#1 of 5 2011 · Action, Drama
$76.1M worldwide · 94% of the chart's total
The Mechanic (2011) is the highest-grossing English-language movie released in week 5 of 2011 (Jan 23–29), with $76.1M worldwide, ahead of From Prada to Nada (2011) at $4.1M and Kaboom (2011) at $635.2K. 5 English-language films released that week report a worldwide gross, $80.8M in all, 40% of it from the US & Canada. That is down 59% on Week 4, 2011, whose releases took $196.7M. By genre, Drama leads with $80.2M across 2 English releases.
#1 of 5 2011 · Action, Drama
$76.1M worldwide · 94% of the chart's total
The Mechanic (2011) leads with $76.1M, 94% of the total. The top 5 together took $80.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2011 (Jan 23–29).
Jan 28, 2011 US and Canada: $29.1M Rest of the world: $47M Worldwide: $76.1M
Jan 28, 2011 US and Canada: $3M Rest of the world: $1M Worldwide: $4.1M
Jan 28, 2011 US and Canada: $118.9K Rest of the world: $516.2K Worldwide: $635.2K
Jan 28, 2011 US and Canada: – Rest of the world: – Worldwide: $1.1K
Jan 28, 2011 US and Canada: – Rest of the world: – Worldwide: $131 Of the top 5, From Prada to Nada (2011) earned the biggest share at home (74% in the US & Canada), while Kaboom (2011) made 81% of its gross abroad. Across all 5 films, $32.3M (40%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 5 releases took $80.8M. The biggest of these 9 weeks is week 52, 2010 (Dec 19–25) with $842.1M, led by Little Fockers (2010).
Of these 10 years, Week 5, 2009 earned the most: $256.6M from 5 films, led by Taken (2009). Week 5, 2011 took $80.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 2002 Jan 27–Feb 2 4 films | 4 | $24.2M | – | Birthday Girl (2002) $16.2M |
| Week 5, 2003 Jan 26–Feb 1 7 films · +900% | 7 | $242.2M | +900% | The Recruit (2003) $101.2M |
| Week 5, 2004 Jan 25–31 7 films · −71% | 7 | $70.1M | −71% | You Got Served (2004) $50.6M |
| Week 5, 2005 Jan 23–29 5 films · +118% | 5 | $153.1M | +118% | Hide and Seek (2005) $127.4M |
| Week 5, 2006 Jan 29–Feb 4 7 films · −49% | 7 | $78.8M | −49% | When a Stranger Calls (2006) $67.1M |
| Week 5, 2007 Jan 28–Feb 3 10 films · +63% | 10 | $128.6M | +63% | Because I Said So (2007) $69.5M |
| Week 5, 2008 Jan 27–Feb 2 8 films · −28% | 8 | $92.4M | −28% | The Eye (2008) $58M |
| Week 5, 2009 Jan 25–31 5 films · +178% | 5 | $256.6M | +178% | Taken (2009) $226.8M |
| Week 5, 2010 Jan 24–30 11 films · −49% | 11 | $131.1M | −49% | Edge of Darkness (2010) $81.1M |
| Week 5, 2011 Jan 23–29 5 films · −38% | 5 | $80.8M | −38% | The Mechanic (2011) $76.1M |
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Mechanic (2011) leads with $76.1M worldwide, $29.1M of it in the US & Canada. Next come From Prada to Nada (2011) at $4.1M and Kaboom (2011) at $635.2K.
5 English-language films released in week 5 of 2011 (Jan 23–29) report a worldwide gross, $80.8M in all, or $16.2M per film on average. Week 4, 2011 releases took $196.7M.
None. The biggest, The Mechanic (2011), earned $76.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2011 (Jan 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.