#1 of 9 #1 English-language movie of Week 6, 2011
2011 · Action, Adventure
$108.6M worldwide · 71% of the chart's total
$23.2M US & Canada · 21% $85.4M elsewhere · 79%
English box office · Week 6 · Jan 30–Feb 5, 2011
English Box Office, Week 6 of 2011: English Releases of Jan 30–Feb 5
Sanctum (2011) is the highest-grossing English-language movie released in week 6 of 2011 (Jan 30–Feb 5), with $108.6M worldwide, ahead of The Roommate (2011) at $40.5M and Wings (2011) at $2.3M. 9 English-language films released that week report a worldwide gross, $152.7M in all, 40% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 89% on Week 5, 2011, whose releases took $80.8M. By genre, Drama leads with $152.1M across 7 English releases.
- week 6 releases with a gross
- 9
- combined worldwide
- $152.7M
- film crossed $100M
- 1
- vs Week 5, 2011
- +89%
#1 of 9 Top 5
What Were the Biggest English Hits of Week 6 of 2011?
Sanctum (2011) leads with $108.6M, 71% of the total. The top 5 together took $152.5M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 6 of 2011, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2011 (Jan 30–Feb 5).
- 1 Feb 4, 2011 US and Canada: $23.2M Rest of the world: $85.4M Worldwide: $108.6M
- 2 Feb 4, 2011 US and Canada: $37.3M Rest of the world: $3.2M Worldwide: $40.5M
- 3 Feb 1, 2011 US and Canada: – Rest of the world: – Worldwide: $2.3M
- 4 Feb 3, 2011 US and Canada: $417.8K Rest of the world: $202.4K Worldwide: $620.2K
- 5 Feb 3, 2011 US and Canada: – Rest of the world: – Worldwide: $542.1K
- 6
Feb 4, 2011 US and Canada: $141.4K Rest of the world: $2.7K Worldwide: $144.1K - 7
Feb 2, 2011 US and Canada: $55.4K Rest of the world: Worldwide: $55.4K - 8
Feb 4, 2011 US and Canada: $25.5K Rest of the world: Worldwide: $25.5K - 9
Feb 4, 2011 US and Canada: – Rest of the world: – Worldwide: $5.1K
US & Canada vs the world
Where Did the Money Come From in Week 6 of 2011?
Of the top 9, Into Eternity (2011) earned the biggest share at home (100% in the US & Canada), while Sanctum (2011) made 79% of its gross abroad. Across all 9 films, $61.1M (40%) came from the US & Canada. 3 films of the top 9 report no US & Canada figure.
- 1 Sanctum (2011) $108.6M $23.2M US & Canada · 21% $85.4M elsewhere · 79%
- 2 The Roommate (2011) $40.5M $37.3M US & Canada · 92% $3.2M elsewhere · 8%
- 3 Wings (2011) $2.3M No US & Canada figure reported
- 4 National Theatre Live: King Lear (2011) $620.2K $417.8K US & Canada · 67% $202.4K elsewhere · 33%
- 5 Move (2011) $542.1K No US & Canada figure reported
- 6 Cold Weather (2011) $144.1K $141.4K US & Canada · 98% $2.7K elsewhere · 2%
- 7 Into Eternity (2011) $55.4K $55.4K US & Canada · 100% elsewhere · 0%
- 8 Waiting for Forever (2011) $25.5K $25.5K US & Canada · 100% elsewhere · 0%
- 9 Oliver Sherman (2011) $5.1K No US & Canada figure reported
Weeks around it
How Does Week 6 Compare With the Weeks Around It?
Week 6 releases took $152.7M. The biggest of these 9 weeks is week 7 (Feb 6–12) with $554.4M, led by Just Go with It (2011).
- Week 53, 2010 Wk 53 Dec 26–31 The Last Godfather (2010) $35.5M The Last Godfather (2010)
- Week 1 Wk 1 Jan 1 KickOff (2011) $16.4K KickOff (2011)
- Week 2 Wk 2 Jan 2–8 Season of the Witch (2011) $91.9M Season of the Witch (2011)
- Week 3 Wk 3 Jan 9–15 The Green Hornet (2011) $309.7M The Green Hornet (2011)
- Week 4 Wk 4 Jan 16–22 No Strings Attached (2011) $196.7M No Strings Attached (2011)
- Week 5 Wk 5 Jan 23–29 The Mechanic (2011) $80.8M The Mechanic (2011)
- Week 6 Wk 6 Jan 30–Feb 5 Sanctum (2011) $152.7M Sanctum (2011)
- Week 7 Wk 7 Feb 6–12 Just Go with It (2011) $554.4M Just Go with It (2011)
- Week 8 Wk 8 Feb 13–19 I Am Number Four (2011) $372.5M I Am Number Four (2011)
Earlier years
How Does Week 6 of 2011 Compare With Earlier Years?
Of these 10 years, Week 6, 2009 earned the most: $667.7M from 15 films, led by Coraline (2009). Week 6, 2011 took $152.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2002 Feb 3–9 5 films | 5 | $157.7M | – | Collateral Damage (2002) $78.4M |
| Week 6, 2003 Feb 2–8 3 films · +80% | 3 | $283.4M | +80% | How to Lose a Guy in 10 Days (2003) $177.5M |
| Week 6, 2004 Feb 1–7 9 films · −59% | 9 | $115.6M | −59% | Barbershop 2: Back in Business (2004) $66M |
| Week 6, 2005 Jan 30–Feb 5 4 films · −1% | 4 | $114.4M | −1% | Boogeyman (2005) $67.2M |
| Week 6, 2006 Feb 5–11 7 films · +283% | 7 | $438.4M | +283% | The Pink Panther (2006) $164.1M |
| Week 6, 2007 Feb 4–10 8 films · −44% | 8 | $247.3M | −44% | Norbit (2007) $159.8M |
| Week 6, 2008 Feb 3–9 11 films · −17% | 11 | $204.7M | −17% | Fool's Gold (2008) $111.2M |
| Week 6, 2009 Feb 1–7 15 films · +226% | 15 | $667.7M | +226% | Coraline (2009) $185.9M |
| Week 6, 2010 Jan 31–Feb 6 4 films · −74% | 4 | $173.7M | −74% | Dear John (2010) $115M |
| Week 6, 2011 Jan 30–Feb 5 9 films · −12% | 9 | $152.7M | −12% | Sanctum (2011) $108.6M |
By genre
Which English Genres Earned the Most in Week 6 of 2011?
Drama took $152.1M across 7 films, 100% of the total, ahead of Thriller ($149.1M) and Action ($108.6M). A film counts once for each of its genres.
Week 6 of 2011 English Box Office by Genre
Archive
English Box Office in 2011, Week by Week
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
- Week 1 $16.4K
- Week 2 $91.9M
- Week 3 $309.7M
- Week 4 $196.7M
- Week 5 $80.8M
- Week 6 $152.7M
- Week 7 $554.4M
- Week 8 $372.5M
- Week 9 $130.4M
- Week 10 $425.4M
- Week 11 $387.4M
- Week 12 $204M
- Week 13 $165.1M
- Week 14 $433.8M
- Week 15 $246.7M
- Week 16 $602.8M
- Week 17 $208.2M
- Week 18 $674.9M
- Week 19 $577.7M
- Week 20 $408.2M
- Week 21 $1.2B
- Week 22 $1.3B
- Week 23 $373.6M
- Week 24 $285.2M
- Week 25 $437.3M
- Week 26 $821.3M
- Week 27 $1.2B
- Week 28 $394.5M
- Week 29 $1.4B
- Week 30 $522.6M
- Week 31 $784.5M
- Week 32 $580.9M
- Week 33 $430.7M
- Week 34 $215.5M
- Week 35 $140M
- Week 36 $137.7M
- Week 37 $223.7M
- Week 38 $50M
- Week 39 $349.9M
- Week 40 $163.1M
- Week 41 $390.9M
- Week 42 $138.2M
- Week 43 $533.4M
- Week 44 $782.6M
- Week 45 $191.2M
- Week 46 $494.9M
- Week 47 $1.1B
- Week 48 $708.6M
- Week 49 $30.2M
- Week 50 $130M
- Week 51 $1.6B
- Week 52 $501.6M
- Week 53 $349.9M
FAQ
English Box Office Week 6 of 2011: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
What is the highest-grossing English-language movie in week 6 of 2011 (Jan 30–Feb 5)?
Sanctum (2011) leads with $108.6M worldwide, $23.2M of it in the US & Canada. Next come The Roommate (2011) at $40.5M and Wings (2011) at $2.3M.
How much did English-language movies released in week 6 of 2011 (Jan 30–Feb 5) earn?
9 English-language films released in week 6 of 2011 (Jan 30–Feb 5) report a worldwide gross, $152.7M in all, or $17M per film on average. Week 5, 2011 releases took $80.8M.
How many English-language movies released in week 6 of 2011 (Jan 30–Feb 5) made $1 billion?
None. 1 film crossed $100 million, led by Sanctum (2011) with $108.6M.
How is the week 6, 2011 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2011 (Jan 30–Feb 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 6, 2011 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.