#1 of 5 2015 · Action, Adventure
$519.3M worldwide · 95% of the chart's total
Ant-Man (2015) is the highest-grossing thriller movie released in week 29 of 2015 (Jul 12–18), with $519.3M worldwide, ahead of A Hard Day (2015) at $26.5M and The Stanford Prison Experiment (2015) at $663.1K. 5 thriller films released that week report a worldwide gross, $547M in all, 33% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 6.8 times the total of Week 28, 2015, whose releases took $80.6M. By language, English leads with $520.5M across 4 thriller releases.
#1 of 5 2015 · Action, Adventure
$519.3M worldwide · 95% of the chart's total
Ant-Man (2015) leads with $519.3M, 95% of the total. The top 5 together took $547M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 29 of 2015 (Jul 12–18).
Jul 17, 2015 US and Canada: $180.2M Rest of the world: $339.1M Worldwide: $519.3M
Jul 17, 2015 US and Canada: $19K Rest of the world: $26.5M Worldwide: $26.5M
Jul 17, 2015 US and Canada: $660.6K Rest of the world: $2.6K Worldwide: $663.1K
Jul 17, 2015 US and Canada: – Rest of the world: – Worldwide: $367.9K
Jul 17, 2015 US and Canada: $38.3K Rest of the world: $141.5K Worldwide: $179.8K Of the top 5, The Stanford Prison Experiment (2015) earned the biggest share at home (100% in the US & Canada), while A Hard Day (2015) made 100% of its gross abroad. Across all 5 films, $180.9M (33%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 29 releases took $547M. The biggest of these 9 weeks is week 24 (Jun 7–13) with $1.7B, led by Jurassic World (2015).
Of these 10 years, Week 29, 2012 earned the most: $1.1B from 2 films, led by The Dark Knight Rises (2012). Week 29, 2015 took $547M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 29, 2006 Jul 16–22 8 films | 8 | $141.4M | – | Lady in the Water (2006) $72.8M |
| Week 29, 2007 Jul 15–21 3 films · −72% | 3 | $39.1M | −72% | Sunshine (2007) $38.9M |
| Week 29, 2008 Jul 13–19 6 films · +2520% | 6 | $1B | +2520% | The Dark Knight (2008) $1B |
| Week 29, 2009 Jul 12–18 2 films · −99% | 2 | $10.7M | −99% | Chaw (2009) $10.7M |
| Week 29, 2010 Jul 11–17 6 films · +7794% | 6 | $842.1M | +7794% | Inception (2010) $839.4M |
| Week 29, 2011 Jul 10–16 2 films · −100% | 2 | $93.4K | −100% | Salvation Boulevard (2011) $89.2K |
| Week 29, 2012 Jul 15–21 2 films · +1194331% | 2 | $1.1B | +1194331% | The Dark Knight Rises (2012) $1.1B |
| Week 29, 2013 Jul 14–20 10 films · −54% | 10 | $513.4M | −54% | The Conjuring (2013) $320.4M |
| Week 29, 2014 Jul 13–19 8 films · −76% | 8 | $125.6M | −76% | The Purge: Anarchy (2014) $111.9M |
| Week 29, 2015 Jul 12–18 5 films · +336% | 5 | $547M | +336% | Ant-Man (2015) $519.3M |
52 weeks of 2015 with reported grosses; the biggest is week 24 (Jun 7–13) with $1.7B, led by Jurassic World (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Ant-Man (2015) leads with $519.3M worldwide, $180.2M of it in the US & Canada. Next come A Hard Day (2015) at $26.5M and The Stanford Prison Experiment (2015) at $663.1K.
5 thriller films released in week 29 of 2015 (Jul 12–18) report a worldwide gross, $547M in all, or $109.4M per film on average. Week 28, 2015 releases took $80.6M.
None. 1 film crossed $100 million, led by Ant-Man (2015) with $519.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 29 of 2015 (Jul 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.