#1 of 7 What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018)
2018 · Documentary
$434.4K worldwide · 32% of the chart's total
What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) is the highest-grossing documentary movie released in week 41 of 2018 (Oct 7–13), with $434.4K worldwide, ahead of Distinction (2018) at $428.3K and Shusenjo: The Main Battleground of the Comfort Women Issue (2018) at $245.9K. 7 documentary films released that week report a worldwide gross, $1.3M in all, 32% of it from the US & Canada. By language, English leads with $724.4K across 3 documentary releases.
#1 of 7 What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018)
2018 · Documentary
$434.4K worldwide · 32% of the chart's total
What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) leads with $434.4K, 32% of the total. The top 5 together took $1.3M, 96% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2018 (Oct 7–13).
Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $428.3K
Oct 12, 2018 US and Canada: – Rest of the world: – Worldwide: $107.8K
Oct 7, 2018 US and Canada: – Rest of the world: – Worldwide: $80.2K
Oct 10, 2018 US and Canada: $44K Rest of the world: Worldwide: $44K
Oct 12, 2018 US and Canada: $3.2K Rest of the world: Worldwide: $3.2K Of the top 7, Liyana (2018) earned the biggest share at home (100% in the US & Canada), while What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) made 12% of its gross abroad. Across all 7 films, $429.7K (32%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 41 releases took $1.3M. The biggest of these 9 weeks is week 39 (Sep 23–29) with $29.6M, led by Free Solo (2018).
Of these 10 years, Week 41, 2015 earned the most: $26.3M from 2 films, led by Twenty Two (2015). Week 41, 2018 took $1.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2009 Oct 4–10 8 films | 8 | $6.2M | – | Good Hair (2009) $4.2M |
| Week 41, 2010 Oct 3–9 3 films · +29% | 3 | $8.1M | +29% | Inside Job (2010) $7.9M |
| Week 41, 2011 Oct 2–8 2 films · −100% | 2 | $14.4K | −100% | The Nine Muses (2011) $11.1K |
| Week 41, 2012 Oct 7–13 4 films · +4225% | 4 | $621.5K | +4225% | The Flat (2012) $583.4K |
| Week 41, 2013 Oct 6–12 3 films · −87% | 3 | $80.9K | −87% | God Loves Uganda (2013) $51.2K |
| Week 41, 2014 Oct 5–11 6 films · +10112% | 6 | $8.3M | +10112% | Meet the Mormons (2014) $6M |
| Week 41, 2015 Oct 4–10 2 films · +218% | 2 | $26.3M | +218% | Twenty Two (2015) $26.3M |
| Week 41, 2016 Oct 2–8 6 films · −98% | 6 | $641.4K | −98% | Lumière! (2016) $531.4K |
| Week 41, 2017 Oct 8–14 9 films · +288% | 9 | $2.5M | +288% | Human Flow (2017) $1.8M |
| Week 41, 2018 Oct 7–13 7 films · −46% | 7 | $1.3M | −46% | What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) $434.4K |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) leads with $434.4K worldwide, $382.5K of it in the US & Canada. Next come Distinction (2018) at $428.3K and Shusenjo: The Main Battleground of the Comfort Women Issue (2018) at $245.9K.
7 documentary films released in week 41 of 2018 (Oct 7–13) report a worldwide gross, $1.3M in all, or $192K per film on average.
None. The biggest, What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018), earned $434.4K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2018 (Oct 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.