#1 of 7 1997 · Action, Adventure
$136.9M worldwide · 77% of the chart's total
Anaconda (1997) is the highest-grossing movie released in week 15 of 1997 (Apr 6–12), with $136.9M worldwide, ahead of Grosse Pointe Blank (1997) at $28.1M and Shall We Dance? (1997) at $9.5M. 7 films released that week report a worldwide gross, $177.6M in all, 60% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 8% on Week 14, 1997, whose releases took $165M. By genre, Thriller leads with $165M across 3 releases.
#1 of 7 1997 · Action, Adventure
$136.9M worldwide · 77% of the chart's total
Anaconda (1997) leads with $136.9M, 77% of the total. The top 5 together took $177.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 1997 (Apr 6–12).
Apr 11, 1997 US and Canada: $65.9M Rest of the world: $71M Worldwide: $136.9M
Apr 11, 1997 US and Canada: $28.1M Rest of the world: Worldwide: $28.1M
Apr 11, 1997 US and Canada: $9.5M Rest of the world: Worldwide: $9.5M
Apr 11, 1997 US and Canada: $2M Rest of the world: Worldwide: $2M
Apr 11, 1997 US and Canada: $127.9K Rest of the world: $911.7K Worldwide: $1M
Apr 11, 1997 US and Canada: $57.3K Rest of the world: Worldwide: $57.3K
Apr 9, 1997 US and Canada: $10.6K Rest of the world: Worldwide: $10.6K Of the top 7, Grosse Pointe Blank (1997) earned the biggest share at home (100% in the US & Canada), while Twin Town (1997) made 88% of its gross abroad. Across all 7 films, $105.7M (60%) came from the US & Canada.
Week 15 releases took $177.6M. The biggest of these 9 weeks is week 12 (Mar 16–22) with $341.2M, led by Liar Liar (1997).
Of these 10 years, Week 15, 1993 earned the most: $305.1M from 4 films, led by Indecent Proposal (1993). Week 15, 1997 took $177.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 1988 Apr 3–9 3 films | 3 | $12.9M | – | Bad Dreams (1988) $9.8M |
| Week 15, 1989 Apr 9–15 5 films · +107% | 5 | $26.8M | +107% | She's Out of Control (1989) $12.1M |
| Week 15, 1990 Apr 8–14 3 films · −22% | 3 | $20.8M | −22% | Crazy People (1990) $13.2M |
| Week 15, 1991 Apr 7–13 3 films · +136% | 3 | $48.9M | +136% | Out for Justice (1991) $39.7M |
| Week 15, 1992 Apr 5–11 5 films · +37% | 5 | $67.1M | +37% | FernGully: The Last Rainforest (1992) $32.7M |
| Week 15, 1993 Apr 4–10 4 films · +355% | 4 | $305.1M | +355% | Indecent Proposal (1993) $266.6M |
| Week 15, 1994 Apr 3–9 2 films · −99% | 2 | $3.2M | −99% | Red Rock West (1994) $2.5M |
| Week 15, 1995 Apr 9–15 5 films · +582% | 5 | $21.9M | +582% | Jury Duty (1995) $17M |
| Week 15, 1996 Apr 7–13 4 films · +587% | 4 | $150.7M | +587% | Courage Under Fire (1996) $100.9M |
| Week 15, 1997 Apr 6–12 7 films · +18% | 7 | $177.6M | +18% | Anaconda (1997) $136.9M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Anaconda (1997) leads with $136.9M worldwide, $65.9M of it in the US & Canada. Next come Grosse Pointe Blank (1997) at $28.1M and Shall We Dance? (1997) at $9.5M.
7 films released in week 15 of 1997 (Apr 6–12) report a worldwide gross, $177.6M in all, or $25.4M per film on average. Week 14, 1997 releases took $165M.
None. 1 film crossed $100 million, led by Anaconda (1997) with $136.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 1997 (Apr 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.