#1 of 3 #1 documentary movie of Week 25, 2018
2018 · Documentary
$126.9K worldwide · 94% of the chart's total
No US & Canada figure reported
Documentary box office · Week 25 · Jun 17–23, 2018
Documentary Box Office, Week 25 of 2018: Documentary Releases of Jun 17–23
The King (2018) is the highest-grossing documentary movie released in week 25 of 2018 (Jun 17–23), with $126.9K worldwide, ahead of Spiral (2018) at $8.2K and Piano to Zanskar (2018) at $445. 3 documentary films released that week report a worldwide gross, $135.6K in all, 6% of it from the US & Canada.
- week 25 releases with a gross
- 3
- combined worldwide
- $135.6K
- The King (2018), the #1
- $126.9K
- earned in the US & Canada
- 6%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 25 of 2018?
The King (2018) leads with $126.9K, 94% of the total. The top 3 together took $135.6K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 25 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2018 (Jun 17–23).
- 1 Jun 22, 2018 US and Canada: – Rest of the world: – Worldwide: $126.9K
- 2 Jun 22, 2018 US and Canada: $8.2K Rest of the world: Worldwide: $8.2K
- 3 Jun 23, 2018 US and Canada: – Rest of the world: – Worldwide: $445
Weeks around it
How Does Week 25 Compare With the Weeks Around It?
Week 25 releases took $135.6K. The biggest of these 9 weeks is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
- Week 19 Wk 19 May 6–12 Mountain (2018) $2.8M Mountain (2018)
- Week 20 Wk 20 May 13–19 Pope Francis - A Man of His Word (2018) $8.8M Pope Francis - A Man of His Word (2018)
- Week 21 Wk 21 May 20–26 No reported grosses – No reported grosses
- Week 22 Wk 22 May 27–Jun 2 The Doctor from India (2018) $67.1K The Doctor from India (2018)
- Week 23 Wk 23 Jun 3–9 Won't You Be My Neighbor? (2018) $23.3M Won't You Be My Neighbor? (2018)
- Week 24 Wk 24 Jun 10–16 Believer (2018) $39.3M Believer (2018)
- Week 25 Wk 25 Jun 17–23 The King (2018) $135.6K The King (2018)
- Week 26 Wk 26 Jun 24–30 Three Identical Strangers (2018) $14.2M Three Identical Strangers (2018)
- Week 27 Wk 27 Jul 1–7 Whitney (2018) $5.6M Whitney (2018)
Earlier years
How Does Week 25 of 2018 Compare With Earlier Years?
Of these 10 years, Week 25, 2011 earned the most: $5.9M from 4 films, led by Buck (2011). Week 25, 2018 took $135.6K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 2009 Jun 14–20 2 films | 2 | $210.4K | – | The End of the Line (2009) $111.8K |
| Week 25, 2010 Jun 13–19 3 films · +9% | 3 | $229.3K | +9% | Stonewall Uprising (2010) $128.2K |
| Week 25, 2011 Jun 12–18 4 films · +2476% | 4 | $5.9M | +2476% | Buck (2011) $4.4M |
| Week 25, 2012 Jun 17–23 3 films · −97% | 3 | $205.7K | −97% | Kumaré (2012) $132.2K |
| Week 25, 2013 Jun 16–22 2 films · −90% | 2 | $19.8K | −90% | Somm (2013) $11.4K |
| Week 25, 2014 Jun 15–21 3 films · +1050% | 3 | $227.6K | +1050% | Code Black (2014) $190.2K |
| Week 25, 2015 Jun 14–20 4 films · −57% | 4 | $97K | −57% | Pentatonix: On My Way Home (2015) $50.9K |
| Week 25, 2016 Jun 12–18 5 films · +854% | 5 | $925.6K | +854% | Tickled (2016) $790.5K |
| Week 25, 2017 Jun 18–24 3 films · −88% | 3 | $109.2K | −88% | My Journey Through French Cinema (2017) $73.5K |
| Week 25, 2018 Jun 17–23 3 films · +24% | 3 | $135.6K | +24% | The King (2018) $126.9K |
Archive
Documentary Box Office in 2018, Week by Week
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $864.8K
- Week 4 $1.9M
- Week 5 $360.6K
- Week 6 No grosses
- Week 7 $586
- Week 8 $155.9K
- Week 9 $2M
- Week 10 $625.1K
- Week 11 $1.3M
- Week 12 $3.2M
- Week 13 $69.2K
- Week 14 $9.4M
- Week 15 $5M
- Week 16 $244.4K
- Week 17 $304.5K
- Week 18 $15.5M
- Week 19 $2.8M
- Week 20 $8.8M
- Week 21 No grosses
- Week 22 $67.1K
- Week 23 $23.3M
- Week 24 $39.3M
- Week 25 $135.6K
- Week 26 $14.2M
- Week 27 $5.6M
- Week 28 $267.9K
- Week 29 $3.8M
- Week 30 $584.5K
- Week 31 $6M
- Week 32 $373.1K
- Week 33 $118.9K
- Week 34 $263.3K
- Week 35 $851.5K
- Week 36 $3.8M
- Week 37 $1.9M
- Week 38 $10.6M
- Week 39 $29.6M
- Week 40 $812.3K
- Week 41 $1.3M
- Week 42 $827.5K
- Week 43 $863.6K
- Week 44 $3.5M
- Week 45 $113K
- Week 46 $21.3M
- Week 47 $8.3M
- Week 48 $1.6M
- Week 49 $1.3M
- Week 50 $28.1K
- Week 51 $23.9M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 25 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 25 of 2018 (Jun 17–23)?
The King (2018) leads with $126.9K worldwide. Next come Spiral (2018) at $8.2K and Piano to Zanskar (2018) at $445.
How much did documentary movies released in week 25 of 2018 (Jun 17–23) earn?
3 documentary films released in week 25 of 2018 (Jun 17–23) report a worldwide gross, $135.6K in all, or $45.2K per film on average.
How many documentary movies released in week 25 of 2018 (Jun 17–23) made $1 billion?
None. The biggest, The King (2018), earned $126.9K.
How is the week 25, 2018 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2018 (Jun 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 25, 2018 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.