#1 of 5 2011 · Comedy
$86.2M worldwide · 66% of the chart's total
Hall Pass (2011) is the highest-grossing English-language movie released in week 9 of 2011 (Feb 20–26), with $86.2M worldwide, ahead of Drive Angry 3D (2011) at $40.9M and The Grace Card (2011) at $2.4M. 5 English-language films released that week report a worldwide gross, $130.4M in all, 45% of it from the US & Canada. That is down 65% on Week 8, 2011, whose releases took $372.5M. By genre, Comedy leads with $86.2M across 1 English release.
#1 of 5 2011 · Comedy
$86.2M worldwide · 66% of the chart's total
Hall Pass (2011) leads with $86.2M, 66% of the total. The top 5 together took $130.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2011 (Feb 20–26).
Feb 25, 2011 US and Canada: $45.1M Rest of the world: $41.1M Worldwide: $86.2M
Feb 25, 2011 US and Canada: $10.7M Rest of the world: $30.2M Worldwide: $40.9M
Feb 25, 2011 US and Canada: $2.4M Rest of the world: Worldwide: $2.4M
Feb 25, 2011 US and Canada: $68.7K Rest of the world: $774.7K Worldwide: $843.4K
Feb 23, 2011 US and Canada: $62.2K Rest of the world: Worldwide: $62.2K Of the top 5, The Grace Card (2011) earned the biggest share at home (100% in the US & Canada), while Heartbeats (2011) made 92% of its gross abroad. Across all 5 films, $58.3M (45%) came from the US & Canada.
Week 9 releases took $130.4M. The biggest of these 9 weeks is week 7 (Feb 6–12) with $554.4M, led by Just Go with It (2011).
Of these 10 years, Week 9, 2007 earned the most: $268.2M from 7 films, led by Wild Hogs (2007). Week 9, 2011 took $130.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2002 Feb 24–Mar 2 3 films | 3 | $210.7M | – | We Were Soldiers (2002) $115.4M |
| Week 9, 2003 Feb 23–Mar 1 2 films · −73% | 2 | $57.1M | −73% | Cradle 2 the Grave (2003) $56.5M |
| Week 9, 2004 Feb 22–28 7 films · +34% | 7 | $76.6M | +34% | Twisted (2004) $41M |
| Week 9, 2005 Feb 20–26 4 films · −6% | 4 | $72.2M | −6% | Diary of a Mad Black Woman (2005) $50.7M |
| Week 9, 2006 Feb 26–Mar 4 6 films · +41% | 6 | $101.7M | +41% | 16 Blocks (2006) $65.7M |
| Week 9, 2007 Feb 25–Mar 3 7 films · +164% | 7 | $268.2M | +164% | Wild Hogs (2007) $253.6M |
| Week 9, 2008 Feb 24–Mar 1 8 films · −53% | 8 | $125.6M | −53% | The Other Boleyn Girl (2008) $78.2M |
| Week 9, 2009 Feb 22–28 9 films · −84% | 9 | $19.5M | −84% | Street Fighter: The Legend of Chun-Li (2009) $12.8M |
| Week 9, 2010 Feb 21–27 7 films · +471% | 7 | $111.4M | +471% | Cop Out (2010) $55.6M |
| Week 9, 2011 Feb 20–26 5 films · +17% | 5 | $130.4M | +17% | Hall Pass (2011) $86.2M |
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Hall Pass (2011) leads with $86.2M worldwide, $45.1M of it in the US & Canada. Next come Drive Angry 3D (2011) at $40.9M and The Grace Card (2011) at $2.4M.
5 English-language films released in week 9 of 2011 (Feb 20–26) report a worldwide gross, $130.4M in all, or $26.1M per film on average. Week 8, 2011 releases took $372.5M.
None. The biggest, Hall Pass (2011), earned $86.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2011 (Feb 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.