#1 of 7 Sleeping with the Enemy (1991)
1991 · Thriller, Drama
$175M worldwide · 66% of the chart's total
Sleeping with the Enemy (1991) is the highest-grossing movie released in week 3 of 1991 (Jan 13–19), with $175M worldwide, ahead of White Fang (1991) at $34.8M and Hamlet (1991) at $20.7M. 7 films released that week report a worldwide gross, $265.4M in all, 72% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 3.8 times the total of Week 2, 1991, whose releases took $69M. By genre, Drama leads with $245.4M across 5 releases.
#1 of 7 Sleeping with the Enemy (1991)
1991 · Thriller, Drama
$175M worldwide · 66% of the chart's total
Sleeping with the Enemy (1991) leads with $175M, 66% of the total. The top 5 together took $259.9M, 98% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 1991 (Jan 13–19).
Jan 13, 1991 US and Canada: $101.6M Rest of the world: $73.4M Worldwide: $175M
Jan 18, 1991 US and Canada: $34.8M Rest of the world: Worldwide: $34.8M
Jan 18, 1991 US and Canada: $20.7M Rest of the world: Worldwide: $20.7M
Jan 18, 1991 US and Canada: $14.9M Rest of the world: Worldwide: $14.9M
Jan 18, 1991 US and Canada: $14.6M Rest of the world: Worldwide: $14.6M
Jan 18, 1991 US and Canada: $5.5M Rest of the world: Worldwide: $5.5M
Jan 18, 1991 US and Canada: $5K Rest of the world: Worldwide: $5K Of the top 7, White Fang (1991) earned the biggest share at home (100% in the US & Canada), while Sleeping with the Enemy (1991) made 42% of its gross abroad. Across all 7 films, $192M (72%) came from the US & Canada.
Week 3 releases took $265.4M. The biggest of these 9 weeks is week 51, 1990 (Dec 16–22) with $304.6M, led by Kindergarten Cop (1990).
Of these 10 years, Week 3, 1991 earned the most: $265.4M from 7 films, led by Sleeping with the Enemy (1991).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 1982 Jan 10–16 1 film | 1 | $719.5K | – | One from the Heart (1982) $719.5K |
| Week 3, 1983 Jan 9–15 No films | 0 | – | – | – |
| Week 3, 1984 Jan 15–21 2 films | 2 | $1.1M | – | The Power (1984) $929.2K |
| Week 3, 1985 Jan 13–19 3 films · +326% | 3 | $4.5M | +326% | Blood Simple (1985) $4.3M |
| Week 3, 1986 Jan 12–18 7 films · +865% | 7 | $43.4M | +865% | Iron Eagle (1986) $24.2M |
| Week 3, 1987 Jan 11–17 3 films · −7% | 3 | $40.4M | −7% | Critical Condition (1987) $20.2M |
| Week 3, 1988 Jan 10–16 4 films · +300% | 4 | $161.7M | +300% | Good Morning, Vietnam (1988) $123.9M |
| Week 3, 1989 Jan 15–21 1 film · −99% | 1 | $858.6K | −99% | The Terror Within (1989) $858.6K |
| Week 3, 1990 Jan 14–20 4 films · +2367% | 4 | $21.2M | +2367% | Tremors (1990) $16.7M |
| Week 3, 1991 Jan 13–19 7 films · +1153% | 7 | $265.4M | +1153% | Sleeping with the Enemy (1991) $175M |
52 weeks of 1991 with reported grosses; the biggest is week 47 (Nov 17–23) with $709.1M, led by Beauty and the Beast (1991).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Sleeping with the Enemy (1991) leads with $175M worldwide, $101.6M of it in the US & Canada. Next come White Fang (1991) at $34.8M and Hamlet (1991) at $20.7M.
7 films released in week 3 of 1991 (Jan 13–19) report a worldwide gross, $265.4M in all, or $37.9M per film on average. Week 2, 1991 releases took $69M.
None. 1 film crossed $100 million, led by Sleeping with the Enemy (1991) with $175M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 1991 (Jan 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.