#1 of 6 2015 · Drama, History
$96.1M worldwide · 60% of the chart's total
Assassination (2015) is the highest-grossing thriller movie released in week 32 of 2015 (Aug 2–8), with $96.1M worldwide, ahead of The Gift (2015) at $59M and Dark Places (2015) at $5.1M. 6 thriller films released that week report a worldwide gross, $160.4M in all, 29% of it from the US & Canada. By language, Korean leads with $96.1M across 1 thriller release.
#1 of 6 2015 · Drama, History
$96.1M worldwide · 60% of the chart's total
Assassination (2015) leads with $96.1M, 60% of the total. The top 5 together took $160.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2015 (Aug 2–8).
Aug 7, 2015 US and Canada: $1.9M Rest of the world: $94.2M Worldwide: $96.1M
Aug 7, 2015 US and Canada: $43.8M Rest of the world: $15.2M Worldwide: $59M
Aug 7, 2015 US and Canada: $208.6K Rest of the world: $4.9M Worldwide: $5.1M
Aug 7, 2015 US and Canada: $134.6K Rest of the world: $9.1K Worldwide: $143.7K
Aug 5, 2015 US and Canada: – Rest of the world: – Worldwide: $56.6K
Aug 8, 2015 US and Canada: – Rest of the world: – Worldwide: $27.3K Of the top 6, Cop Car (2015) earned the biggest share at home (94% in the US & Canada), while Assassination (2015) made 98% of its gross abroad. Across all 6 films, $46M (29%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 32 releases took $160.4M. The biggest of these 9 weeks is week 31 (Jul 26–Aug 1) with $735.7M, led by Mission: Impossible - Rogue Nation (2015).
Of these 10 years, Week 32, 2009 earned the most: $328M from 4 films, led by G.I. Joe: The Rise of Cobra (2009). Week 32, 2015 took $160.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2006 Aug 6–12 1 film | 1 | $17.4K | – | The Paper Will Be Blue (2006) $17.4K |
| Week 32, 2007 Aug 5–11 3 films · +1500457% | 3 | $261.4M | +1500457% | Rush Hour 3 (2007) $258.1M |
| Week 32, 2008 Aug 3–9 7 films · −56% | 7 | $114.5M | −56% | Pineapple Express (2008) $101.6M |
| Week 32, 2009 Aug 2–8 4 films · +186% | 4 | $328M | +186% | G.I. Joe: The Rise of Cobra (2009) $302.5M |
| Week 32, 2010 Aug 1–7 5 films · −85% | 5 | $49.2M | −85% | The Man from Nowhere (2010) $44.7M |
| Week 32, 2011 Jul 31–Aug 6 1 film · −99% | 1 | $681.4K | −99% | Ghastly (2011) $681.4K |
| Week 32, 2012 Aug 5–11 5 films · +40562% | 5 | $277.1M | +40562% | The Bourne Legacy (2012) $276.1M |
| Week 32, 2013 Aug 4–10 3 films · +6% | 3 | $294.4M | +6% | Elysium (2013) $286.1M |
| Week 32, 2014 Aug 3–9 2 films · −45% | 2 | $162.1M | −45% | Into the Storm (2014) $161.5M |
| Week 32, 2015 Aug 2–8 6 films · −1% | 6 | $160.4M | −1% | Assassination (2015) $96.1M |
52 weeks of 2015 with reported grosses; the biggest is week 24 (Jun 7–13) with $1.7B, led by Jurassic World (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Assassination (2015) leads with $96.1M worldwide, $1.9M of it in the US & Canada. Next come The Gift (2015) at $59M and Dark Places (2015) at $5.1M.
6 thriller films released in week 32 of 2015 (Aug 2–8) report a worldwide gross, $160.4M in all, or $26.7M per film on average.
None. The biggest, Assassination (2015), earned $96.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2015 (Aug 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.