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French box office · Week 17 · Apr 22–28, 2018

French Box Office, Week 17 of 2018: French Releases of Apr 22–28

Let the Sunshine In (2018) is the highest-grossing French-language movie released in week 17 of 2018 (Apr 22–28), with $4.2M worldwide, ahead of Massenet: Cendrillon (2018) at $1.7M and Mrs. Hyde (2018) at $778.1K. 4 French-language films released that week report a worldwide gross, $7.3M in all, 29% of it from the US & Canada.

week 17 releases with a gross
4
combined worldwide
$7.3M
Let the Sunshine In (2018), the #1
$4.2M
earned in the US & Canada
29%
Let the Sunshine In (2018) movie poster #1 of 4
#1 French-language movie of Week 17, 2018

Let the Sunshine In (2018)

2018 · Drama, Comedy

$4.2M worldwide · 57% of the chart's total

$892.4K US & Canada · 21% $3.3M elsewhere · 79%
Top 4

What Were the Biggest French Hits of Week 17 of 2018?

Let the Sunshine In (2018) leads with $4.2M, 57% of the total. The top 4 together took $7.3M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Let the Sunshine In (2018) movie poster Number 1
    $4.2M Let the Sunshine In (2018)
    $892.4K US & Canada · 21% $3.3M elsewhere · 79%
  2. Massenet: Cendrillon (2018) movie poster Number 2
    $1.7M Massenet: Cendrillon (2018)
    $1.2M US & Canada · 71% $504K elsewhere · 29%
  3. Mrs. Hyde (2018) movie poster Number 3
    $778.1K Mrs. Hyde (2018)
    $18.6K US & Canada · 2% $759.5K elsewhere · 98%
  4. Let the Girls Play (2018) movie poster Number 4
    $593K Let the Girls Play (2018)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every French Release of Week 17 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2018 (Apr 22–28).

  1. 1 Let the Sunshine In (2018) movie poster
    Let the Sunshine In (2018) Apr 27, 2018 · Drama, Comedy $4.2M worldwide
    Apr 27, 2018 US and Canada: $892.4K Rest of the world: $3.3M Worldwide: $4.2M
  2. 2 Massenet: Cendrillon (2018) movie poster
    Massenet: Cendrillon (2018) Apr 28, 2018 · Drama, Music $1.7M worldwide
    Apr 28, 2018 US and Canada: $1.2M Rest of the world: $504K Worldwide: $1.7M
  3. 3 Mrs. Hyde (2018) movie poster
    Mrs. Hyde (2018) Apr 27, 2018 · Drama $778.1K worldwide
    Apr 27, 2018 US and Canada: $18.6K Rest of the world: $759.5K Worldwide: $778.1K
  4. 4 Let the Girls Play (2018) movie poster
    Let the Girls Play (2018) Apr 25, 2018 · Comedy $593K worldwide
    Apr 25, 2018 US and Canada: – Rest of the world: – Worldwide: $593K
US & Canada vs the world

Where Did the Money Come From in Week 17 of 2018?

Of the top 4, Massenet: Cendrillon (2018) earned the biggest share at home (71% in the US & Canada), while Mrs. Hyde (2018) made 98% of its gross abroad. Across all 4 films, $2.2M (29%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 Let the Sunshine In (2018) $4.2M
    $892.4K US & Canada · 21% $3.3M elsewhere · 79%
  2. 2 Massenet: Cendrillon (2018) $1.7M
    $1.2M US & Canada · 71% $504K elsewhere · 29%
  3. 3 Mrs. Hyde (2018) $778.1K
    $18.6K US & Canada · 2% $759.5K elsewhere · 98%
  4. 4 Let the Girls Play (2018) $593K
    No US & Canada figure reported
Earlier years

How Does Week 17 of 2018 Compare With Earlier Years?

Of these 10 years, Week 17, 2010 earned the most: $116.9M from 2 films, led by Oceans (2010). Week 17, 2018 took $7.3M.

Week Films Worldwide Change Biggest film
Week 17, 2009 Apr 19–25 1 film 1 $2.8M – In the Beginning (2009) $2.8M
Week 17, 2010 Apr 18–24 2 films · +4007% 2 $116.9M +4007% Oceans (2010) $83.1M
Week 17, 2011 Apr 17–23 2 films · −92% 2 $8.8M −92% Incendies (2011) $6.8M
Week 17, 2012 Apr 22–28 2 films · +46% 2 $12.8M +46% Ducoboo 2: Crazy Vacation (2012) $9M
Week 17, 2013 Apr 21–27 No films 0 – – –
Week 17, 2014 Apr 20–26 4 films 4 $31.5M – Bicycling With Molière (2014) $11.1M
Week 17, 2015 Apr 19–25 1 film · −97% 1 $1.1M −97% 24 Days (2015) $1.1M
Week 17, 2016 Apr 17–23 1 film · +259% 1 $3.9M +259% Sophie’s Misfortunes (2016) $3.9M
Week 17, 2017 Apr 23–29 2 films · +119% 2 $8.5M +119% I Got Life! (2017) $4.9M
Week 17, 2018 Apr 22–28 4 films · −14% 4 $7.3M −14% Let the Sunshine In (2018) $4.2M
FAQ

French Box Office Week 17 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing French-language movie in week 17 of 2018 (Apr 22–28)?

Let the Sunshine In (2018) leads with $4.2M worldwide, $892.4K of it in the US & Canada. Next come Massenet: Cendrillon (2018) at $1.7M and Mrs. Hyde (2018) at $778.1K.

How much did French-language movies released in week 17 of 2018 (Apr 22–28) earn?

4 French-language films released in week 17 of 2018 (Apr 22–28) report a worldwide gross, $7.3M in all, or $1.8M per film on average.

How many French-language movies released in week 17 of 2018 (Apr 22–28) made $1 billion?

None. The biggest, Let the Sunshine In (2018), earned $4.2M.

How much of the Week 17, 2018 French box office came from the US and Canada?

$2.2M of the $7.3M total, or 29%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 17, 2018 French box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2018 (Apr 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.

How often is the week 17, 2018 French box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.