#1 of 3 #1 documentary movie of Week 13, 2018
2018 · Documentary
$48.7K worldwide · 70% of the chart's total
$48.7K US & Canada · 100% elsewhere · 0%
Documentary box office · Week 13 · Mar 25–31, 2018
Documentary Box Office, Week 13 of 2018: Documentary Releases of Mar 25–31
The China Hustle (2018) is the highest-grossing documentary movie released in week 13 of 2018 (Mar 25–31), with $48.7K worldwide, ahead of Ashore (2018) at $13.2K and A Deal With The Universe (2018) at $7.4K. 3 documentary films released that week report a worldwide gross, $69.2K in all, 70% of it from the US & Canada.
- week 13 releases with a gross
- 3
- combined worldwide
- $69.2K
- The China Hustle (2018), the #1
- $48.7K
- earned in the US & Canada
- 70%
#1 of 3 Top 3
What Were the Biggest Documentary Hits of Week 13 of 2018?
The China Hustle (2018) leads with $48.7K, 70% of the total. The top 3 together took $69.2K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 13 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2018 (Mar 25–31).
- 1 Mar 30, 2018 US and Canada: $48.7K Rest of the world: Worldwide: $48.7K
- 2 Mar 25, 2018 US and Canada: – Rest of the world: – Worldwide: $13.2K
- 3 Mar 26, 2018 US and Canada: – Rest of the world: – Worldwide: $7.4K
Weeks around it
How Does Week 13 Compare With the Weeks Around It?
Week 13 releases took $69.2K. The biggest of these 9 weeks is week 14 (Apr 1–7) with $9.4M, led by Pandas (2018).
- Week 7 Wk 7 Feb 11–17 Theatre of War (2018) $586 Theatre of War (2018)
- Week 8 Wk 8 Feb 18–24 The Ice King (2018) $155.9K The Ice King (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Wild Amsterdam (2018) $2M Wild Amsterdam (2018)
- Week 10 Wk 10 Mar 4–10 Leaning Into the Wind (2018) $625.1K Leaning Into the Wind (2018)
- Week 11 Wk 11 Mar 11–17 12 Days (2018) $1.3M 12 Days (2018)
- Week 12 Wk 12 Mar 18–24 March of the Penguins 2: The Next Step (2018) $3.2M March of the Penguins 2: The Next Step (2018)
- Week 13 Wk 13 Mar 25–31 The China Hustle (2018) $69.2K The China Hustle (2018)
- Week 14 Wk 14 Apr 1–7 Pandas (2018) $9.4M Pandas (2018)
- Week 15 Wk 15 Apr 8–14 Intention (2018) $5M Intention (2018)
Earlier years
How Does Week 13 of 2018 Compare With Earlier Years?
Of these 10 years, Week 13, 2014 earned the most: $11.4M from 3 films, led by Enchanted Kingdom (2014). Week 13, 2018 took $69.2K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2009 Mar 22–28 3 films | 3 | $63.1K | – | American Swing (2009) $30.2K |
| Week 13, 2010 Mar 21–27 3 films · +931% | 3 | $650.6K | +931% | Steam of Life (2010) $499.5K |
| Week 13, 2011 Mar 20–26 5 films · +60% | 5 | $1M | +60% | Silvio Forever (2011) $532.9K |
| Week 13, 2012 Mar 25–31 4 films · +350% | 4 | $4.7M | +350% | Bully (2012) $4.4M |
| Week 13, 2013 Mar 24–30 1 film · −92% | 1 | $367.4K | −92% | Room 237 (2013) $367.4K |
| Week 13, 2014 Mar 23–29 3 films · +3004% | 3 | $11.4M | +3004% | Enchanted Kingdom (2014) $8.8M |
| Week 13, 2015 Mar 22–28 3 films · −48% | 3 | $6M | −48% | The Salt of the Earth (2015) $6M |
| Week 13, 2016 Mar 20–26 2 films · −99% | 2 | $63.2K | −99% | Mapplethorpe: Look at the Pictures (2016) $62.6K |
| Week 13, 2017 Mar 26–Apr 1 5 films · +1632% | 5 | $1.1M | +1632% | Cantábrico (2017) $724.3K |
| Week 13, 2018 Mar 25–31 3 films · −94% | 3 | $69.2K | −94% | The China Hustle (2018) $48.7K |
Archive
Documentary Box Office in 2018, Week by Week
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $864.8K
- Week 4 $1.9M
- Week 5 $360.6K
- Week 6 No grosses
- Week 7 $586
- Week 8 $155.9K
- Week 9 $2M
- Week 10 $625.1K
- Week 11 $1.3M
- Week 12 $3.2M
- Week 13 $69.2K
- Week 14 $9.4M
- Week 15 $5M
- Week 16 $244.4K
- Week 17 $304.5K
- Week 18 $15.5M
- Week 19 $2.8M
- Week 20 $8.8M
- Week 21 No grosses
- Week 22 $67.1K
- Week 23 $23.3M
- Week 24 $39.3M
- Week 25 $135.6K
- Week 26 $14.2M
- Week 27 $5.6M
- Week 28 $267.9K
- Week 29 $3.8M
- Week 30 $584.5K
- Week 31 $6M
- Week 32 $373.1K
- Week 33 $118.9K
- Week 34 $263.3K
- Week 35 $851.5K
- Week 36 $3.8M
- Week 37 $1.9M
- Week 38 $10.6M
- Week 39 $29.6M
- Week 40 $812.3K
- Week 41 $1.3M
- Week 42 $827.5K
- Week 43 $863.6K
- Week 44 $3.5M
- Week 45 $113K
- Week 46 $21.3M
- Week 47 $8.3M
- Week 48 $1.6M
- Week 49 $1.3M
- Week 50 $28.1K
- Week 51 $23.9M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 13 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing documentary movie in week 13 of 2018 (Mar 25–31)?
The China Hustle (2018) leads with $48.7K worldwide, $48.7K of it in the US & Canada. Next come Ashore (2018) at $13.2K and A Deal With The Universe (2018) at $7.4K.
How much did documentary movies released in week 13 of 2018 (Mar 25–31) earn?
3 documentary films released in week 13 of 2018 (Mar 25–31) report a worldwide gross, $69.2K in all, or $23.1K per film on average.
How many documentary movies released in week 13 of 2018 (Mar 25–31) made $1 billion?
None. The biggest, The China Hustle (2018), earned $48.7K.
How is the week 13, 2018 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2018 (Mar 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 13, 2018 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.