#1 of 7 1997 · Drama, Mystery
$60.5M worldwide · 83% of the chart's total
Kiss the Girls (1997) is the highest-grossing movie released in week 40 of 1997 (Sep 28–Oct 4), with $60.5M worldwide, ahead of U Turn (1997) at $6.7M and The Matchmaker (1997) at $3.4M. 7 films released that week report a worldwide gross, $72.8M in all, 100% of it from the US & Canada. That is down 65% on Week 39, 1997, whose releases took $205.6M. By genre, Drama leads with $69.1M across 5 releases.
#1 of 7 1997 · Drama, Mystery
$60.5M worldwide · 83% of the chart's total
Kiss the Girls (1997) leads with $60.5M, 83% of the total. The top 5 together took $72.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 1997 (Sep 28–Oct 4).
Oct 3, 1997 US and Canada: $60.5M Rest of the world: Worldwide: $60.5M
Oct 3, 1997 US and Canada: $6.7M Rest of the world: Worldwide: $6.7M
Oct 3, 1997 US and Canada: $3.4M Rest of the world: Worldwide: $3.4M
Oct 3, 1997 US and Canada: $1.9M Rest of the world: Worldwide: $1.9M
Sep 28, 1997 US and Canada: $332.6K Rest of the world: Worldwide: $332.6K
Oct 3, 1997 US and Canada: $40.2K Rest of the world: Worldwide: $40.2K
Oct 1, 1997 US and Canada: $7.3K Rest of the world: Worldwide: $7.3K Of the top 7, Kiss the Girls (1997) earned the biggest share at home (100% in the US & Canada), while Sparkler (1997) made 0% of its gross abroad. Across all 7 films, $72.8M (100%) came from the US & Canada.
Week 40 releases took $72.8M. The biggest of these 9 weeks is week 42 (Oct 12–18) with $283.4M, led by The Devil's Advocate (1997).
Of these 10 years, Week 40, 1993 earned the most: $230.8M from 8 films, led by Cool Runnings (1993). Week 40, 1997 took $72.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 1988 Sep 25–Oct 1 11 films | 11 | $38.8M | – | Cinema Paradiso (1988) $13.5M |
| Week 40, 1989 Oct 1–7 7 films · −29% | 7 | $27.6M | −29% | An Innocent Man (1989) $20M |
| Week 40, 1990 Sep 30–Oct 6 10 films · +290% | 10 | $107.8M | +290% | Marked for Death (1990) $58M |
| Week 40, 1991 Sep 29–Oct 5 9 films · −56% | 9 | $47.1M | −56% | Ricochet (1991) $21.8M |
| Week 40, 1992 Sep 27–Oct 3 8 films · +142% | 8 | $113.9M | +142% | The Mighty Ducks (1992) $50.8M |
| Week 40, 1993 Sep 26–Oct 2 8 films · +103% | 8 | $230.8M | +103% | Cool Runnings (1993) $154.9M |
| Week 40, 1994 Sep 25–Oct 1 7 films · −47% | 7 | $121.7M | −47% | The River Wild (1994) $94.2M |
| Week 40, 1995 Oct 1–7 5 films · −65% | 5 | $42M | −65% | How to Make an American Quilt (1995) $41.2M |
| Week 40, 1996 Sep 29–Oct 5 9 films · +96% | 9 | $82.2M | +96% | That Thing You Do! (1996) $34.6M |
| Week 40, 1997 Sep 28–Oct 4 7 films · −11% | 7 | $72.8M | −11% | Kiss the Girls (1997) $60.5M |
53 weeks of 1997 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.7B, led by Titanic (1997).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Kiss the Girls (1997) leads with $60.5M worldwide, $60.5M of it in the US & Canada. Next come U Turn (1997) at $6.7M and The Matchmaker (1997) at $3.4M.
7 films released in week 40 of 1997 (Sep 28–Oct 4) report a worldwide gross, $72.8M in all, or $10.4M per film on average. Week 39, 1997 releases took $205.6M.
None. The biggest, Kiss the Girls (1997), earned $60.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 1997 (Sep 28–Oct 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.