#1 of 5 2013 · Musical, Documentary
$102K worldwide · 48% of the chart's total
Becoming Traviata (2013) is the highest-grossing documentary movie released in week 20 of 2013 (May 12–18), with $102K worldwide, ahead of Hating Breitbart (2013) at $81.4K and A Story of Children and Film (2013) at $12.9K. 5 documentary films released that week report a worldwide gross, $211.8K in all, 75% of it from the US & Canada. By language, English leads with $109.8K across 4 documentary releases.
#1 of 5 2013 · Musical, Documentary
$102K worldwide · 48% of the chart's total
Becoming Traviata (2013) leads with $102K, 48% of the total. The top 5 together took $211.8K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2013 (May 12–18).
May 15, 2013 US and Canada: $62.7K Rest of the world: $39.4K Worldwide: $102K
May 17, 2013 US and Canada: $81.4K Rest of the world: Worldwide: $81.4K
May 17, 2013 US and Canada: – Rest of the world: – Worldwide: $12.9K
May 17, 2013 US and Canada: $10.4K Rest of the world: Worldwide: $10.4K
May 17, 2013 US and Canada: $5.1K Rest of the world: Worldwide: $5.1K Of the top 5, Hating Breitbart (2013) earned the biggest share at home (100% in the US & Canada), while Becoming Traviata (2013) made 39% of its gross abroad. Across all 5 films, $159.5K (75%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 20 releases took $211.8K. The biggest of these 9 weeks is week 18 (Apr 28–May 4) with $80.4M, led by The Source Family (2013).
Of these 10 years, Week 20, 2010 earned the most: $16M from 2 films, led by Sea Rex 3D: Journey to a Prehistoric World (2010). Week 20, 2013 took $211.8K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2004 May 9–15 2 films | 2 | $404.5K | – | Still We Believe: The Boston Red Sox Movie (2004) $396.8K |
| Week 20, 2005 May 8–14 4 films · +2190% | 4 | $9.3M | +2190% | Mad Hot Ballroom (2005) $9.1M |
| Week 20, 2006 May 14–20 No films | 0 | – | – | – |
| Week 20, 2007 May 13–19 2 films | 2 | $104.2K | – | In Search of Mozart (2007) $102.2K |
| Week 20, 2008 May 11–17 2 films · −9% | 2 | $94.7K | −9% | I Want to See (2008) $90.4K |
| Week 20, 2009 May 10–16 No films | 0 | – | – | – |
| Week 20, 2010 May 9–15 2 films | 2 | $16M | – | Sea Rex 3D: Journey to a Prehistoric World (2010) $16M |
| Week 20, 2011 May 8–14 8 films · −95% | 8 | $874.1K | −95% | L'amour fou (2011) $517K |
| Week 20, 2012 May 13–19 6 films · +47% | 6 | $1.3M | +47% | Bill W. (2012) $809.6K |
| Week 20, 2013 May 12–18 5 films · −84% | 5 | $211.8K | −84% | Becoming Traviata (2013) $102K |
51 weeks of 2013 with reported grosses; the biggest is week 43 (Oct 20–26) with $152.3M, led by Jackass Presents: Bad Grandpa (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Becoming Traviata (2013) leads with $102K worldwide, $62.7K of it in the US & Canada. Next come Hating Breitbart (2013) at $81.4K and A Story of Children and Film (2013) at $12.9K.
5 documentary films released in week 20 of 2013 (May 12–18) report a worldwide gross, $211.8K in all, or $42.4K per film on average.
None. The biggest, Becoming Traviata (2013), earned $102K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2013 (May 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.