#1 of 5 March of the Penguins 2: The Next Step (2018)
2018 · Family, Documentary
$2.3M worldwide · 73% of the chart's total
March of the Penguins 2: The Next Step (2018) is the highest-grossing documentary movie released in week 12 of 2018 (Mar 18–24), with $2.3M worldwide, ahead of What We Started (2018) at $434.4K and The Riot and the Dance: Earth (2018) at $316.1K. 5 documentary films released that week report a worldwide gross, $3.2M in all, 23% of it from the US & Canada. That is up 142% on Week 11, 2018, whose releases took $1.3M. By language, French leads with $2.3M across 1 documentary release.
#1 of 5 March of the Penguins 2: The Next Step (2018)
2018 · Family, Documentary
$2.3M worldwide · 73% of the chart's total
March of the Penguins 2: The Next Step (2018) leads with $2.3M, 73% of the total. The top 5 together took $3.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2018 (Mar 18–24).
Mar 23, 2018 US and Canada: $382.5K Rest of the world: $52K Worldwide: $434.4K
Mar 19, 2018 US and Canada: $316.1K Rest of the world: Worldwide: $316.1K
Mar 23, 2018 US and Canada: $45.5K Rest of the world: $22.2K Worldwide: $67.7K
Mar 18, 2018 US and Canada: – Rest of the world: – Worldwide: $46.9K Of the top 5, The Riot and the Dance: Earth (2018) earned the biggest share at home (100% in the US & Canada), while Summer in the Forest (2018) made 33% of its gross abroad. Across all 5 films, $744.1K (23%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 12 releases took $3.2M. The biggest of these 9 weeks is week 14 (Apr 1–7) with $9.4M, led by Pandas (2018).
Of these 10 years, Week 12, 2018 earned the most: $3.2M from 5 films, led by March of the Penguins 2: The Next Step (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2009 Mar 15–21 2 films | 2 | $2.9M | – | Valentino: The Last Emperor (2009) $2.2M |
| Week 12, 2010 Mar 14–20 3 films · −96% | 3 | $127.2K | −96% | See What I’m Saying: The Deaf Entertainers Documentary (2010) $118.2K |
| Week 12, 2011 Mar 13–19 3 films · +1935% | 3 | $2.6M | +1935% | Bill Cunningham New York (2011) $2M |
| Week 12, 2012 Mar 18–24 2 films · −65% | 2 | $913.5K | −65% | Raul: O Início, o Fim e o Meio (2012) $909.4K |
| Week 12, 2013 Mar 17–23 2 films · −78% | 2 | $202K | −78% | No Place on Earth (2013) $200.2K |
| Week 12, 2014 Mar 16–22 2 films · +316% | 2 | $839.7K | +316% | Jodorowsky's Dune (2014) $662.7K |
| Week 12, 2015 Mar 15–21 No films | 0 | – | – | – |
| Week 12, 2016 Mar 13–19 4 films | 4 | $79.1K | – | Trabantem do posledního dechu (2016) $25.9K |
| Week 12, 2017 Mar 19–25 6 films · +295% | 6 | $312.3K | +295% | I Called Him Morgan (2017) $129K |
| Week 12, 2018 Mar 18–24 5 films · +921% | 5 | $3.2M | +921% | March of the Penguins 2: The Next Step (2018) $2.3M |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
March of the Penguins 2: The Next Step (2018) leads with $2.3M worldwide. Next come What We Started (2018) at $434.4K and The Riot and the Dance: Earth (2018) at $316.1K.
5 documentary films released in week 12 of 2018 (Mar 18–24) report a worldwide gross, $3.2M in all, or $637.7K per film on average. Week 11, 2018 releases took $1.3M.
None. The biggest, March of the Penguins 2: The Next Step (2018), earned $2.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2018 (Mar 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.