#1 of 2 The Princess and the Matchmaker (2018)
2018 · History, Romance
$9.9M worldwide · 93% of the chart's total
The Princess and the Matchmaker (2018) is the highest-grossing Korean-language movie released in week 9 of 2018 (Feb 25–Mar 3), with $9.9M worldwide, ahead of Gate (2018) at $755.9K. 2 Korean-language films released that week report a worldwide gross, $10.7M in all, <1% of it from the US & Canada.
#1 of 2 The Princess and the Matchmaker (2018)
2018 · History, Romance
$9.9M worldwide · 93% of the chart's total
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2018 (Feb 25–Mar 3).
Feb 28, 2018 US and Canada: $78.9K Rest of the world: $9.8M Worldwide: $9.9M
Feb 28, 2018 US and Canada: – Rest of the world: – Worldwide: $755.9K 34 weeks of 2018 with reported grosses; the biggest is week 31 (Jul 29–Aug 4) with $99.1M, led by Along with the Gods: The Last 49 Days (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 2 films as the chart.
The Princess and the Matchmaker (2018) leads with $9.9M worldwide, $78.9K of it in the US & Canada. Next come Gate (2018) at $755.9K.
2 Korean-language films released in week 9 of 2018 (Feb 25–Mar 3) report a worldwide gross, $10.7M in all, or $5.3M per film on average.
None. The biggest, The Princess and the Matchmaker (2018), earned $9.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2018 (Feb 25–Mar 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.