#1 of 6 Night Falls on Manhattan (1997)
1997 · Drama, Crime
$9.9M worldwide · 73% of the chart's total
Night Falls on Manhattan (1997) is the highest-grossing movie released in week 20 of 1997 (May 11–17), with $9.9M worldwide, ahead of Love! Valour! Compassion! (1997) at $3M and The End of Violence (1997) at $386.7K. 6 films released that week report a worldwide gross, $13.6M in all, 100% of it from the US & Canada. That is down 95% on Week 19, 1997, whose releases took $293.2M. By genre, Drama leads with $13.3M across 4 releases.
#1 of 6 Night Falls on Manhattan (1997)
1997 · Drama, Crime
$9.9M worldwide · 73% of the chart's total
Night Falls on Manhattan (1997) leads with $9.9M, 73% of the total. The top 5 together took $13.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 1997 (May 11–17).
May 16, 1997 US and Canada: $9.9M Rest of the world: Worldwide: $9.9M
May 16, 1997 US and Canada: $3M Rest of the world: Worldwide: $3M
May 11, 1997 US and Canada: $386.7K Rest of the world: Worldwide: $386.7K
May 13, 1997 US and Canada: $37.6K Rest of the world: Worldwide: $37.6K
May 15, 1997 US and Canada: – Rest of the world: – Worldwide: $1.8K Of the top 6, Night Falls on Manhattan (1997) earned the biggest share at home (100% in the US & Canada), while Welcome to Woop Woop (1997) made 0% of its gross abroad. Across all 6 films, $13.6M (100%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 20 releases took $13.6M. The biggest of these 9 weeks is week 21 (May 18–24) with $655.9M, led by The Lost World: Jurassic Park (1997).
Of these 10 years, Week 20, 1995 earned the most: $411.1M from 5 films, led by Die Hard: With a Vengeance (1995). Week 20, 1997 took $13.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 1988 May 8–14 9 films | 9 | $24.9M | – | Friday the 13th Part VII: The New Blood (1988) $19.2M |
| Week 20, 1989 May 14–20 9 films · +42% | 9 | $35.5M | +42% | Road House (1989) $30.1M |
| Week 20, 1990 May 13–19 2 films · +369% | 2 | $166.3M | +369% | Bird on a Wire (1990) $138.7M |
| Week 20, 1991 May 12–18 7 films · −52% | 7 | $79.2M | −52% | What About Bob? (1991) $63.7M |
| Week 20, 1992 May 10–16 5 films · +309% | 5 | $323.9M | +309% | Lethal Weapon 3 (1992) $321.7M |
| Week 20, 1993 May 9–15 5 films · −90% | 5 | $32.4M | −90% | Posse (1993) $18.3M |
| Week 20, 1994 May 8–14 6 films · +126% | 6 | $73.2M | +126% | The Crow (1994) $50.8M |
| Week 20, 1995 May 14–20 5 films · +462% | 5 | $411.1M | +462% | Die Hard: With a Vengeance (1995) $366.1M |
| Week 20, 1996 May 12–18 6 films · −92% | 6 | $31M | −92% | Flipper (1996) $20.1M |
| Week 20, 1997 May 11–17 6 films · −56% | 6 | $13.6M | −56% | Night Falls on Manhattan (1997) $9.9M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Night Falls on Manhattan (1997) leads with $9.9M worldwide, $9.9M of it in the US & Canada. Next come Love! Valour! Compassion! (1997) at $3M and The End of Violence (1997) at $386.7K.
6 films released in week 20 of 1997 (May 11–17) report a worldwide gross, $13.6M in all, or $2.3M per film on average. Week 19, 1997 releases took $293.2M.
None. The biggest, Night Falls on Manhattan (1997), earned $9.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 1997 (May 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.