#1 of 5 1991 · Crime, Action
$11.3M worldwide · 40% of the chart's total
One Good Cop (1991) is the highest-grossing movie released in week 18 of 1991 (Apr 28–May 4), with $11.3M worldwide, ahead of A Rage in Harlem (1991) at $10.4M and The Hitman (1991) at $4.7M. 5 films released that week report a worldwide gross, $28.3M in all, 100% of it from the US & Canada. That is down 48% on Week 17, 1991, whose releases took $54.7M. By genre, Crime leads with $26.4M across 3 releases.
#1 of 5 1991 · Crime, Action
$11.3M worldwide · 40% of the chart's total
One Good Cop (1991) leads with $11.3M, 40% of the total. The top 5 together took $28.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 1991 (Apr 28–May 4).
May 3, 1991 US and Canada: $11.3M Rest of the world: Worldwide: $11.3M
May 3, 1991 US and Canada: $10.4M Rest of the world: Worldwide: $10.4M
May 1, 1991 US and Canada: $4.7M Rest of the world: Worldwide: $4.7M
May 3, 1991 US and Canada: $561K Rest of the world: Worldwide: $561K Of the top 5, One Good Cop (1991) earned the biggest share at home (100% in the US & Canada), while Hearts of Darkness: A Filmmaker’s Apocalypse (1991) made 1% of its gross abroad. Across all 5 films, $28.2M (100%) came from the US & Canada.
Week 18 releases took $28.3M. The biggest of these 9 weeks is week 12 (Mar 17–23) with $81.6M, led by Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991).
Of these 10 years, Week 18, 1984 earned the most: $79.9M from 5 films, led by Breakin' (1984). Week 18, 1991 took $28.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 1982 Apr 25–May 1 1 film | 1 | $39.1M | – | The Sword and the Sorcerer (1982) $39.1M |
| Week 18, 1983 Apr 24–30 2 films · −40% | 2 | $23.3M | −40% | Valley Girl (1983) $17.3M |
| Week 18, 1984 Apr 29–May 5 5 films · +242% | 5 | $79.9M | +242% | Breakin' (1984) $38.7M |
| Week 18, 1985 Apr 28–May 4 7 films · −39% | 7 | $48.8M | −39% | Code of Silence (1985) $20.3M |
| Week 18, 1986 Apr 27–May 3 4 films · −37% | 4 | $30.9M | −37% | Jo Jo Dancer, Your Life Is Calling (1986) $18M |
| Week 18, 1987 Apr 26–May 2 4 films · −64% | 4 | $11.2M | −64% | American Ninja 2: The Confrontation (1987) $4M |
| Week 18, 1988 Apr 24–30 4 films · +95% | 4 | $21.8M | +95% | Bloodsport (1988) $11.8M |
| Week 18, 1989 Apr 30–May 6 7 films · −15% | 7 | $18.5M | −15% | Warlock (1989) $9.1M |
| Week 18, 1990 Apr 29–May 5 5 films · +46% | 5 | $26.9M | +46% | Tales from the Darkside: The Movie (1990) $16.3M |
| Week 18, 1991 Apr 28–May 4 5 films · +5% | 5 | $28.3M | +5% | One Good Cop (1991) $11.3M |
52 weeks of 1991 with reported grosses; the biggest is week 47 (Nov 17–23) with $709.1M, led by Beauty and the Beast (1991).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
One Good Cop (1991) leads with $11.3M worldwide, $11.3M of it in the US & Canada. Next come A Rage in Harlem (1991) at $10.4M and The Hitman (1991) at $4.7M.
5 films released in week 18 of 1991 (Apr 28–May 4) report a worldwide gross, $28.3M in all, or $5.7M per film on average. Week 17, 1991 releases took $54.7M.
None. The biggest, One Good Cop (1991), earned $11.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 1991 (Apr 28–May 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.