#1 of 3 #1 Korean-language movie of Week 41, 2018
2018 · Drama, Crime
$5.3M worldwide · 98% of the chart's total
No US & Canada figure reported
Korean box office · Week 41 · Oct 7–13, 2018
Korean Box Office, Week 41 of 2018: Korean Releases of Oct 7–13
Miss Baek (2018) is the highest-grossing Korean-language movie released in week 41 of 2018 (Oct 7–13), with $5.3M worldwide, ahead of Kim-Gun (2018) at $80.2K and Second Life (2018) at $10K. 3 Korean-language films released that week report a worldwide gross, $5.4M in all. That is down 82% on Week 40, 2018, whose releases took $30.8M.
- week 41 releases with a gross
- 3
- combined worldwide
- $5.4M
- Miss Baek (2018), the #1
- $5.3M
- vs Week 40, 2018
- −82%
#1 of 3 Top 3
What Were the Biggest Korean Hits of Week 41 of 2018?
Miss Baek (2018) leads with $5.3M, 98% of the total. The top 3 together took $5.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Korean Release of Week 41 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2018 (Oct 7–13).
- 1 Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $5.3M
- 2 Oct 7, 2018 US and Canada: – Rest of the world: – Worldwide: $80.2K
- 3 Oct 7, 2018 US and Canada: – Rest of the world: – Worldwide: $10K
Weeks around it
How Does Week 41 Compare With the Weeks Around It?
Week 41 releases took $5.4M. The biggest of these 9 weeks is week 38 (Sep 16–22) with $31M, led by Feng Shui (2018).
- Week 35 Wk 35 Aug 26–Sep 1 No reported grosses – No reported grosses
- Week 36 Wk 36 Sep 2–8 No reported grosses – No reported grosses
- Week 37 Wk 37 Sep 9–15 Monstrum (2018) $5.3M Monstrum (2018)
- Week 38 Wk 38 Sep 16–22 Feng Shui (2018) $31M Feng Shui (2018)
- Week 39 Wk 39 Sep 23–29 The Soul-Mate (2018) $3.3M The Soul-Mate (2018)
- Week 40 Wk 40 Sep 30–Oct 6 Dark Figure of Crime (2018) $30.8M Dark Figure of Crime (2018)
- Week 41 Wk 41 Oct 7–13 Miss Baek (2018) $5.4M Miss Baek (2018)
- Week 42 Wk 42 Oct 14–20 No reported grosses – No reported grosses
- Week 43 Wk 43 Oct 21–27 No reported grosses – No reported grosses
Earlier years
How Does Week 41 of 2018 Compare With Earlier Years?
Of these 10 years, Week 41, 2012 earned the most: $94.5M from 3 films, led by The Thieves (2012). Week 41, 2018 took $5.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2009 Oct 4–10 5 films | 5 | $2M | – | Season of Good Rain (2009) $1.8M |
| Week 41, 2010 Oct 3–9 1 film · −32% | 1 | $1.4M | −32% | Possessed (2010) $1.4M |
| Week 41, 2011 Oct 2–8 4 films · +43% | 4 | $1.9M | +43% | Pitch High (2011) $1.3M |
| Week 41, 2012 Oct 7–13 3 films · +4758% | 3 | $94.5M | +4758% | The Thieves (2012) $87.1M |
| Week 41, 2013 Oct 6–12 2 films · −74% | 2 | $24.4M | −74% | Hwayi: A Monster Boy (2013) $16.4M |
| Week 41, 2014 Oct 5–11 3 films · −33% | 3 | $16.3M | −33% | My Love, My Bride (2014) $15.5M |
| Week 41, 2015 Oct 4–10 2 films · −52% | 2 | $7.8M | −52% | The Advocate: A Missing Body (2015) $7.6M |
| Week 41, 2016 Oct 2–8 1 film · +135% | 1 | $18.3M | +135% | Asura: The City of Madness (2016) $18.3M |
| Week 41, 2017 Oct 8–14 5 films · −96% | 5 | $755K | −96% | Microhabitat (2017) $424K |
| Week 41, 2018 Oct 7–13 3 films · +617% | 3 | $5.4M | +617% | Miss Baek (2018) $5.3M |
Archive
Korean Box Office in 2018, Week by Week
34 weeks of 2018 with reported grosses; the biggest is week 31 (Jul 29–Aug 4) with $99.1M, led by Along with the Gods: The Last 49 Days (2018).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $134.4K
- Week 4 $25.4M
- Week 5 $14.9K
- Week 6 No grosses
- Week 7 $21.7M
- Week 8 $11.8M
- Week 9 $10.7M
- Week 10 $10.1M
- Week 11 $21.5M
- Week 12 No grosses
- Week 13 $16.8M
- Week 14 $21M
- Week 15 $4.5M
- Week 16 No grosses
- Week 17 $7M
- Week 18 $42.4K
- Week 19 $6M
- Week 20 No grosses
- Week 21 No grosses
- Week 22 $332.4K
- Week 23 No grosses
- Week 24 No grosses
- Week 25 $25M
- Week 26 $24.3M
- Week 27 No grosses
- Week 28 $22.1K
- Week 29 No grosses
- Week 30 $6.2M
- Week 31 $99.1M
- Week 32 $38.8M
- Week 33 No grosses
- Week 34 $17.1M
- Week 35 No grosses
- Week 36 No grosses
- Week 37 $5.3M
- Week 38 $31M
- Week 39 $3.3M
- Week 40 $30.8M
- Week 41 $5.4M
- Week 42 No grosses
- Week 43 No grosses
- Week 44 $52.2M
- Week 45 No grosses
- Week 46 $20.5M
- Week 47 No grosses
- Week 48 $27.7M
- Week 49 $11.6M
- Week 50 No grosses
- Week 51 $25.4M
- Week 52 $12.9M
- Week 53 $8.1M
FAQ
Korean Box Office Week 41 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Korean-language movie in week 41 of 2018 (Oct 7–13)?
Miss Baek (2018) leads with $5.3M worldwide. Next come Kim-Gun (2018) at $80.2K and Second Life (2018) at $10K.
How much did Korean-language movies released in week 41 of 2018 (Oct 7–13) earn?
3 Korean-language films released in week 41 of 2018 (Oct 7–13) report a worldwide gross, $5.4M in all, or $1.8M per film on average. Week 40, 2018 releases took $30.8M.
How many Korean-language movies released in week 41 of 2018 (Oct 7–13) made $1 billion?
None. The biggest, Miss Baek (2018), earned $5.3M.
How is the week 41, 2018 Korean box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2018 (Oct 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 41, 2018 Korean box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.