#1 of 3 #1 documentary movie of Week 28, 2010
2010 · Documentary
$433.6K worldwide · 67% of the chart's total
$433.6K US & Canada · 100% elsewhere · 0%
Documentary box office · Week 28 · Jul 4–10, 2010
Documentary Box Office, Week 28 of 2010: Documentary Releases of Jul 4–10
I Want Your Money (2010) is the highest-grossing documentary movie released in week 28 of 2010 (Jul 4–10), with $433.6K worldwide, ahead of Winnebago Man (2010) at $181K and Autumn Gold (2010) at $32K. 3 documentary films released that week report a worldwide gross, $646.6K in all, 95% of it from the US & Canada.
- week 28 releases with a gross
- 3
- combined worldwide
- $646.6K
- I Want Your Money (2010), the #1
- $433.6K
- earned in the US & Canada
- 95%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 28 of 2010?
I Want Your Money (2010) leads with $433.6K, 67% of the total. The top 3 together took $646.6K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 28 of 2010, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 28 of 2010 (Jul 4–10).
- 1 Jul 6, 2010 US and Canada: $433.6K Rest of the world: Worldwide: $433.6K
- 2 Jul 9, 2010 US and Canada: $181K Rest of the world: Worldwide: $181K
- 3 Jul 8, 2010 US and Canada: – Rest of the world: – Worldwide: $32K
Weeks around it
How Does Week 28 Compare With the Weeks Around It?
Week 28 releases took $646.6K. The biggest of these 9 weeks is week 24 (Jun 6–12) with $3M, led by Joan Rivers: A Piece of Work (2010).
- Week 22 Wk 22 May 23–29 No reported grosses – No reported grosses
- Week 23 Wk 23 May 30–Jun 5 Noy (2010) $293.9K Noy (2010)
- Week 24 Wk 24 Jun 6–12 Joan Rivers: A Piece of Work (2010) $3M Joan Rivers: A Piece of Work (2010)
- Week 25 Wk 25 Jun 13–19 Stonewall Uprising (2010) $229.3K Stonewall Uprising (2010)
- Week 26 Wk 26 Jun 20–26 Restrepo (2010) $1.7M Restrepo (2010)
- Week 27 Wk 27 Jun 27–Jul 3 Great Directors (2010) $26.7K Great Directors (2010)
- Week 28 Wk 28 Jul 4–10 I Want Your Money (2010) $646.6K I Want Your Money (2010)
- Week 29 Wk 29 Jul 11–17 Maria and I (2010) $46.4K Maria and I (2010)
- Week 30 Wk 30 Jul 18–24 Countdown to Zero (2010) $551.9K Countdown to Zero (2010)
Earlier years
How Does Week 28 of 2010 Compare With Earlier Years?
Of these 10 years, Week 28, 2004 earned the most: $5.2M from 2 films, led by Riding Giants (2004). Week 28, 2010 took $646.6K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 28, 2001 Jul 8–14 No films | 0 | – | – | – |
| Week 28, 2002 Jul 7–13 1 film | 1 | $1M | – | Last Dance (2002) $1M |
| Week 28, 2003 Jul 6–12 No films | 0 | – | – | – |
| Week 28, 2004 Jul 4–10 2 films | 2 | $5.2M | – | Riding Giants (2004) $3.2M |
| Week 28, 2005 Jul 3–9 1 film · −66% | 1 | $1.8M | −66% | Murderball (2005) $1.8M |
| Week 28, 2006 Jul 9–15 1 film · −100% | 1 | $1.2K | −100% | The Color of Olives (2006) $1.2K |
| Week 28, 2007 Jul 8–14 No films | 0 | – | – | – |
| Week 28, 2008 Jul 6–12 2 films | 2 | $112.8K | – | Roman Polanski: Wanted and Desired (2008) $100.5K |
| Week 28, 2009 Jul 5–11 4 films · +1168% | 4 | $1.4M | +1168% | Yoo-Hoo, Mrs. Goldberg (2009) $1.1M |
| Week 28, 2010 Jul 4–10 3 films · −55% | 3 | $646.6K | −55% | I Want Your Money (2010) $433.6K |
Archive
Documentary Box Office in 2010, Week by Week
45 weeks of 2010 with reported grosses; the biggest is week 42 (Oct 10–16) with $178.1M, led by Jackass 3-D (2010).
- Week 1 $101.6K
- Week 2 $1.3M
- Week 3 $49.8K
- Week 4 No grosses
- Week 5 $36.6K
- Week 6 $28.8K
- Week 7 $1.2M
- Week 8 $239.2K
- Week 9 $901.4K
- Week 10 No grosses
- Week 11 $5.5K
- Week 12 $127.2K
- Week 13 $650.6K
- Week 14 $84.9K
- Week 15 $1.2M
- Week 16 $11.6M
- Week 17 $83.3M
- Week 18 No grosses
- Week 19 $10.4M
- Week 20 $16M
- Week 21 $126.9K
- Week 22 No grosses
- Week 23 $293.9K
- Week 24 $3M
- Week 25 $229.3K
- Week 26 $1.7M
- Week 27 $26.7K
- Week 28 $646.6K
- Week 29 $46.4K
- Week 30 $551.9K
- Week 31 $15.9K
- Week 32 $35.6K
- Week 33 No grosses
- Week 34 $1.1M
- Week 35 No grosses
- Week 36 $727.7K
- Week 37 $3.2M
- Week 38 $5.2M
- Week 39 $6.6M
- Week 40 $471.1K
- Week 41 $8.1M
- Week 42 $178.1M
- Week 43 $34.5K
- Week 44 $372.1K
- Week 45 $197.3K
- Week 46 $132.8K
- Week 47 $46.4K
- Week 48 $38.1K
- Week 49 $152.6K
- Week 50 $52K
- Week 51 No grosses
- Week 52 No grosses
- Week 53 $6.2K
FAQ
Documentary Box Office Week 28 of 2010: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 28 of 2010 (Jul 4–10)?
I Want Your Money (2010) leads with $433.6K worldwide, $433.6K of it in the US & Canada. Next come Winnebago Man (2010) at $181K and Autumn Gold (2010) at $32K.
How much did documentary movies released in week 28 of 2010 (Jul 4–10) earn?
3 documentary films released in week 28 of 2010 (Jul 4–10) report a worldwide gross, $646.6K in all, or $215.5K per film on average.
How many documentary movies released in week 28 of 2010 (Jul 4–10) made $1 billion?
None. The biggest, I Want Your Money (2010), earned $433.6K.
How is the week 28, 2010 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 28 of 2010 (Jul 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 28, 2010 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.