#1 of 5 2010 · Sport, Documentary
$65.1K worldwide · 51% of the chart's total
Racing Dreams (2010) is the highest-grossing documentary movie released in week 21 of 2010 (May 16–22), with $65.1K worldwide, ahead of 180° South (2010) at $31.7K and I Wish I Knew (2010) at $16.3K. 5 documentary films released that week report a worldwide gross, $126.9K in all, 85% of it from the US & Canada. By language, English leads with $110.6K across 4 documentary releases.
#1 of 5 2010 · Sport, Documentary
$65.1K worldwide · 51% of the chart's total
Racing Dreams (2010) leads with $65.1K, 51% of the total. The top 5 together took $126.9K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2010 (May 16–22).
May 21, 2010 US and Canada: $65.1K Rest of the world: Worldwide: $65.1K
May 21, 2010 US and Canada: $31.7K Rest of the world: Worldwide: $31.7K
May 16, 2010 US and Canada: – Rest of the world: – Worldwide: $16.3K
May 21, 2010 US and Canada: $11.5K Rest of the world: Worldwide: $11.5K
Of the top 5, Racing Dreams (2010) earned the biggest share at home (100% in the US & Canada), while After the Cup: Sons of Sakhnin United (2010) made 0% of its gross abroad. Across all 5 films, $108.4K (85%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 21 releases took $126.9K. The biggest of these 9 weeks is week 17 (Apr 18–24) with $83.3M, led by Oceans (2010).
Of these 10 years, Week 21, 2006 earned the most: $50.5M from 2 films, led by An Inconvenient Truth (2006). Week 21, 2010 took $126.9K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 21, 2001 May 20–26 2 films | 2 | $265.6K | – | Ram Dass: Fierce Grace (2001) $238.3K |
| Week 21, 2002 May 19–25 1 film · +172% | 1 | $723.1K | +172% | Australia: Land Beyond Time (2002) $723.1K |
| Week 21, 2003 May 18–24 1 film · −78% | 1 | $160.6K | −78% | Gigantic (A Tale of Two Johns) (2003) $160.6K |
| Week 21, 2004 May 16–22 2 films · +1611% | 2 | $2.7M | +1611% | Control Room (2004) $2.7M |
| Week 21, 2005 May 15–21 2 films · −97% | 2 | $71.2K | −97% | Shake Hands with the Devil: The Journey of Roméo Dallaire (2005) $68.2K |
| Week 21, 2006 May 21–27 2 films · +70742% | 2 | $50.5M | +70742% | An Inconvenient Truth (2006) $49.8M |
| Week 21, 2007 May 20–26 3 films · −100% | 3 | $234.9K | −100% | Calle Santa Fe (2007) $228.6K |
| Week 21, 2008 May 18–24 2 films · −30% | 2 | $163.5K | −30% | A Jihad for Love (2008) $105.7K |
| Week 21, 2009 May 17–23 3 films · +23% | 3 | $200.5K | +23% | Burma VJ: Reporter i et lukket land (2009) $127.1K |
| Week 21, 2010 May 16–22 5 films · −37% | 5 | $126.9K | −37% | Racing Dreams (2010) $65.1K |
45 weeks of 2010 with reported grosses; the biggest is week 42 (Oct 10–16) with $178.1M, led by Jackass 3-D (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Racing Dreams (2010) leads with $65.1K worldwide, $65.1K of it in the US & Canada. Next come 180° South (2010) at $31.7K and I Wish I Knew (2010) at $16.3K.
5 documentary films released in week 21 of 2010 (May 16–22) report a worldwide gross, $126.9K in all, or $25.4K per film on average.
None. The biggest, Racing Dreams (2010), earned $65.1K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2010 (May 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.