#1 of 5 Sleeping with the Enemy (1991)
1991 · Thriller, Drama
$175M worldwide · 71% of the chart's total
Sleeping with the Enemy (1991) is the highest-grossing drama movie released in week 3 of 1991 (Jan 13–19), with $175M worldwide, ahead of White Fang (1991) at $34.8M and Hamlet (1991) at $20.7M. 5 drama films released that week report a worldwide gross, $245.4M in all, 70% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 3.6 times the total of Week 2, 1991, whose releases took $68.9M. By language, English leads with $210.6M across 4 drama releases.
#1 of 5 Sleeping with the Enemy (1991)
1991 · Thriller, Drama
$175M worldwide · 71% of the chart's total
Sleeping with the Enemy (1991) leads with $175M, 71% of the total. The top 5 together took $245.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 1991 (Jan 13–19).
Jan 13, 1991 US and Canada: $101.6M Rest of the world: $73.4M Worldwide: $175M
Jan 18, 1991 US and Canada: $34.8M Rest of the world: Worldwide: $34.8M
Jan 18, 1991 US and Canada: $20.7M Rest of the world: Worldwide: $20.7M
Jan 18, 1991 US and Canada: $14.9M Rest of the world: Worldwide: $14.9M
Jan 18, 1991 US and Canada: $5K Rest of the world: Worldwide: $5K Of the top 5, White Fang (1991) earned the biggest share at home (100% in the US & Canada), while Sleeping with the Enemy (1991) made 42% of its gross abroad. Across all 5 films, $172M (70%) came from the US & Canada.
Week 3 releases took $245.4M. The biggest of these 9 weeks is week 3 (Jan 13–19) with $245.4M, led by Sleeping with the Enemy (1991).
Of these 10 years, Week 3, 1991 earned the most: $245.4M from 5 films, led by Sleeping with the Enemy (1991).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 1982 Jan 10–16 1 film | 1 | $719.5K | – | One from the Heart (1982) $719.5K |
| Week 3, 1983 Jan 9–15 No films | 0 | – | – | – |
| Week 3, 1984 Jan 15–21 1 film | 1 | $127.4K | – | Petit Con (1984) $127.4K |
| Week 3, 1985 Jan 13–19 3 films · +3430% | 3 | $4.5M | +3430% | Blood Simple (1985) $4.3M |
| Week 3, 1986 Jan 12–18 3 films · +120% | 3 | $9.9M | +120% | Runaway Train (1986) $7.7M |
| Week 3, 1987 Jan 11–17 No films | 0 | – | – | – |
| Week 3, 1988 Jan 10–16 2 films | 2 | $141.4M | – | Good Morning, Vietnam (1988) $123.9M |
| Week 3, 1989 Jan 15–21 No films | 0 | – | – | – |
| Week 3, 1990 Jan 14–20 1 film | 1 | $1.5M | – | Streets (1990) $1.5M |
| Week 3, 1991 Jan 13–19 5 films · +16148% | 5 | $245.4M | +16148% | Sleeping with the Enemy (1991) $175M |
48 weeks of 1991 with reported grosses; the biggest is week 24 (Jun 9–15) with $390.5M, led by Robin Hood: Prince of Thieves (1991).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Sleeping with the Enemy (1991) leads with $175M worldwide, $101.6M of it in the US & Canada. Next come White Fang (1991) at $34.8M and Hamlet (1991) at $20.7M.
5 drama films released in week 3 of 1991 (Jan 13–19) report a worldwide gross, $245.4M in all, or $49.1M per film on average. Week 2, 1991 releases took $68.9M.
None. 1 film crossed $100 million, led by Sleeping with the Enemy (1991) with $175M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 1991 (Jan 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.