#1 of 6 2011 · War
$177.6M worldwide · 51% of the chart's total
War Horse (2011) is the highest-grossing English-language movie released in week 53 of 2011 (Dec 25–31), with $177.6M worldwide, ahead of The Iron Lady (2011) at $115.9M and Extremely Loud and Incredibly Close (2011) at $55.2M. 6 English-language films released that week report a worldwide gross, $349.9M in all, 41% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 30% on Week 52, 2011, whose releases took $501.6M. By genre, War leads with $177.6M across 1 English release.
#1 of 6 2011 · War
$177.6M worldwide · 51% of the chart's total
War Horse (2011) leads with $177.6M, 51% of the total. The top 5 together took $349.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 53 of 2011 (Dec 25–31).
Dec 25, 2011 US and Canada: $79.9M Rest of the world: $97.7M Worldwide: $177.6M
Dec 30, 2011 US and Canada: $30M Rest of the world: $85.9M Worldwide: $115.9M
Dec 25, 2011 US and Canada: $31.8M Rest of the world: $23.4M Worldwide: $55.2M
Dec 28, 2011 US and Canada: $769.6K Rest of the world: Worldwide: $769.6K
Dec 25, 2011 US and Canada: – Rest of the world: – Worldwide: $383.2K
Dec 30, 2011 US and Canada: $832 Rest of the world: $1.2K Worldwide: $2K Of the top 6, Pariah (2011) earned the biggest share at home (100% in the US & Canada), while The Iron Lady (2011) made 74% of its gross abroad. Across all 6 films, $142.5M (41%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 53 releases took $349.9M. The biggest of these 9 weeks is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
Of these 10 years, Week 53, 2011 earned the most: $349.9M from 6 films, led by War Horse (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 53, 2002 Dec 29–31 2 films | 2 | $33.2M | – | Confessions of a Dangerous Mind (2002) $33M |
| Week 53, 2003 Dec 28–31 2 films · −87% | 2 | $4.4M | −87% | Japanese Story (2003) $4.1M |
| Week 53, 2004 Dec 26–31 5 films · +1964% | 5 | $89.9M | +1964% | In Good Company (2004) $61.3M |
| Week 53, 2005 Dec 25–31 7 films · +260% | 7 | $323.6M | +260% | Rumor Has It... (2005) $88.9M |
| Week 53, 2006 Dec 31 No films | 0 | – | – | – |
| Week 53, 2007 Dec 30–31 No films | 0 | – | – | – |
| Week 53, 2008 Dec 28–31 2 films | 2 | $52.8M | – | Defiance (2008) $51.3M |
| Week 53, 2009 Dec 27–31 2 films · −99% | 2 | $269.5K | −99% | The Robbers (2009) $254.5K |
| Week 53, 2010 Dec 26–31 3 films · +13089% | 3 | $35.5M | +13089% | The Last Godfather (2010) $16.9M |
| Week 53, 2011 Dec 25–31 6 films · +884% | 6 | $349.9M | +884% | War Horse (2011) $177.6M |
53 weeks of 2011 with reported grosses; the biggest is week 51 (Dec 11–17) with $1.6B, led by Mission: Impossible - Ghost Protocol (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
War Horse (2011) leads with $177.6M worldwide, $79.9M of it in the US & Canada. Next come The Iron Lady (2011) at $115.9M and Extremely Loud and Incredibly Close (2011) at $55.2M.
6 English-language films released in week 53 of 2011 (Dec 25–31) report a worldwide gross, $349.9M in all, or $58.3M per film on average. Week 52, 2011 releases took $501.6M.
None. 2 films crossed $100 million, led by War Horse (2011) with $177.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 53 of 2011 (Dec 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.