#1 of 6 1997 · Sci-Fi, Drama
$171.1M worldwide · 86% of the chart's total
Contact (1997) is the highest-grossing movie released in week 28 of 1997 (Jul 6–12), with $171.1M worldwide, ahead of Thrill Ride: The Science of Fun (1997) at $18.8M and A Simple Wish (1997) at $8.3M. 6 films released that week report a worldwide gross, $198.5M in all, 65% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 68% on Week 27, 1997, whose releases took $627.5M. By genre, Drama leads with $171.2M across 3 releases.
#1 of 6 1997 · Sci-Fi, Drama
$171.1M worldwide · 86% of the chart's total
Contact (1997) leads with $171.1M, 86% of the total. The top 5 together took $198.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 28 of 1997 (Jul 6–12).
Jul 11, 1997 US and Canada: $100.9M Rest of the world: $70.2M Worldwide: $171.1M
Jul 11, 1997 US and Canada: $8.3M Rest of the world: Worldwide: $8.3M
Jul 9, 1997 US and Canada: $130.1K Rest of the world: Worldwide: $130.1K
Jul 7, 1997 US and Canada: $44K Rest of the world: Worldwide: $44K
Jul 11, 1997 US and Canada: $19.1K Rest of the world: Worldwide: $19.1K Of the top 6, Thrill Ride: The Science of Fun (1997) earned the biggest share at home (100% in the US & Canada), while Contact (1997) made 41% of its gross abroad. Across all 6 films, $128.3M (65%) came from the US & Canada.
Week 28 releases took $198.5M. The biggest of these 9 weeks is week 27 (Jun 29–Jul 5) with $627.5M, led by Men in Black (1997).
Of these 10 years, Week 28, 1994 earned the most: $678.2M from 1 film, led by Forrest Gump (1994). Week 28, 1997 took $198.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 28, 1988 Jul 3–9 5 films | 5 | $63M | – | License to Drive (1988) $22.4M |
| Week 28, 1989 Jul 9–15 5 films · +299% | 5 | $251.5M | +299% | Licence to Kill (1989) $156.2M |
| Week 28, 1990 Jul 8–14 3 films · +116% | 3 | $542.4M | +116% | Ghost (1990) $505.7M |
| Week 28, 1991 Jul 7–13 3 films · −66% | 3 | $184.1M | −66% | Point Break (1991) $83.5M |
| Week 28, 1992 Jul 5–11 5 films · −59% | 5 | $75.7M | −59% | Universal Soldier (1992) $36.3M |
| Week 28, 1993 Jul 4–10 3 films · +225% | 3 | $246.2M | +225% | In the Line of Fire (1993) $177M |
| Week 28, 1994 Jul 3–9 1 film · +175% | 1 | $678.2M | +175% | Forrest Gump (1994) $678.2M |
| Week 28, 1995 Jul 9–15 4 films · −55% | 4 | $308.6M | −55% | Nine Months (1995) $138.5M |
| Week 28, 1996 Jul 7–13 1 film · −100% | 1 | $25.9K | −100% | Army Daze (1996) $25.9K |
| Week 28, 1997 Jul 6–12 6 films · +766677% | 6 | $198.5M | +766677% | Contact (1997) $171.1M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Contact (1997) leads with $171.1M worldwide, $100.9M of it in the US & Canada. Next come Thrill Ride: The Science of Fun (1997) at $18.8M and A Simple Wish (1997) at $8.3M.
6 films released in week 28 of 1997 (Jul 6–12) report a worldwide gross, $198.5M in all, or $33.1M per film on average. Week 27, 1997 releases took $627.5M.
None. 1 film crossed $100 million, led by Contact (1997) with $171.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 28 of 1997 (Jul 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.