#1 of 7 The Man Who Stole Banksy (2018)
2018 · Documentary
$89.7K worldwide · 37% of the chart's total
The Man Who Stole Banksy (2018) is the highest-grossing documentary movie released in week 16 of 2018 (Apr 15–21), with $89.7K worldwide, ahead of Yellow Is Forbidden (2018) at $64.3K and Leitis in Waiting (2018) at $26.1K. 7 documentary films released that week report a worldwide gross, $244.4K in all, 8% of it from the US & Canada. By language, English leads with $219.1K across 5 documentary releases.
#1 of 7 The Man Who Stole Banksy (2018)
2018 · Documentary
$89.7K worldwide · 37% of the chart's total
The Man Who Stole Banksy (2018) leads with $89.7K, 37% of the total. The top 5 together took $219.1K, 90% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2018 (Apr 15–21).
Apr 20, 2018 US and Canada: – Rest of the world: – Worldwide: $89.7K
Apr 21, 2018 US and Canada: – Rest of the world: – Worldwide: $64.3K
Apr 16, 2018 US and Canada: – Rest of the world: – Worldwide: $26.1K
Apr 20, 2018 US and Canada: $20.4K Rest of the world: Worldwide: $20.4K
Apr 15, 2018 US and Canada: – Rest of the world: – Worldwide: $6.8K Week 16 releases took $244.4K. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $15.5M, led by RBG (2018).
Of these 10 years, Week 16, 2012 earned the most: $62.6M from 6 films, led by Chimpanzee (2012). Week 16, 2018 took $244.4K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2009 Apr 12–18 1 film | 1 | $2.8M | – | Every Little Step (2009) $2.8M |
| Week 16, 2010 Apr 11–17 2 films · +319% | 2 | $11.6M | +319% | The Cartel (2010) $6.2M |
| Week 16, 2011 Apr 10–16 2 films · −83% | 2 | $2M | −83% | Armadillo (2011) $2M |
| Week 16, 2012 Apr 15–21 6 films · +2991% | 6 | $62.6M | +2991% | Chimpanzee (2012) $34.8M |
| Week 16, 2013 Apr 14–20 5 films · −94% | 5 | $3.7M | −94% | Unmade in China (2013) $3.4M |
| Week 16, 2014 Apr 13–19 3 films · +489% | 3 | $21.6M | +489% | Bears (2014) $21.3M |
| Week 16, 2015 Apr 12–18 8 films · −22% | 8 | $16.9M | −22% | Monkey Kingdom (2015) $16.8M |
| Week 16, 2016 Apr 10–16 7 films · −90% | 7 | $1.7M | −90% | The First Monday in May (2016) $1.1M |
| Week 16, 2017 Apr 16–22 6 films · +1455% | 6 | $25.7M | +1455% | Born in China (2017) $25.1M |
| Week 16, 2018 Apr 15–21 7 films · −99% | 7 | $244.4K | −99% | The Man Who Stole Banksy (2018) $89.7K |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Man Who Stole Banksy (2018) leads with $89.7K worldwide. Next come Yellow Is Forbidden (2018) at $64.3K and Leitis in Waiting (2018) at $26.1K.
7 documentary films released in week 16 of 2018 (Apr 15–21) report a worldwide gross, $244.4K in all, or $34.9K per film on average.
None. The biggest, The Man Who Stole Banksy (2018), earned $89.7K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2018 (Apr 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.