25 $349.2K
- Week 26 $37.8M
- Week 27 $1.8M
- Week 28 No grosses
- Week 29 $34K
- Week 30 $1.6M
- Week 31 No grosses
- Week 32 $20.4K
- Week 33 $1.9M
- Week 34 $1M
- Week 35 $267.4K
- Week 36 $2.3M
- Week 37 $286.1K
- Week 38 $502
- Week 39 $50.7M
- Week 40 $761.6K
- Week 41 $1.3M
- Week 42 $10.9M
- Week 43 $2.4M
- Week 44 $4.2M
- Week 45 $648.3K
- Week 46 $200K
- Week 47 $17.7K
- Week 48 $94.5K
- Week 49 $535.3K
- Week 50 $1.6M
- Week 51 $452.2K
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 21 of 2007: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 21 of 2007 (May 20–26)?
Calle Santa Fe (2007) leads with $228.6K worldwide. Next come Mummies: Secrets of the Pharaohs (2007) at $3.5K and Never Apologize (2007) at $2.8K.
How much did documentary movies released in week 21 of 2007 (May 20–26) earn?
3 documentary films released in week 21 of 2007 (May 20–26) report a worldwide gross, $234.9K in all, or $78.3K per film on average.
How many documentary movies released in week 21 of 2007 (May 20–26) made $1 billion?
None. The biggest, Calle Santa Fe (2007), earned $228.6K.
How is the week 21, 2007 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2007 (May 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 21, 2007 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.