#1 of 14 #1 English-language movie of Week 27, 2011
Transformers: Dark of the Moon (2011)
2011 · Action, Adventure
$1.1B worldwide · 91% of the chart's total
$352.4M US & Canada · 31% $771.4M elsewhere · 69%
English box office · Week 27 · Jun 26–Jul 2, 2011
English Box Office, Week 27 of 2011: English Releases of Jun 26–Jul 2
Transformers: Dark of the Moon (2011) is the highest-grossing English-language movie released in week 27 of 2011 (Jun 26–Jul 2), with $1.1B worldwide, ahead of Larry Crowne (2011) at $75.1M and Monte Carlo (2011) at $39.8M. 14 English-language films released that week report a worldwide gross, $1.2B in all, 33% of it from the US & Canada. 1 film crossed $1 billion. That is up 51% on Week 26, 2011, whose releases took $821.3M. By genre, Adventure leads with $1.2B across 2 English releases.
- week 27 releases with a gross
- 14
- combined worldwide
- $1.2B
- film crossed $100M
- 1
- vs Week 26, 2011
- +51%
#1 of 14 Top 5
What Were the Biggest English Hits of Week 27 of 2011?
Transformers: Dark of the Moon (2011) leads with $1.1B, 91% of the total. The top 5 together took $1.2B, almost all of what the 14 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 27 of 2011, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 27 of 2011 (Jun 26–Jul 2).
- 1 Jun 29, 2011 US and Canada: $352.4M Rest of the world: $771.4M Worldwide: $1.1B
- 2 Jul 1, 2011 US and Canada: $35.6M Rest of the world: $39.4M Worldwide: $75.1M
- 3 Jul 1, 2011 US and Canada: $23.2M Rest of the world: $16.6M Worldwide: $39.8M
- 4 Jul 1, 2011 US and Canada: $655.8K Rest of the world: Worldwide: $655.8K
- 5 Jul 1, 2011 US and Canada: $48.8K Rest of the world: $404.9K Worldwide: $453.7K
- 6
Jun 27, 2011 US and Canada: – Rest of the world: – Worldwide: $288.2K - 7
Jun 29, 2011 US and Canada: – Rest of the world: – Worldwide: $133.9K - 8
Jun 28, 2011 US and Canada: – Rest of the world: – Worldwide: $97.6K - 9
Jul 1, 2011 US and Canada: $60.3K Rest of the world: Worldwide: $60.3K - 10
Jun 26, 2011 US and Canada: – Rest of the world: – Worldwide: $50.9K - 11
Jul 1, 2011 US and Canada: $43.6K Rest of the world: Worldwide: $43.6K - 12
Jun 30, 2011 US and Canada: – Rest of the world: – Worldwide: $35.2K - 13
Jul 1, 2011 US and Canada: $31.1K Rest of the world: Worldwide: $31.1K - 14
King George VI: The Man Behind the King’s Speech (2011) Jul 1, 2011 · History, Documentary $10.2K worldwideJul 1, 2011 US and Canada: – Rest of the world: – Worldwide: $10.2K
US & Canada vs the world
Where Did the Money Come From in Week 27 of 2011?
Of the top 10, Terri (2011) earned the biggest share at home (100% in the US & Canada), while The Perfect Host (2011) made 89% of its gross abroad. Across all 14 films, $412M (33%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
- 1 Transformers: Dark of the Moon (2011) $1.1B $352.4M US & Canada · 31% $771.4M elsewhere · 69%
- 2 Larry Crowne (2011) $75.1M $35.6M US & Canada · 47% $39.4M elsewhere · 53%
- 3 Monte Carlo (2011) $39.8M $23.2M US & Canada · 58% $16.6M elsewhere · 42%
- 4 Terri (2011) $655.8K $655.8K US & Canada · 100% elsewhere · 0%
- 5 The Perfect Host (2011) $453.7K $48.8K US & Canada · 11% $404.9K elsewhere · 89%
- 6 Lock Up (2011) $288.2K No US & Canada figure reported
- 7 Without Men (2011) $133.9K No US & Canada figure reported
- 8 Ecstasy (2011) $97.6K No US & Canada figure reported
- 9 Crime After Crime (2011) $60.3K $60.3K US & Canada · 100% elsewhere · 0%
- 10 The River Used to Be a Man (2011) $50.9K No US & Canada figure reported
Gross bands
How Many Week 27 of 2011 Releases Crossed $100 Million?
1 of 14 films crossed $100M and took $1.1B between them, 91% of the total. 11 films, 79% of the list, earned under $10M.
91% 9%
- $1B or more 1 film, 7% of the list $1.1B · 91% of the gross
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 2 films, 14% of the list $114.8M · 9% of the gross
- Under $10M 11 films, 79% of the list $1.9M · <1% of the gross
Weeks around it
How Does Week 27 Compare With the Weeks Around It?
Week 27 releases took $1.2B. The biggest of these 9 weeks is week 29 (Jul 10–16) with $1.4B, led by Harry Potter and the Deathly Hallows: Part 2 (2011).
- Week 21 Wk 21 May 15–21 Pirates of the Caribbean: On Stranger Tides (2011) $1.2B Pirates of the Caribbean: On Stranger Tides (2011)
- Week 22 Wk 22 May 22–28 Kung Fu Panda 2 (2011) $1.3B Kung Fu Panda 2 (2011)
- Week 23 Wk 23 May 29–Jun 4 X-Men: First Class (2011) $373.6M X-Men: First Class (2011)
- Week 24 Wk 24 Jun 5–11 Super 8 (2011) $285.2M Super 8 (2011)
- Week 25 Wk 25 Jun 12–18 Green Lantern (2011) $437.3M Green Lantern (2011)
- Week 26 Wk 26 Jun 19–25 Cars 2 (2011) $821.3M Cars 2 (2011)
- Week 27 Wk 27 Jun 26–Jul 2 Transformers: Dark of the Moon (2011) $1.2B Transformers: Dark of the Moon (2011)
- Week 28 Wk 28 Jul 3–9 Horrible Bosses (2011) $394.5M Horrible Bosses (2011)
- Week 29 Wk 29 Jul 10–16 Harry Potter and the Deathly Hallows: Part 2 (2011) $1.4B Harry Potter and the Deathly Hallows: Part 2 (2011)
Earlier years
How Does Week 27 of 2011 Compare With Earlier Years?
Of these 10 years, Week 27, 2011 earned the most: $1.2B from 14 films, led by Transformers: Dark of the Moon (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 27, 2002 Jun 30–Jul 6 5 films | 5 | $524.2M | – | Men in Black II (2002) $445.1M |
| Week 27, 2003 Jun 29–Jul 5 5 films · +22% | 5 | $639.4M | +22% | Terminator 3: Rise of the Machines (2003) $433.4M |
| Week 27, 2004 Jun 27–Jul 3 5 films · +30% | 5 | $832.5M | +30% | Spider-Man 2 (2004) $784.6M |
| Week 27, 2005 Jun 26–Jul 2 5 films · −26% | 5 | $618.9M | −26% | War of the Worlds (2005) $603.9M |
| Week 27, 2006 Jul 2–8 8 films · +74% | 8 | $1.1B | +74% | Pirates of the Caribbean: Dead Man's Chest (2006) $1.1B |
| Week 27, 2007 Jul 1–7 6 films · −27% | 6 | $789.8M | −27% | Transformers (2007) $709.7M |
| Week 27, 2008 Jun 29–Jul 5 8 films · −20% | 8 | $634.4M | −20% | Hancock (2008) $629.4M |
| Week 27, 2009 Jun 28–Jul 4 5 films · +74% | 5 | $1.1B | +74% | Ice Age: Dawn of the Dinosaurs (2009) $886.7M |
| Week 27, 2010 Jun 27–Jul 3 8 films · −2% | 8 | $1.1B | −2% | The Twilight Saga: Eclipse (2010) $698.5M |
| Week 27, 2011 Jun 26–Jul 2 14 films · +14% | 14 | $1.2B | +14% | Transformers: Dark of the Moon (2011) $1.1B |
By genre
Which English Genres Earned the Most in Week 27 of 2011?
Adventure took $1.2B across 2 films, 94% of the total, ahead of Action ($1.1B) and Sci-Fi ($1.1B). A film counts once for each of its genres.
Week 27 of 2011 English Box Office by Genre
-
Adventure $1.2B2 films · #1 Transformers: Dark of the Moon (2011) -
Action $1.1B1 film · #1 Transformers: Dark of the Moon (2011) -
Sci-Fi $1.1B1 film · #1 Transformers: Dark of the Moon (2011) -
Comedy $115.6M4 films · #1 Larry Crowne (2011) -
Drama $75.2M4 films · #1 Larry Crowne (2011) -
Romance $39.9M2 films · #1 Monte Carlo (2011) -
Thriller $484.8K2 films · #1 The Perfect Host (2011) -
Horror $288.2K1 film · #1 Lock Up (2011) -
Documentary $114.1K3 films · #1 Crime After Crime (2011) -
Crime $91.4K2 films · #1 Crime After Crime (2011)
Archive
English Box Office in 2011, Week by Week
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
- Week 1 $16.4K
- Week 2 $91.9M
- Week 3 $309.7M
- Week 4 $196.7M
- Week 5 $80.8M
- Week 6 $152.7M
- Week 7 $554.4M
- Week 8 $372.5M
- Week 9 $130.4M
- Week 10 $425.4M
- Week 11 $387.4M
- Week 12 $204M
- Week 13 $165.1M
- Week 14 $433.8M
- Week 15 $246.7M
- Week 16 $602.8M
- Week 17 $208.2M
- Week 18 $674.9M
- Week 19 $577.7M
- Week 20 $408.2M
- Week 21 $1.2B
- Week 22 $1.3B
- Week 23 $373.6M
- Week 24 $285.2M
- Week 25 $437.3M
- Week 26 $821.3M
- Week 27 $1.2B
- Week 28 $394.5M
- Week 29 $1.4B
- Week 30 $522.6M
- Week 31 $784.5M
- Week 32 $580.9M
- Week 33 $430.7M
- Week 34 $215.5M
- Week 35 $140M
- Week 36 $137.7M
- Week 37 $223.7M
- Week 38 $50M
- Week 39 $349.9M
- Week 40 $163.1M
- Week 41 $390.9M
- Week 42 $138.2M
- Week 43 $533.4M
- Week 44 $782.6M
- Week 45 $191.2M
- Week 46 $494.9M
- Week 47 $1.1B
- Week 48 $708.6M
- Week 49 $30.2M
- Week 50 $130M
- Week 51 $1.6B
- Week 52 $501.6M
- Week 53 $349.9M
FAQ
English Box Office Week 27 of 2011: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 14 films as the chart.
What is the highest-grossing English-language movie in week 27 of 2011 (Jun 26–Jul 2)?
Transformers: Dark of the Moon (2011) leads with $1.1B worldwide, $352.4M of it in the US & Canada. Next come Larry Crowne (2011) at $75.1M and Monte Carlo (2011) at $39.8M.
How much did English-language movies released in week 27 of 2011 (Jun 26–Jul 2) earn?
14 English-language films released in week 27 of 2011 (Jun 26–Jul 2) report a worldwide gross, $1.2B in all, or $88.6M per film on average. Week 26, 2011 releases took $821.3M.
How many English-language movies released in week 27 of 2011 (Jun 26–Jul 2) made $1 billion?
1 film crossed $1 billion worldwide: Transformers: Dark of the Moon (2011). 1 crossed $100 million.
How is the week 27, 2011 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 27 of 2011 (Jun 26–Jul 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 27, 2011 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.