#1 of 5 1997 · Action, Adventure
$263.9M worldwide · 90% of the chart's total
The Fifth Element (1997) is the highest-grossing movie released in week 19 of 1997 (May 4–10), with $263.9M worldwide, ahead of Fathers' Day (1997) at $28.6M and Steam: The Turkish Bath (1997) at $384.8K. 5 films released that week report a worldwide gross, $293.2M in all, 32% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 132% on Week 18, 1997, whose releases took $126.1M. By genre, Romance leads with $292.5M across 2 releases.
#1 of 5 1997 · Action, Adventure
$263.9M worldwide · 90% of the chart's total
The Fifth Element (1997) leads with $263.9M, 90% of the total. The top 5 together took $293.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 1997 (May 4–10).
May 9, 1997 US and Canada: $63.8M Rest of the world: $200.1M Worldwide: $263.9M
May 9, 1997 US and Canada: $28.6M Rest of the world: Worldwide: $28.6M
May 9, 1997 US and Canada: $384.8K Rest of the world: Worldwide: $384.8K
May 9, 1997 US and Canada: $194.2K Rest of the world: $3.8K Worldwide: $198K
May 4, 1997 US and Canada: $78K Rest of the world: Worldwide: $78K Of the top 5, Fathers' Day (1997) earned the biggest share at home (100% in the US & Canada), while The Fifth Element (1997) made 76% of its gross abroad. Across all 5 films, $93.1M (32%) came from the US & Canada.
Week 19 releases took $293.2M. The biggest of these 9 weeks is week 21 (May 18–24) with $655.9M, led by The Lost World: Jurassic Park (1997).
Of these 10 years, Week 19, 1996 earned the most: $505.1M from 6 films, led by Twister (1996). Week 19, 1997 took $293.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 1988 May 1–7 7 films | 7 | $18.9M | – | Shakedown (1988) $10.1M |
| Week 19, 1989 May 7–13 8 films · +181% | 8 | $53.3M | +181% | See No Evil, Hear No Evil (1989) $46.9M |
| Week 19, 1990 May 6–12 4 films · −90% | 4 | $5.4M | −90% | Dreams (1990) $3M |
| Week 19, 1991 May 5–11 5 films · +683% | 5 | $42.6M | +683% | F/X2 (1991) $21.1M |
| Week 19, 1992 May 3–9 3 films · −85% | 3 | $6.4M | −85% | CrissCross (1992) $3.1M |
| Week 19, 1993 May 2–8 3 films · +1874% | 3 | $126.9M | +1874% | Dragon: The Bruce Lee Story (1993) $63.5M |
| Week 19, 1994 May 1–7 7 films · −79% | 7 | $26.5M | −79% | 3 Ninjas Kick Back (1994) $11.8M |
| Week 19, 1995 May 7–13 6 films · +565% | 6 | $176.1M | +565% | Crimson Tide (1995) $157.4M |
| Week 19, 1996 May 5–11 6 films · +187% | 6 | $505.1M | +187% | Twister (1996) $494.6M |
| Week 19, 1997 May 4–10 5 films · −42% | 5 | $293.2M | −42% | The Fifth Element (1997) $263.9M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Fifth Element (1997) leads with $263.9M worldwide, $63.8M of it in the US & Canada. Next come Fathers' Day (1997) at $28.6M and Steam: The Turkish Bath (1997) at $384.8K.
5 films released in week 19 of 1997 (May 4–10) report a worldwide gross, $293.2M in all, or $58.6M per film on average. Week 18, 1997 releases took $126.1M.
None. 1 film crossed $100 million, led by The Fifth Element (1997) with $263.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 1997 (May 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.