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Documentary box office · Week 16 · Apr 15–21, 2018

Documentary Box Office, Week 16 of 2018: Documentary Releases of Apr 15–21

The Man Who Stole Banksy (2018) is the highest-grossing documentary movie released in week 16 of 2018 (Apr 15–21), with $89.7K worldwide, ahead of Yellow Is Forbidden (2018) at $64.3K and Leitis in Waiting (2018) at $26.1K. 7 documentary films released that week report a worldwide gross, $244.4K in all, 8% of it from the US & Canada. By language, English leads with $219.1K across 5 documentary releases.

week 16 releases with a gross
7
combined worldwide
$244.4K
The Man Who Stole Banksy (2018), the #1
$89.7K
earned in the US & Canada
8%
The Man Who Stole Banksy (2018) movie poster #1 of 7
#1 documentary movie of Week 16, 2018

The Man Who Stole Banksy (2018)

2018 · Documentary

$89.7K worldwide · 37% of the chart's total

No US & Canada figure reported
Top 5

What Were the Biggest Documentary Hits of Week 16 of 2018?

The Man Who Stole Banksy (2018) leads with $89.7K, 37% of the total. The top 5 together took $219.1K, 90% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Man Who Stole Banksy (2018) movie poster Number 1
    $89.7K The Man Who Stole Banksy (2018)
    No US & Canada figure reported
  2. Yellow Is Forbidden (2018) movie poster Number 2
    $64.3K Yellow Is Forbidden (2018)
    No US & Canada figure reported
  3. Leitis in Waiting (2018) movie poster Number 3
    $26.1K Leitis in Waiting (2018)
    No US & Canada figure reported
  4. The Devil and Father Amorth (2018) movie poster Number 4
    $20.4K The Devil and Father Amorth (2018)
    $20.4K US & Canada · 100% elsewhere · 0%
  5. Kaiser: The Greatest Footballer Never to Play Football (2018) movie poster Number 5

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 16 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2018 (Apr 15–21).

  1. 1 The Man Who Stole Banksy (2018) movie poster
    The Man Who Stole Banksy (2018) Apr 20, 2018 · English · Documentary $89.7K worldwide
    Apr 20, 2018 US and Canada: – Rest of the world: – Worldwide: $89.7K
  2. 2 Yellow Is Forbidden (2018) movie poster
    Yellow Is Forbidden (2018) Apr 21, 2018 · English · Documentary $64.3K worldwide
    Apr 21, 2018 US and Canada: – Rest of the world: – Worldwide: $64.3K
  3. 3 Leitis in Waiting (2018) movie poster
    Leitis in Waiting (2018) Apr 16, 2018 · English · Documentary $26.1K worldwide
    Apr 16, 2018 US and Canada: – Rest of the world: – Worldwide: $26.1K
  4. 4 The Devil and Father Amorth (2018) movie poster
    The Devil and Father Amorth (2018) Apr 20, 2018 · English · Horror, Documentary $20.4K worldwide
    Apr 20, 2018 US and Canada: $20.4K Rest of the world: Worldwide: $20.4K
  5. 5 Kaiser: The Greatest Footballer Never to Play Football (2018) movie poster
    Kaiser: The Greatest Footballer Never to Play Football (2018) Apr 21, 2018 · English · Documentary $18.5K worldwide
    Apr 21, 2018 US and Canada: – Rest of the world: – Worldwide: $18.5K
  6. 6 Salvador Dalí: In Search of Immortality (2018) movie poster
    Salvador Dalí: In Search of Immortality (2018) Apr 17, 2018 · Italian · Documentary $18.5K worldwide
    Apr 17, 2018 US and Canada: – Rest of the world: – Worldwide: $18.5K
  7. 7 Until Porn Do Us Part (2018) movie poster
    Until Porn Do Us Part (2018) Apr 15, 2018 · Portuguese · Documentary $6.8K worldwide
    Apr 15, 2018 US and Canada: – Rest of the world: – Worldwide: $6.8K
Earlier years

How Does Week 16 of 2018 Compare With Earlier Years?

Of these 10 years, Week 16, 2012 earned the most: $62.6M from 6 films, led by Chimpanzee (2012). Week 16, 2018 took $244.4K.

Week Films Worldwide Change Biggest film
Week 16, 2009 Apr 12–18 1 film 1 $2.8M – Every Little Step (2009) $2.8M
Week 16, 2010 Apr 11–17 2 films · +319% 2 $11.6M +319% The Cartel (2010) $6.2M
Week 16, 2011 Apr 10–16 2 films · −83% 2 $2M −83% Armadillo (2011) $2M
Week 16, 2012 Apr 15–21 6 films · +2991% 6 $62.6M +2991% Chimpanzee (2012) $34.8M
Week 16, 2013 Apr 14–20 5 films · −94% 5 $3.7M −94% Unmade in China (2013) $3.4M
Week 16, 2014 Apr 13–19 3 films · +489% 3 $21.6M +489% Bears (2014) $21.3M
Week 16, 2015 Apr 12–18 8 films · −22% 8 $16.9M −22% Monkey Kingdom (2015) $16.8M
Week 16, 2016 Apr 10–16 7 films · −90% 7 $1.7M −90% The First Monday in May (2016) $1.1M
Week 16, 2017 Apr 16–22 6 films · +1455% 6 $25.7M +1455% Born in China (2017) $25.1M
Week 16, 2018 Apr 15–21 7 films · −99% 7 $244.4K −99% The Man Who Stole Banksy (2018) $89.7K
FAQ

Documentary Box Office Week 16 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.

What is the highest-grossing documentary movie in week 16 of 2018 (Apr 15–21)?

The Man Who Stole Banksy (2018) leads with $89.7K worldwide. Next come Yellow Is Forbidden (2018) at $64.3K and Leitis in Waiting (2018) at $26.1K.

How much did documentary movies released in week 16 of 2018 (Apr 15–21) earn?

7 documentary films released in week 16 of 2018 (Apr 15–21) report a worldwide gross, $244.4K in all, or $34.9K per film on average.

How many documentary movies released in week 16 of 2018 (Apr 15–21) made $1 billion?

None. The biggest, The Man Who Stole Banksy (2018), earned $89.7K.

How much of the Week 16, 2018 Documentary box office came from the US and Canada?

$20.4K of the $244.4K total, or 8%, was earned in the US & Canada (the domestic market); the rest came from other countries. 6 films of the 7 report no domestic figure.

How is the week 16, 2018 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2018 (Apr 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 16, 2018 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.