#1 of 6 2018 · Drama, Comedy
$11.6M worldwide · 34% of the chart's total
Back to Burgundy (2018) is the highest-grossing French-language movie released in week 12 of 2018 (Mar 18–24), with $11.6M worldwide, ahead of A Bag of Marbles (2018) at $10.9M and Madame (2018) at $5.4M. 6 French-language films released that week report a worldwide gross, $34.3M in all, 3% of it from the US & Canada. That is 3 times the total of Week 11, 2018, whose releases took $11.4M. By genre, Drama leads with $32M across 5 French releases.
#1 of 6 2018 · Drama, Comedy
$11.6M worldwide · 34% of the chart's total
Back to Burgundy (2018) leads with $11.6M, 34% of the total. The top 5 together took $33.3M, 97% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2018 (Mar 18–24).
Mar 23, 2018 US and Canada: $257.6K Rest of the world: $11.4M Worldwide: $11.6M
Mar 23, 2018 US and Canada: $411.3K Rest of the world: $10.5M Worldwide: $10.9M
Mar 23, 2018 US and Canada: $91K Rest of the world: $5.3M Worldwide: $5.4M
Mar 23, 2018 US and Canada: $102.5K Rest of the world: $3M Worldwide: $3.1M
Mar 23, 2018 US and Canada: – Rest of the world: – Worldwide: $2.3M
Mar 23, 2018 US and Canada: $22.1K Rest of the world: $978K Worldwide: $1M Of the top 6, A Bag of Marbles (2018) earned the biggest share at home (4% in the US & Canada), while Madame (2018) made 98% of its gross abroad. Across all 6 films, $884.5K (3%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 12 releases took $34.3M. The biggest of these 9 weeks is week 14 (Apr 1–7) with $44.1M, led by Taxi 5 (2018).
Of these 10 years, Week 12, 2018 earned the most: $34.3M from 6 films, led by Back to Burgundy (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2009 Mar 15–21 No films | 0 | – | – | – |
| Week 12, 2010 Mar 14–20 1 film | 1 | $251K | – | Bus Palladium (2010) $251K |
| Week 12, 2011 Mar 13–19 1 film · −37% | 1 | $157.6K | −37% | Final Balance (2011) $157.6K |
| Week 12, 2012 Mar 18–24 1 film · −16% | 1 | $132.5K | −16% | Bye Bye Blondie (2012) $132.5K |
| Week 12, 2013 Mar 17–23 1 film · −95% | 1 | $6K | −95% | Sous le figuier (2013) $6K |
| Week 12, 2014 Mar 16–22 2 films · +115870% | 2 | $7M | +115870% | The French Minister (2014) $5.6M |
| Week 12, 2015 Mar 15–21 2 films · −98% | 2 | $155.4K | −98% | The Passion of Augustine (2015) $133.9K |
| Week 12, 2016 Mar 13–19 2 films · +3489% | 2 | $5.6M | +3489% | Marseille (2016) $4.1M |
| Week 12, 2017 Mar 19–25 1 film · −64% | 1 | $2M | −64% | Corporate (2017) $2M |
| Week 12, 2018 Mar 18–24 6 films · +1599% | 6 | $34.3M | +1599% | Back to Burgundy (2018) $11.6M |
48 weeks of 2018 with reported grosses; the biggest is week 3 (Jan 14–20) with $83.9M, led by Family Is Family (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Back to Burgundy (2018) leads with $11.6M worldwide, $257.6K of it in the US & Canada. Next come A Bag of Marbles (2018) at $10.9M and Madame (2018) at $5.4M.
6 French-language films released in week 12 of 2018 (Mar 18–24) report a worldwide gross, $34.3M in all, or $5.7M per film on average. Week 11, 2018 releases took $11.4M.
None. The biggest, Back to Burgundy (2018), earned $11.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2018 (Mar 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.