#1 of 7 1997 · Action, Sci-Fi
$118.1M worldwide · 72% of the chart's total
The Saint (1997) is the highest-grossing movie released in week 14 of 1997 (Mar 30–Apr 5), with $118.1M worldwide, ahead of That Old Feeling (1997) at $16.6M and Chasing Amy (1997) at $12M. 7 films released that week report a worldwide gross, $165M in all, 66% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 7% on Week 13, 1997, whose releases took $154.3M. By genre, Romance leads with $153.5M across 5 releases.
#1 of 7 1997 · Action, Sci-Fi
$118.1M worldwide · 72% of the chart's total
The Saint (1997) leads with $118.1M, 72% of the total. The top 5 together took $164M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 1997 (Mar 30–Apr 5).
Apr 4, 1997 US and Canada: $61.4M Rest of the world: $56.7M Worldwide: $118.1M
Apr 4, 1997 US and Canada: $16.6M Rest of the world: Worldwide: $16.6M
Apr 4, 1997 US and Canada: $12M Rest of the world: Worldwide: $12M
Apr 4, 1997 US and Canada: $11.4M Rest of the world: Worldwide: $11.4M
Apr 4, 1997 US and Canada: $5.9M Rest of the world: Worldwide: $5.9M
Apr 4, 1997 US and Canada: $858.6K Rest of the world: Worldwide: $858.6K
Apr 1, 1997 US and Canada: $69.9K Rest of the world: Worldwide: $69.9K Of the top 7, That Old Feeling (1997) earned the biggest share at home (100% in the US & Canada), while The Saint (1997) made 48% of its gross abroad. Across all 7 films, $108.3M (66%) came from the US & Canada.
Week 14 releases took $165M. The biggest of these 9 weeks is week 12 (Mar 16–22) with $341.2M, led by Liar Liar (1997).
Of these 10 years, Week 14, 1995 earned the most: $277.8M from 6 films, led by Bad Boys (1995). Week 14, 1997 took $165M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1988 Mar 27–Apr 2 4 films | 4 | $109.9M | – | Beetlejuice (1988) $74.9M |
| Week 14, 1989 Apr 2–8 6 films · +8% | 6 | $118.2M | +8% | Major League (1989) $49.8M |
| Week 14, 1990 Apr 1–7 7 films · −29% | 7 | $83.6M | −29% | Ernest Goes to Jail (1990) $25M |
| Week 14, 1991 Mar 31–Apr 6 6 films · −60% | 6 | $33.4M | −60% | Defending Your Life (1991) $16.4M |
| Week 14, 1992 Mar 29–Apr 4 6 films · +543% | 6 | $214.6M | +543% | Beethoven (1992) $147.2M |
| Week 14, 1993 Mar 28–Apr 3 4 films · −71% | 4 | $62.7M | −71% | Cop & ½ (1993) $40.7M |
| Week 14, 1994 Mar 27–Apr 2 3 films · −33% | 3 | $41.8M | −33% | Major League II (1994) $30.6M |
| Week 14, 1995 Apr 2–8 6 films · +564% | 6 | $277.8M | +564% | Bad Boys (1995) $141.4M |
| Week 14, 1996 Mar 31–Apr 6 4 films · −49% | 4 | $140.3M | −49% | Primal Fear (1996) $102.6M |
| Week 14, 1997 Mar 30–Apr 5 7 films · +18% | 7 | $165M | +18% | The Saint (1997) $118.1M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Saint (1997) leads with $118.1M worldwide, $61.4M of it in the US & Canada. Next come That Old Feeling (1997) at $16.6M and Chasing Amy (1997) at $12M.
7 films released in week 14 of 1997 (Mar 30–Apr 5) report a worldwide gross, $165M in all, or $23.6M per film on average. Week 13, 1997 releases took $154.3M.
None. 1 film crossed $100 million, led by The Saint (1997) with $118.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 1997 (Mar 30–Apr 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.