#1 of 5 Neon Genesis Evangelion: Death and Rebirth (1997)
1997 · Sci-Fi, Drama
$15.8M worldwide · 52% of the chart's total
Neon Genesis Evangelion: Death and Rebirth (1997) is the highest-grossing movie released in week 11 of 1997 (Mar 9–15), with $15.8M worldwide, ahead of Love Jones (1997) at $12.8M and City of Industry (1997) at $1.6M. 5 films released that week report a worldwide gross, $30.2M in all, 47% of it from the US & Canada. That is down 71% on Week 10, 1997, whose releases took $105.4M. By genre, Drama leads with $28.6M across 4 releases.
#1 of 5 Neon Genesis Evangelion: Death and Rebirth (1997)
1997 · Sci-Fi, Drama
$15.8M worldwide · 52% of the chart's total
Neon Genesis Evangelion: Death and Rebirth (1997) leads with $15.8M, 52% of the total. The top 5 together took $30.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 1997 (Mar 9–15).
Mar 14, 1997 US and Canada: $12.5M Rest of the world: $303.4K Worldwide: $12.8M
Mar 14, 1997 US and Canada: $1.6M Rest of the world: Worldwide: $1.6M
Mar 14, 1997 US and Canada: $31.6K Rest of the world: Worldwide: $31.6K
Mar 9, 1997 US and Canada: $3.3K Rest of the world: Worldwide: $3.3K Of the top 5, City of Industry (1997) earned the biggest share at home (100% in the US & Canada), while Love Jones (1997) made 2% of its gross abroad. Across all 5 films, $14.1M (47%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 11 releases took $30.2M. The biggest of these 9 weeks is week 12 (Mar 16–22) with $341.2M, led by Liar Liar (1997).
Of these 10 years, Week 11, 1994 earned the most: $311.6M from 6 films, led by Four Weddings and a Funeral (1994). Week 11, 1997 took $30.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1988 Mar 6–12 5 films | 5 | $50.9M | – | Masquerade (1988) $15.9M |
| Week 11, 1989 Mar 12–18 3 films · +12% | 3 | $57.2M | +12% | Fletch Lives (1989) $39.5M |
| Week 11, 1990 Mar 11–17 7 films · −27% | 7 | $42M | −27% | Lord of the Flies (1990) $14M |
| Week 11, 1991 Mar 10–16 6 films · +24% | 6 | $52.3M | +24% | Class Action (1991) $28.3M |
| Week 11, 1992 Mar 8–14 4 films · +110% | 4 | $110M | +110% | My Cousin Vinny (1992) $64.1M |
| Week 11, 1993 Mar 7–13 4 films · −53% | 4 | $51.6M | −53% | Fire in the Sky (1993) $19.9M |
| Week 11, 1994 Mar 6–12 6 films · +504% | 6 | $311.6M | +504% | Four Weddings and a Funeral (1994) $245.7M |
| Week 11, 1995 Mar 12–18 5 films · −82% | 5 | $57M | −82% | Circle of Friends (1995) $23.4M |
| Week 11, 1996 Mar 10–16 3 films · +123% | 3 | $127.3M | +123% | Executive Decision (1996) $122M |
| Week 11, 1997 Mar 9–15 5 films · −76% | 5 | $30.2M | −76% | Neon Genesis Evangelion: Death and Rebirth (1997) $15.8M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Neon Genesis Evangelion: Death and Rebirth (1997) leads with $15.8M worldwide. Next come Love Jones (1997) at $12.8M and City of Industry (1997) at $1.6M.
5 films released in week 11 of 1997 (Mar 9–15) report a worldwide gross, $30.2M in all, or $6M per film on average. Week 10, 1997 releases took $105.4M.
None. The biggest, Neon Genesis Evangelion: Death and Rebirth (1997), earned $15.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 1997 (Mar 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.