#1 of 7 2011 · Sci-Fi
$260.1M worldwide · 91% of the chart's total
Super 8 (2011) is the highest-grossing English-language movie released in week 24 of 2011 (Jun 5–11), with $260.1M worldwide, ahead of Judy Moody and the Not Bummer Summer (2011) at $15.7M and Honey 2 (2011) at $8.8M. 7 English-language films released that week report a worldwide gross, $285.2M in all, 50% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 24% on Week 23, 2011, whose releases took $373.6M. By genre, Sci-Fi leads with $260.1M across 1 English release.
#1 of 7 2011 · Sci-Fi
$260.1M worldwide · 91% of the chart's total
Super 8 (2011) leads with $260.1M, 91% of the total. The top 5 together took $285.1M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2011 (Jun 5–11).
Jun 10, 2011 US and Canada: $127M Rest of the world: $133.1M Worldwide: $260.1M
Jun 10, 2011 US and Canada: $15M Rest of the world: $678K Worldwide: $15.7M
Jun 10, 2011 US and Canada: – Rest of the world: – Worldwide: $8.8M
Jun 9, 2011 US and Canada: – Rest of the world: – Worldwide: $522.2K
Jun 10, 2011 US and Canada: – Rest of the world: – Worldwide: $54.8K
Jun 10, 2011 US and Canada: – Rest of the world: – Worldwide: $19.4K
Jun 11, 2011 US and Canada: – Rest of the world: – Worldwide: $8.3K Week 24 releases took $285.2M. The biggest of these 9 weeks is week 22 (May 22–28) with $1.3B, led by Kung Fu Panda 2 (2011).
Of these 10 years, Week 24, 2005 earned the most: $574.7M from 9 films, led by Mr. & Mrs. Smith (2005). Week 24, 2011 took $285.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2002 Jun 9–15 9 films | 9 | $571M | – | Scooby-Doo (2002) $275.7M |
| Week 24, 2003 Jun 8–14 5 films · −74% | 5 | $148M | −74% | Rugrats Go Wild (2003) $55.3M |
| Week 24, 2004 Jun 6–12 9 films · +222% | 9 | $476M | +222% | Garfield (2004) $203.2M |
| Week 24, 2005 Jun 5–11 9 films · +21% | 9 | $574.7M | +21% | Mr. & Mrs. Smith (2005) $487.3M |
| Week 24, 2006 Jun 11–17 10 films · −10% | 10 | $519.8M | −10% | The Fast and the Furious: Tokyo Drift (2006) $159M |
| Week 24, 2007 Jun 10–16 11 films · −34% | 11 | $344.1M | −34% | Fantastic Four: Rise of the Silver Surfer (2007) $301.9M |
| Week 24, 2008 Jun 8–14 10 films · +25% | 10 | $430M | +25% | The Incredible Hulk (2008) $264.8M |
| Week 24, 2009 Jun 7–13 13 films · −44% | 13 | $239M | −44% | The Taking of Pelham 1 2 3 (2009) $150.2M |
| Week 24, 2010 Jun 6–12 10 films · +134% | 10 | $559.4M | +134% | The Karate Kid (2010) $359.1M |
| Week 24, 2011 Jun 5–11 7 films · −49% | 7 | $285.2M | −49% | Super 8 (2011) $260.1M |
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Super 8 (2011) leads with $260.1M worldwide, $127M of it in the US & Canada. Next come Judy Moody and the Not Bummer Summer (2011) at $15.7M and Honey 2 (2011) at $8.8M.
7 English-language films released in week 24 of 2011 (Jun 5–11) report a worldwide gross, $285.2M in all, or $40.7M per film on average. Week 23, 2011 releases took $373.6M.
None. 1 film crossed $100 million, led by Super 8 (2011) with $260.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2011 (Jun 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.