#1 of 6 Austin Powers: International Man of Mystery (1997)
1997 · Action, Adventure
$67.7M worldwide · 54% of the chart's total
Austin Powers: International Man of Mystery (1997) is the highest-grossing movie released in week 18 of 1997 (Apr 27–May 3), with $67.7M worldwide, ahead of Breakdown (1997) at $50.2M and Warriors of Virtue (1997) at $6.5M. 6 films released that week report a worldwide gross, $126.1M in all, 89% of it from the US & Canada. That is down 18% on Week 17, 1997, whose releases took $153.4M. By genre, Action leads with $74.2M across 2 releases.
#1 of 6 Austin Powers: International Man of Mystery (1997)
1997 · Action, Adventure
$67.7M worldwide · 54% of the chart's total
Austin Powers: International Man of Mystery (1997) leads with $67.7M, 54% of the total. The top 5 together took $125.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 1997 (Apr 27–May 3).
May 2, 1997 US and Canada: $50.2M Rest of the world: Worldwide: $50.2M
May 2, 1997 US and Canada: $6.5M Rest of the world: $12.4K Worldwide: $6.5M
Apr 30, 1997 US and Canada: $838.4K Rest of the world: Worldwide: $838.4K
May 2, 1997 US and Canada: $548.6K Rest of the world: Worldwide: $548.6K
Apr 30, 1997 US and Canada: $282.3K Rest of the world: $32.7K Worldwide: $315K Of the top 6, Breakdown (1997) earned the biggest share at home (100% in the US & Canada), while Austin Powers: International Man of Mystery (1997) made 20% of its gross abroad. Across all 6 films, $112.3M (89%) came from the US & Canada.
Week 18 releases took $126.1M. The biggest of these 9 weeks is week 12 (Mar 16–22) with $341.2M, led by Liar Liar (1997).
Of these 10 years, Week 18, 1997 earned the most: $126.1M from 6 films, led by Austin Powers: International Man of Mystery (1997).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1988 Apr 24–30 4 films | 4 | $21.8M | – | Bloodsport (1988) $11.8M |
| Week 18, 1989 Apr 30–May 6 7 films · −15% | 7 | $18.5M | −15% | Warlock (1989) $9.1M |
| Week 18, 1990 Apr 29–May 5 5 films · +46% | 5 | $26.9M | +46% | Tales from the Darkside: The Movie (1990) $16.3M |
| Week 18, 1991 Apr 28–May 4 5 films · +5% | 5 | $28.3M | +5% | One Good Cop (1991) $11.3M |
| Week 18, 1992 Apr 26–May 2 3 films · −54% | 3 | $13.1M | −54% | Folks! (1992) $6.1M |
| Week 18, 1993 Apr 25–May 1 6 films · +24% | 6 | $16.2M | +24% | Three of Hearts (1993) $5.5M |
| Week 18, 1994 Apr 24–30 6 films · +537% | 6 | $103M | +537% | When a Man Loves a Woman (1994) $50M |
| Week 18, 1995 Apr 30–May 6 2 films · +6% | 2 | $108.8M | +6% | French Kiss (1995) $102M |
| Week 18, 1996 Apr 28–May 4 6 films · −36% | 6 | $69.2M | −36% | The Eighth Day (1996) $33M |
| Week 18, 1997 Apr 27–May 3 6 films · +82% | 6 | $126.1M | +82% | Austin Powers: International Man of Mystery (1997) $67.7M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Austin Powers: International Man of Mystery (1997) leads with $67.7M worldwide, $53.9M of it in the US & Canada. Next come Breakdown (1997) at $50.2M and Warriors of Virtue (1997) at $6.5M.
6 films released in week 18 of 1997 (Apr 27–May 3) report a worldwide gross, $126.1M in all, or $21M per film on average. Week 17, 1997 releases took $153.4M.
None. The biggest, Austin Powers: International Man of Mystery (1997), earned $67.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 1997 (Apr 27–May 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.