#1 of 7 1990 · Adventure, Drama
$14M worldwide · 33% of the chart's total
Lord of the Flies (1990) is the highest-grossing movie released in week 11 of 1990 (Mar 11–17), with $14M worldwide, ahead of Nuns on the Run (1990) at $11M and Blue Steel (1990) at $8.2M. 7 films released that week report a worldwide gross, $42M in all, 100% of it from the US & Canada. That is down 53% on Week 10, 1990, whose releases took $89.5M. By genre, Drama leads with $31.1M across 6 releases.
#1 of 7 1990 · Adventure, Drama
$14M worldwide · 33% of the chart's total
Lord of the Flies (1990) leads with $14M, 33% of the total. The top 5 together took $40.1M, 95% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 1990 (Mar 11–17).
Mar 16, 1990 US and Canada: $14M Rest of the world: Worldwide: $14M
Mar 16, 1990 US and Canada: $11M Rest of the world: Worldwide: $11M
Mar 16, 1990 US and Canada: $8.2M Rest of the world: Worldwide: $8.2M
Mar 16, 1990 US and Canada: $4.3M Rest of the world: Worldwide: $4.3M
Mar 16, 1990 US and Canada: $2.7M Rest of the world: Worldwide: $2.7M
Mar 16, 1990 US and Canada: $1.8M Rest of the world: Worldwide: $1.8M
Mar 16, 1990 US and Canada: $85.4K Rest of the world: Worldwide: $85.4K Of the top 7, Lord of the Flies (1990) earned the biggest share at home (100% in the US & Canada), while Chicago Joe and the Showgirl (1990) made 0% of its gross abroad. Across all 7 films, $42M (100%) came from the US & Canada.
Week 11 releases took $42M. The biggest of these 9 weeks is week 12 (Mar 18–24) with $470.3M, led by Pretty Woman (1990).
Of these 10 years, Week 11, 1987 earned the most: $71.8M from 7 films, led by Raising Arizona (1987). Week 11, 1990 took $42M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1981 Mar 8–14 4 films | 4 | $22.7M | – | Back Roads (1981) $11.8M |
| Week 11, 1982 Mar 7–13 4 films · +123% | 4 | $50.8M | +123% | Richard Pryor: Live on the Sunset Strip (1982) $36.3M |
| Week 11, 1983 Mar 6–12 2 films · −77% | 2 | $11.5M | −77% | 10 to Midnight (1983) $7.2M |
| Week 11, 1984 Mar 11–17 2 films · +123% | 2 | $25.6M | +123% | The Ice Pirates (1984) $14.3M |
| Week 11, 1985 Mar 10–16 2 films · −94% | 2 | $1.4M | −94% | DEFCON-4 (1985) $1.1M |
| Week 11, 1986 Mar 9–15 4 films · +2843% | 4 | $42.5M | +2843% | Gung Ho (1986) $36.6M |
| Week 11, 1987 Mar 8–14 7 films · +69% | 7 | $71.8M | +69% | Raising Arizona (1987) $29.2M |
| Week 11, 1988 Mar 6–12 5 films · −29% | 5 | $50.9M | −29% | Masquerade (1988) $15.9M |
| Week 11, 1989 Mar 12–18 3 films · +12% | 3 | $57.2M | +12% | Fletch Lives (1989) $39.5M |
| Week 11, 1990 Mar 11–17 7 films · −27% | 7 | $42M | −27% | Lord of the Flies (1990) $14M |
52 weeks of 1990 with reported grosses; the biggest is week 46 (Nov 11–17) with $624.6M, led by Home Alone (1990).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Lord of the Flies (1990) leads with $14M worldwide, $14M of it in the US & Canada. Next come Nuns on the Run (1990) at $11M and Blue Steel (1990) at $8.2M.
7 films released in week 11 of 1990 (Mar 11–17) report a worldwide gross, $42M in all, or $6M per film on average. Week 10, 1990 releases took $89.5M.
None. The biggest, Lord of the Flies (1990), earned $14M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 1990 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.