#1 of 4 #1 thriller movie of Week 19, 2015
2015 · Thriller, Horror
$7.3M worldwide · 76% of the chart's total
No US & Canada figure reported
Thriller box office · Week 19 · May 3–9, 2015
Thriller Box Office, Week 19 of 2015: Thriller Releases of May 3–9
Apparition (2015) is the highest-grossing thriller movie released in week 19 of 2015 (May 3–9), with $7.3M worldwide, ahead of Maggie (2015) at $1.7M and Skin Trade (2015) at $595.3K. 4 thriller films released that week report a worldwide gross, $9.6M in all, 2% of it from the US & Canada. That is down 99% on Week 18, 2015, whose releases took $1.4B.
- week 19 releases with a gross
- 4
- combined worldwide
- $9.6M
- Apparition (2015), the #1
- $7.3M
- vs Week 18, 2015
- −99%
#1 of 4 Top 4
What Were the Biggest Thriller Hits of Week 19 of 2015?
Apparition (2015) leads with $7.3M, 76% of the total. The top 4 together took $9.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 19 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2015 (May 3–9).
- 1 May 5, 2015 US and Canada: – Rest of the world: – Worldwide: $7.3M
- 2 May 8, 2015 US and Canada: $187.1K Rest of the world: $1.5M Worldwide: $1.7M
- 3 May 8, 2015 US and Canada: $1.2K Rest of the world: $594K Worldwide: $595.3K
- 4 May 4, 2015 US and Canada: – Rest of the world: – Worldwide: $21.4K
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $9.6M. The biggest of these 9 weeks is week 14 (Mar 29–Apr 4) with $1.5B, led by Furious 7 (2015).
- Week 13 Wk 13 Mar 22–28 The Riot Club (2015) $4.3M The Riot Club (2015)
- Week 14 Wk 14 Mar 29–Apr 4 Furious 7 (2015) $1.5B Furious 7 (2015)
- Week 15 Wk 15 Apr 5–11 Ex Machina (2015) $42.8M Ex Machina (2015)
- Week 16 Wk 16 Apr 12–18 Unfriended (2015) $82.5M Unfriended (2015)
- Week 17 Wk 17 Apr 19–25 Kung Fu Killer (2015) $25.7M Kung Fu Killer (2015)
- Week 18 Wk 18 Apr 26–May 2 Avengers: Age of Ultron (2015) $1.4B Avengers: Age of Ultron (2015)
- Week 19 Wk 19 May 3–9 Apparition (2015) $9.6M Apparition (2015)
- Week 20 Wk 20 May 10–16 Mad Max: Fury Road (2015) $396.5M Mad Max: Fury Road (2015)
- Week 21 Wk 21 May 17–23 Poltergeist (2015) $95.4M Poltergeist (2015)
Earlier years
How Does Week 19 of 2015 Compare With Earlier Years?
Of these 10 years, Week 19, 2010 earned the most: $644.8M from 4 films, led by Iron Man 2 (2010). Week 19, 2015 took $9.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2006 May 7–13 2 films | 2 | $181.7M | – | Poseidon (2006) $181.7M |
| Week 19, 2007 May 6–12 5 films · −64% | 5 | $65.5M | −64% | 28 Weeks Later (2007) $65M |
| Week 19, 2008 May 4–10 5 films · −91% | 5 | $5.6M | −91% | Frontier(s) (2008) $2.8M |
| Week 19, 2009 May 3–9 2 films · −64% | 2 | $2M | −64% | Julia (2009) $1.3M |
| Week 19, 2010 May 2–8 4 films · +31756% | 4 | $644.8M | +31756% | Iron Man 2 (2010) $623.9M |
| Week 19, 2011 May 1–7 4 films · −100% | 4 | $1.5M | −100% | Hobo with a Shotgun (2011) $748.5K |
| Week 19, 2012 May 6–12 5 films · +16058% | 5 | $248.6M | +16058% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 3 films · −99% | 3 | $1.5M | −99% | No One Lives (2013) $1M |
| Week 19, 2014 May 4–10 2 films · +141% | 2 | $3.7M | +141% | Devil's Knot (2014) $2M |
| Week 19, 2015 May 3–9 4 films · +160% | 4 | $9.6M | +160% | Apparition (2015) $7.3M |
Archive
Thriller Box Office in 2015, Week by Week
52 weeks of 2015 with reported grosses; the biggest is week 24 (Jun 7–13) with $1.7B, led by Jurassic World (2015).
- Week 1 $53.8M
- Week 2 $333M
- Week 3 $21.2M
- Week 4 $68.7M
- Week 5 $51.9M
- Week 6 $2.4M
- Week 7 $419M
- Week 8 $31.9M
- Week 9 $43.4M
- Week 10 $109.8M
- Week 11 $80.6M
- Week 12 $325.8M
- Week 13 $4.3M
- Week 14 $1.5B
- Week 15 $42.8M
- Week 16 $82.5M
- Week 17 $25.7M
- Week 18 $1.4B
- Week 19 $9.6M
- Week 20 $396.5M
- Week 21 $95.4M
- Week 22 $478.5M
- Week 23 $126.1M
- Week 24 $1.7B
- Week 25 $7K
- Week 26 $7.6M
- Week 27 $441.2M
- Week 28 $80.6M
- Week 29 $547M
- Week 30 $108M
- Week 31 $735.7M
- Week 32 $160.4M
- Week 33 $3.3M
- Week 34 $135.7M
- Week 35 $75.7M
- Week 36 $76.7M
- Week 37 $170.6M
- Week 38 $610.8M
- Week 39 $7.7M
- Week 40 $101M
- Week 41 $24.8M
- Week 42 $246.9M
- Week 43 $385.3K
- Week 44 $1.8M
- Week 45 $154.2M
- Week 46 $4.3M
- Week 47 $739.8M
- Week 48 $11.8M
- Week 49 $10.9M
- Week 50 $94.4M
- Week 51 $7.7M
- Week 52 $828M
- Week 53 No grosses
FAQ
Thriller Box Office Week 19 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing thriller movie in week 19 of 2015 (May 3–9)?
Apparition (2015) leads with $7.3M worldwide. Next come Maggie (2015) at $1.7M and Skin Trade (2015) at $595.3K.
How much did thriller movies released in week 19 of 2015 (May 3–9) earn?
4 thriller films released in week 19 of 2015 (May 3–9) report a worldwide gross, $9.6M in all, or $2.4M per film on average. Week 18, 2015 releases took $1.4B.
How many thriller movies released in week 19 of 2015 (May 3–9) made $1 billion?
None. The biggest, Apparition (2015), earned $7.3M.
How is the week 19, 2015 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2015 (May 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 19, 2015 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.