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Documentary box office · Week 17 · Apr 22–28, 2018

Documentary Box Office, Week 17 of 2018: Documentary Releases of Apr 22–28

Haunted (2018) is the highest-grossing documentary movie released in week 17 of 2018 (Apr 22–28), with $215.1K worldwide, ahead of Bobby Robson: More Than a Manager (2018) at $33.4K and Bauhaus Spirit: 100 Years of Bauhaus (2018) at $27.8K. 6 documentary films released that week report a worldwide gross, $304.5K in all, 13% of it from the US & Canada. By language, Danish leads with $215.1K across 1 documentary release.

week 17 releases with a gross
6
combined worldwide
$304.5K
Haunted (2018), the #1
$215.1K
earned in the US & Canada
13%
Haunted (2018) movie poster #1 of 6
#1 documentary movie of Week 17, 2018

Haunted (2018)

2018 · Documentary

$215.1K worldwide · 71% of the chart's total

No US & Canada figure reported
Top 5

What Were the Biggest Documentary Hits of Week 17 of 2018?

Haunted (2018) leads with $215.1K, 71% of the total. The top 5 together took $304.4K, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Haunted (2018) movie poster Number 1
    $215.1K Haunted (2018)
    No US & Canada figure reported
  2. Bobby Robson: More Than a Manager (2018) movie poster Number 2
    $33.4K Bobby Robson: More Than a Manager (2018)
    No US & Canada figure reported
  3. Bauhaus Spirit: 100 Years of Bauhaus (2018) movie poster Number 3
    $27.8K Bauhaus Spirit: 100 Years of Bauhaus (2018)
    $17.1K US & Canada · 62% $10.6K elsewhere · 38%
  4. Letter from Masanjia (2018) movie poster Number 4
    $23.9K Letter from Masanjia (2018)
    $23.5K US & Canada · 98% $441 elsewhere · 2%
  5. Of Fish and Foe (2018) movie poster Number 5
    $4.2K Of Fish and Foe (2018)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 17 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2018 (Apr 22–28).

  1. 1 Haunted (2018) movie poster
    Haunted (2018) Apr 26, 2018 · Danish · Documentary $215.1K worldwide
    Apr 26, 2018 US and Canada: – Rest of the world: – Worldwide: $215.1K
  2. 2 Bobby Robson: More Than a Manager (2018) movie poster
    Bobby Robson: More Than a Manager (2018) Apr 22, 2018 · English · Documentary $33.4K worldwide
    Apr 22, 2018 US and Canada: – Rest of the world: – Worldwide: $33.4K
  3. 3 Bauhaus Spirit: 100 Years of Bauhaus (2018) movie poster
    Bauhaus Spirit: 100 Years of Bauhaus (2018) Apr 26, 2018 · German · Documentary $27.8K worldwide
    Apr 26, 2018 US and Canada: $17.1K Rest of the world: $10.6K Worldwide: $27.8K
  4. 4 Letter from Masanjia (2018) movie poster
    Letter from Masanjia (2018) Apr 27, 2018 · English · Documentary $23.9K worldwide
    Apr 27, 2018 US and Canada: $23.5K Rest of the world: $441 Worldwide: $23.9K
  5. 5 Of Fish and Foe (2018) movie poster
    Of Fish and Foe (2018) Apr 28, 2018 · English · Documentary $4.2K worldwide
    Apr 28, 2018 US and Canada: – Rest of the world: – Worldwide: $4.2K
  6. 6 Pagliacci (2018) movie poster
    Pagliacci (2018) Apr 26, 2018 · Portuguese · Documentary $99 worldwide
    Apr 26, 2018 US and Canada: – Rest of the world: – Worldwide: $99
Earlier years

How Does Week 17 of 2018 Compare With Earlier Years?

Of these 10 years, Week 17, 2010 earned the most: $83.3M from 6 films, led by Oceans (2010). Week 17, 2018 took $304.5K.

Week Films Worldwide Change Biggest film
Week 17, 2009 Apr 19–25 1 film 1 $964.9K – Tyson (2009) $964.9K
Week 17, 2010 Apr 18–24 6 films · +8534% 6 $83.3M +8534% Oceans (2010) $83.1M
Week 17, 2011 Apr 17–23 5 films · −58% 5 $34.6M −58% African Cats (2011) $30.9M
Week 17, 2012 Apr 22–28 2 films · −100% 2 $23.5K −100% Payback (2012) $18K
Week 17, 2013 Apr 21–27 No films 0 – – –
Week 17, 2014 Apr 20–26 3 films 3 $68.3K – Next Goal Wins (2014) $43.1K
Week 17, 2015 Apr 19–25 5 films · +1421% 5 $1M +1421% Kurt Cobain: Montage of Heck (2015) $686.4K
Week 17, 2016 Apr 17–23 4 films · −11% 4 $921.8K −11% Shakespeare Live! From the RSC (2016) $746.9K
Week 17, 2017 Apr 23–29 7 films · +1437% 7 $14.2M +1437% Our President (2017) $13.4M
Week 17, 2018 Apr 22–28 6 films · −98% 6 $304.5K −98% Haunted (2018) $215.1K
FAQ

Documentary Box Office Week 17 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.

What is the highest-grossing documentary movie in week 17 of 2018 (Apr 22–28)?

Haunted (2018) leads with $215.1K worldwide. Next come Bobby Robson: More Than a Manager (2018) at $33.4K and Bauhaus Spirit: 100 Years of Bauhaus (2018) at $27.8K.

How much did documentary movies released in week 17 of 2018 (Apr 22–28) earn?

6 documentary films released in week 17 of 2018 (Apr 22–28) report a worldwide gross, $304.5K in all, or $50.7K per film on average.

How many documentary movies released in week 17 of 2018 (Apr 22–28) made $1 billion?

None. The biggest, Haunted (2018), earned $215.1K.

How much of the Week 17, 2018 Documentary box office came from the US and Canada?

$40.6K of the $304.5K total, or 13%, was earned in the US & Canada (the domestic market); the rest came from other countries. 4 films of the 6 report no domestic figure.

How is the week 17, 2018 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2018 (Apr 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 17, 2018 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.