#1 of 5 2018 · Documentary
$217.9K worldwide · 81% of the chart's total
Dark Money (2018) is the highest-grossing documentary movie released in week 28 of 2018 (Jul 8–14), with $217.9K worldwide, ahead of Milford Graves Full Mantis (2018) at $26.6K and The Man Who Wanted to Fly (2018) at $12.8K. 5 documentary films released that week report a worldwide gross, $267.9K in all, 93% of it from the US & Canada. By language, English leads with $263.2K across 4 documentary releases.
#1 of 5 2018 · Documentary
$217.9K worldwide · 81% of the chart's total
Dark Money (2018) leads with $217.9K, 81% of the total. The top 5 together took $267.9K, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 28 of 2018 (Jul 8–14).
Jul 13, 2018 US and Canada: $217.9K Rest of the world: Worldwide: $217.9K
Jul 13, 2018 US and Canada: $26.6K Rest of the world: Worldwide: $26.6K
Jul 12, 2018 US and Canada: – Rest of the world: – Worldwide: $12.8K
Jul 13, 2018 US and Canada: – Rest of the world: – Worldwide: $5.9K
Jul 13, 2018 US and Canada: $4.7K Rest of the world: Worldwide: $4.7K Of the top 5, Dark Money (2018) earned the biggest share at home (100% in the US & Canada), while The Other Side of Everything (2018) made 0% of its gross abroad. Across all 5 films, $249.2K (93%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 28 releases took $267.9K. The biggest of these 9 weeks is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
Of these 10 years, Week 28, 2012 earned the most: $36.5M from 3 films, led by 2016: Obama's America (2012). Week 28, 2018 took $267.9K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 28, 2009 Jul 5–11 4 films | 4 | $1.4M | – | Yoo-Hoo, Mrs. Goldberg (2009) $1.1M |
| Week 28, 2010 Jul 4–10 3 films · −55% | 3 | $646.6K | −55% | I Want Your Money (2010) $433.6K |
| Week 28, 2011 Jul 3–9 4 films · +329% | 4 | $2.8M | +329% | Beats Rhymes & Life: The Travels of a Tribe Called Quest (2011) $1.2M |
| Week 28, 2012 Jul 8–14 3 films · +1215% | 3 | $36.5M | +1215% | 2016: Obama's America (2012) $33.4M |
| Week 28, 2013 Jul 7–13 1 film · −100% | 1 | $55.8K | −100% | Terms and Conditions May Apply (2013) $55.8K |
| Week 28, 2014 Jul 6–12 1 film · −82% | 1 | $10K | −82% | Made in America (2014) $10K |
| Week 28, 2015 Jul 5–11 2 films · +7354% | 2 | $742.1K | +7354% | Nowitzki: The Perfect Shot (2015) $619.5K |
| Week 28, 2016 Jul 3–9 4 films · −33% | 4 | $493.8K | −33% | Under the Sun (2016) $306K |
| Week 28, 2017 Jul 9–15 5 films · −76% | 5 | $120.2K | −76% | Unrest (2017) $40.1K |
| Week 28, 2018 Jul 8–14 5 films · +123% | 5 | $267.9K | +123% | Dark Money (2018) $217.9K |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Dark Money (2018) leads with $217.9K worldwide, $217.9K of it in the US & Canada. Next come Milford Graves Full Mantis (2018) at $26.6K and The Man Who Wanted to Fly (2018) at $12.8K.
5 documentary films released in week 28 of 2018 (Jul 8–14) report a worldwide gross, $267.9K in all, or $53.6K per film on average.
None. The biggest, Dark Money (2018), earned $217.9K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 28 of 2018 (Jul 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.