#1 of 7 2018 · Adventure, Documentary
$1.4M worldwide · 75% of the chart's total
The Dawn Wall (2018) is the highest-grossing documentary movie released in week 37 of 2018 (Sep 9–15), with $1.4M worldwide, ahead of Science Fair (2018) at $277.3K and Hale County This Morning, This Evening (2018) at $112.3K. 7 documentary films released that week report a worldwide gross, $1.9M in all, 74% of it from the US & Canada. That is down 49% on Week 36, 2018, whose releases took $3.8M. By language, English leads with $1.9M across 6 documentary releases.
#1 of 7 2018 · Adventure, Documentary
$1.4M worldwide · 75% of the chart's total
The Dawn Wall (2018) leads with $1.4M, 75% of the total. The top 5 together took $1.9M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2018 (Sep 9–15).
Sep 14, 2018 US and Canada: $970K Rest of the world: $475.5K Worldwide: $1.4M
Sep 14, 2018 US and Canada: $276.2K Rest of the world: $1.1K Worldwide: $277.3K
Sep 14, 2018 US and Canada: $11.3K Rest of the world: $3.2K Worldwide: $14.5K
Sep 14, 2018 US and Canada: $12.4K Rest of the world: Worldwide: $12.4K
Sep 13, 2018 US and Canada: – Rest of the world: – Worldwide: $545 Of the top 7, Hale County This Morning, This Evening (2018) earned the biggest share at home (100% in the US & Canada), while Antonio Lopez 1970: Sex Fashion & Disco (2018) made 41% of its gross abroad. Across all 7 films, $1.4M (74%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 37 releases took $1.9M. The biggest of these 9 weeks is week 39 (Sep 23–29) with $29.6M, led by Free Solo (2018).
Of these 10 years, Week 37, 2012 earned the most: $4.5M from 5 films, led by Palme (2012). Week 37, 2018 took $1.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2009 Sep 6–12 5 films | 5 | $1.5M | – | La Danse: The Paris Opera Ballet (2009) $1.1M |
| Week 37, 2010 Sep 5–11 5 films · +123% | 5 | $3.2M | +123% | Don’t Cry for Me Sudan (2010) $2.2M |
| Week 37, 2011 Sep 4–10 7 films · −81% | 7 | $601.9K | −81% | The Black Power Mixtape 1967-1975 (2011) $280.3K |
| Week 37, 2012 Sep 9–15 5 films · +648% | 5 | $4.5M | +648% | Palme (2012) $3.3M |
| Week 37, 2013 Sep 8–14 7 films · −89% | 7 | $500.8K | −89% | Gardening With Soul (2013) $293.6K |
| Week 37, 2014 Sep 7–13 6 films · +26% | 6 | $630.8K | +26% | The Green Prince (2014) $339.2K |
| Week 37, 2015 Sep 6–12 4 films · +192% | 4 | $1.8M | +192% | Meet the Patels (2015) $1.7M |
| Week 37, 2016 Sep 4–10 8 films · +36% | 8 | $2.5M | +36% | Dancer (2016) $1.1M |
| Week 37, 2017 Sep 10–16 8 films · −1% | 8 | $2.5M | −1% | So Help Me God (2017) $1.3M |
| Week 37, 2018 Sep 9–15 7 films · −22% | 7 | $1.9M | −22% | The Dawn Wall (2018) $1.4M |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Dawn Wall (2018) leads with $1.4M worldwide, $970K of it in the US & Canada. Next come Science Fair (2018) at $277.3K and Hale County This Morning, This Evening (2018) at $112.3K.
7 documentary films released in week 37 of 2018 (Sep 9–15) report a worldwide gross, $1.9M in all, or $276.5K per film on average. Week 36, 2018 releases took $3.8M.
None. The biggest, The Dawn Wall (2018), earned $1.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2018 (Sep 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.