#1 of 5 #1 documentary movie of Week 26, 2014
2014 · Music, Documentary
$207.6K worldwide · 41% of the chart's total
$207.6K US & Canada · 100% elsewhere · 0%
Documentary box office · Week 26 · Jun 22–28, 2014
Documentary Box Office, Week 26 of 2014: Documentary Releases of Jun 22–28
Under the Electric Sky (2014) is the highest-grossing documentary movie released in week 26 of 2014 (Jun 22–28), with $207.6K worldwide, ahead of Bound by Flesh (2014) at $163.1K and Whitey: United States of America v. James J. Bulger (2014) at $75.9K. 5 documentary films released that week report a worldwide gross, $508.6K in all, 68% of it from the US & Canada. By language, English leads with $508.6K across 5 documentary releases.
- week 26 releases with a gross
- 5
- combined worldwide
- $508.6K
- Under the Electric Sky (2014), the #1
- $207.6K
- earned in the US & Canada
- 68%
#1 of 5 Top 5
What Were the Biggest Documentary Hits of Week 26 of 2014?
Under the Electric Sky (2014) leads with $207.6K, 41% of the total. The top 5 together took $508.6K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 $75.9K Whitey: United States of America v. James J. Bulger (2014)$75.9K US & Canada · 100% elsewhere · 0% -
Number 4 $48.9K The Internet's Own Boy: The Story of Aaron Swartz (2014)$48.9K US & Canada · 100% elsewhere · 0% -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 26 of 2014, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2014 (Jun 22–28).
- 1 Jun 27, 2014 US and Canada: $207.6K Rest of the world: Worldwide: $207.6K
- 2 Jun 27, 2014 US and Canada: – Rest of the world: – Worldwide: $163.1K
- 3 Whitey: United States of America v. James J. Bulger (2014)Jun 27, 2014 US and Canada: $75.9K Rest of the world: Worldwide: $75.9K
Jun 27, 2014 · English · Biography, Crime, Documentary $75.9K worldwide - 4 The Internet's Own Boy: The Story of Aaron Swartz (2014)Jun 27, 2014 US and Canada: $48.9K Rest of the world: Worldwide: $48.9K Jun 27, 2014 · English · Biography, Crime, Documentary $48.9K worldwide
- 5 The Pleasures of Being Out of Step (2014)Jun 25, 2014 US and Canada: $13.1K Rest of the world: Worldwide: $13.1K Jun 25, 2014 · English · Biography, History, Music $13.1K worldwide
US & Canada vs the world
Where Did the Money Come From in Week 26 of 2014?
Of the top 5, Under the Electric Sky (2014) earned the biggest share at home (100% in the US & Canada), while The Pleasures of Being Out of Step (2014) made 0% of its gross abroad. Across all 5 films, $345.5K (68%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
- 1 Under the Electric Sky (2014) $207.6K $207.6K US & Canada · 100% elsewhere · 0%
- 2 Bound by Flesh (2014) $163.1K No US & Canada figure reported
- 3 Whitey: United States of America v. James J. Bulger (2014) $75.9K $75.9K US & Canada · 100% elsewhere · 0%
- 4 The Internet's Own Boy: The Story of Aaron Swartz (2014) $48.9K $48.9K US & Canada · 100% elsewhere · 0%
- 5 The Pleasures of Being Out of Step (2014) $13.1K $13.1K US & Canada · 100% elsewhere · 0%
Weeks around it
How Does Week 26 Compare With the Weeks Around It?
Week 26 releases took $508.6K. The biggest of these 9 weeks is week 27 (Jun 29–Jul 5) with $17M, led by America: Imagine a World Without Her (2014).
- Week 20 Wk 20 May 11–17 Ai Weiwei: The Fake Case (2014) $87.3K Ai Weiwei: The Fake Case (2014)
- Week 21 Wk 21 May 18–24 The Hornet's Nest (2014) $560.3K The Hornet's Nest (2014)
- Week 22 Wk 22 May 25–31 Korengal (2014) $193.3K Korengal (2014)
- Week 23 Wk 23 Jun 1–7 Colombia: Wild Magic (2014) $4.9M Colombia: Wild Magic (2014)
- Week 24 Wk 24 Jun 8–14 Return to Homs (2014) $759.4K Return to Homs (2014)
- Week 25 Wk 25 Jun 15–21 Code Black (2014) $227.6K Code Black (2014)
- Week 26 Wk 26 Jun 22–28 Under the Electric Sky (2014) $508.6K Under the Electric Sky (2014)
- Week 27 Wk 27 Jun 29–Jul 5 America: Imagine a World Without Her (2014) $17M America: Imagine a World Without Her (2014)
- Week 28 Wk 28 Jul 6–12 Made in America (2014) $10K Made in America (2014)
Earlier years
How Does Week 26 of 2014 Compare With Earlier Years?
Of these 10 years, Week 26, 2005 earned the most: $132.1M from 3 films, led by March of the Penguins (2005). Week 26, 2014 took $508.6K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2005 Jun 19–25 3 films | 3 | $132.1M | – | March of the Penguins (2005) $127.4M |
| Week 26, 2006 Jun 25–Jul 1 2 films · −99% | 2 | $1.8M | −99% | Who Killed the Electric Car? (2006) $1.8M |
| Week 26, 2007 Jun 24–30 4 films · +2042% | 4 | $37.8M | +2042% | Sicko (2007) $36.2M |
| Week 26, 2008 Jun 22–28 4 films · −99% | 4 | $530.2K | −99% | Café de los maestros (2008) $363.2K |
| Week 26, 2009 Jun 21–27 2 films · −32% | 2 | $359.9K | −32% | Keep Surfing (2009) $247K |
| Week 26, 2010 Jun 20–26 2 films · +378% | 2 | $1.7M | +378% | Restrepo (2010) $1.4M |
| Week 26, 2011 Jun 19–25 3 films · −72% | 3 | $475.1K | −72% | Conan O'Brien Can't Stop (2011) $268K |
| Week 26, 2012 Jun 24–30 3 films · +1934% | 3 | $9.7M | +1934% | Searching for Sugar Man (2012) $9.4M |
| Week 26, 2013 Jun 23–29 3 films · −94% | 3 | $606.1K | −94% | Hidden Universe (2013) $439.7K |
| Week 26, 2014 Jun 22–28 5 films · −16% | 5 | $508.6K | −16% | Under the Electric Sky (2014) $207.6K |
Archive
Documentary Box Office in 2014, Week by Week
52 weeks of 2014 with reported grosses; the biggest is week 16 (Apr 13–19) with $21.6M, led by Bears (2014).
- Week 1 $307.3K
- Week 2 $43.4K
- Week 3 $199.8K
- Week 4 $132K
- Week 5 $87.6K
- Week 6 $315.6K
- Week 7 $277.8K
- Week 8 $368.3K
- Week 9 $350.5K
- Week 10 $1.4M
- Week 11 $96.5K
- Week 12 $839.7K
- Week 13 $11.4M
- Week 14 $17.9M
- Week 15 $315.9K
- Week 16 $21.6M
- Week 17 $68.3K
- Week 18 $81.1K
- Week 19 $2M
- Week 20 $87.3K
- Week 21 $560.3K
- Week 22 $193.3K
- Week 23 $4.9M
- Week 24 $759.4K
- Week 25 $227.6K
- Week 26 $508.6K
- Week 27 $17M
- Week 28 $10K
- Week 29 $108K
- Week 30 $6.6M
- Week 31 $268.5K
- Week 32 $529.4K
- Week 33 $5.1M
- Week 34 $91.9K
- Week 35 $65.2K
- Week 36 $803.6K
- Week 37 $630.8K
- Week 38 $2.6M
- Week 39 $34.8K
- Week 40 $2.4M
- Week 41 $8.3M
- Week 42 $146.8K
- Week 43 $7.4M
- Week 44 $3.2M
- Week 45 $1.1M
- Week 46 $2.4M
- Week 47 $72.4K
- Week 48 $853.6K
- Week 49 $12.8K
- Week 50 $21.4K
- Week 51 $183.9K
- Week 52 $1.8M
- Week 53 No grosses
FAQ
Documentary Box Office Week 26 of 2014: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
What is the highest-grossing documentary movie in week 26 of 2014 (Jun 22–28)?
Under the Electric Sky (2014) leads with $207.6K worldwide, $207.6K of it in the US & Canada. Next come Bound by Flesh (2014) at $163.1K and Whitey: United States of America v. James J. Bulger (2014) at $75.9K.
How much did documentary movies released in week 26 of 2014 (Jun 22–28) earn?
5 documentary films released in week 26 of 2014 (Jun 22–28) report a worldwide gross, $508.6K in all, or $101.7K per film on average.
How many documentary movies released in week 26 of 2014 (Jun 22–28) made $1 billion?
None. The biggest, Under the Electric Sky (2014), earned $207.6K.
How is the week 26, 2014 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2014 (Jun 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 26, 2014 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.