#1 of 7 #1 documentary movie of Week 11, 2018
2018 · Documentary
$722K worldwide · 55% of the chart's total
$5.2K US & Canada · <1% $716.8K elsewhere · 99%
Documentary box office · Week 11 · Mar 11–17, 2018
Documentary Box Office, Week 11 of 2018: Documentary Releases of Mar 11–17
12 Days (2018) is the highest-grossing documentary movie released in week 11 of 2018 (Mar 11–17), with $722K worldwide, ahead of Oceans: Our Blue Planet (2018) at $301.6K and Desolation Center (2018) at $105.7K. 7 documentary films released that week report a worldwide gross, $1.3M in all, 12% of it from the US & Canada. By language, French leads with $722K across 1 documentary release.
- week 11 releases with a gross
- 7
- combined worldwide
- $1.3M
- 12 Days (2018), the #1
- $722K
- earned in the US & Canada
- 12%
#1 of 7 Top 5
What Were the Biggest Documentary Hits of Week 11 of 2018?
12 Days (2018) leads with $722K, 55% of the total. The top 5 together took $1.3M, 96% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 11 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2018 (Mar 11–17).
- 1 Mar 16, 2018 US and Canada: $5.2K Rest of the world: $716.8K Worldwide: $722K
- 2 Mar 12, 2018 US and Canada: – Rest of the world: – Worldwide: $301.6K
- 3 Mar 16, 2018 US and Canada: $32K Rest of the world: $73.7K Worldwide: $105.7K
- 4 Being Frank: The Chris Sievey Story (2018)Mar 13, 2018 US and Canada: – Rest of the world: – Worldwide: $70.3K
Mar 13, 2018 · English · Documentary, Music, Comedy $70.3K worldwide - 5 Mar 16, 2018 US and Canada: $57.3K Rest of the world: Worldwide: $57.3K
- 6
Garry Winogrand: All Things Are Photographable (2018)Mar 12, 2018 US and Canada: $44K Rest of the world: Worldwide: $44K Mar 12, 2018 · English · Documentary $44K worldwide - 7
Mar 11, 2018 US and Canada: $13.9K Rest of the world: Worldwide: $13.9K
US & Canada vs the world
Where Did the Money Come From in Week 11 of 2018?
Of the top 7, Ramen Heads (2018) earned the biggest share at home (100% in the US & Canada), while 12 Days (2018) made 99% of its gross abroad. Across all 7 films, $152.5K (12%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
- 1 12 Days (2018) $722K $5.2K US & Canada · <1% $716.8K elsewhere · 99%
- 2 Oceans: Our Blue Planet (2018) $301.6K No US & Canada figure reported
- 3 Desolation Center (2018) $105.7K $32K US & Canada · 30% $73.7K elsewhere · 70%
- 4 Being Frank: The Chris Sievey Story (2018) $70.3K No US & Canada figure reported
- 5 Ramen Heads (2018) $57.3K $57.3K US & Canada · 100% elsewhere · 0%
- 6 Garry Winogrand: All Things Are Photographable (2018) $44K $44K US & Canada · 100% elsewhere · 0%
- 7 Weed the People (2018) $13.9K $13.9K US & Canada · 100% elsewhere · 0%
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $1.3M. The biggest of these 9 weeks is week 12 (Mar 18–24) with $3.2M, led by March of the Penguins 2: The Next Step (2018).
- Week 5 Wk 5 Jan 28–Feb 3 Wonders of the Moon (2018) $360.6K Wonders of the Moon (2018)
- Week 6 Wk 6 Feb 4–10 No reported grosses – No reported grosses
- Week 7 Wk 7 Feb 11–17 Theatre of War (2018) $586 Theatre of War (2018)
- Week 8 Wk 8 Feb 18–24 The Ice King (2018) $155.9K The Ice King (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Wild Amsterdam (2018) $2M Wild Amsterdam (2018)
- Week 10 Wk 10 Mar 4–10 Leaning Into the Wind (2018) $625.1K Leaning Into the Wind (2018)
- Week 11 Wk 11 Mar 11–17 12 Days (2018) $1.3M 12 Days (2018)
- Week 12 Wk 12 Mar 18–24 March of the Penguins 2: The Next Step (2018) $3.2M March of the Penguins 2: The Next Step (2018)
- Week 13 Wk 13 Mar 25–31 The China Hustle (2018) $69.2K The China Hustle (2018)
Earlier years
How Does Week 11 of 2018 Compare With Earlier Years?
Of these 10 years, Week 11, 2015 earned the most: $5.7M from 4 films, led by The Wrecking Crew (2015). Week 11, 2018 took $1.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2009 Mar 8–14 5 films | 5 | $1.6M | – | The Unbelievable (2009) $568.7K |
| Week 11, 2010 Mar 7–13 1 film · −100% | 1 | $5.5K | −100% | American Grindhouse (2010) $5.5K |
| Week 11, 2011 Mar 6–12 4 films · +32256% | 4 | $1.8M | +32256% | I Am (2011) $1.6M |
| Week 11, 2012 Mar 11–17 1 film · −60% | 1 | $717.5K | −60% | Gerhard Richter - Painting (2012) $717.5K |
| Week 11, 2013 Mar 10–16 3 films · −22% | 3 | $563K | −22% | The Spirit of ’45 (2013) $488.9K |
| Week 11, 2014 Mar 9–15 2 films · −83% | 2 | $96.5K | −83% | Big Men (2014) $56.3K |
| Week 11, 2015 Mar 8–14 4 films · +5774% | 4 | $5.7M | +5774% | The Wrecking Crew (2015) $3.3M |
| Week 11, 2016 Mar 6–12 5 films · −87% | 5 | $722.5K | −87% | City of Gold (2016) $680.6K |
| Week 11, 2017 Mar 12–18 3 films · −91% | 3 | $65.2K | −91% | Tickling Giants (2017) $51.5K |
| Week 11, 2018 Mar 11–17 7 films · +1915% | 7 | $1.3M | +1915% | 12 Days (2018) $722K |
Archive
Documentary Box Office in 2018, Week by Week
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $864.8K
- Week 4 $1.9M
- Week 5 $360.6K
- Week 6 No grosses
- Week 7 $586
- Week 8 $155.9K
- Week 9 $2M
- Week 10 $625.1K
- Week 11 $1.3M
- Week 12 $3.2M
- Week 13 $69.2K
- Week 14 $9.4M
- Week 15 $5M
- Week 16 $244.4K
- Week 17 $304.5K
- Week 18 $15.5M
- Week 19 $2.8M
- Week 20 $8.8M
- Week 21 No grosses
- Week 22 $67.1K
- Week 23 $23.3M
- Week 24 $39.3M
- Week 25 $135.6K
- Week 26 $14.2M
- Week 27 $5.6M
- Week 28 $267.9K
- Week 29 $3.8M
- Week 30 $584.5K
- Week 31 $6M
- Week 32 $373.1K
- Week 33 $118.9K
- Week 34 $263.3K
- Week 35 $851.5K
- Week 36 $3.8M
- Week 37 $1.9M
- Week 38 $10.6M
- Week 39 $29.6M
- Week 40 $812.3K
- Week 41 $1.3M
- Week 42 $827.5K
- Week 43 $863.6K
- Week 44 $3.5M
- Week 45 $113K
- Week 46 $21.3M
- Week 47 $8.3M
- Week 48 $1.6M
- Week 49 $1.3M
- Week 50 $28.1K
- Week 51 $23.9M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 11 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
What is the highest-grossing documentary movie in week 11 of 2018 (Mar 11–17)?
12 Days (2018) leads with $722K worldwide, $5.2K of it in the US & Canada. Next come Oceans: Our Blue Planet (2018) at $301.6K and Desolation Center (2018) at $105.7K.
How much did documentary movies released in week 11 of 2018 (Mar 11–17) earn?
7 documentary films released in week 11 of 2018 (Mar 11–17) report a worldwide gross, $1.3M in all, or $187.8K per film on average.
How many documentary movies released in week 11 of 2018 (Mar 11–17) made $1 billion?
None. The biggest, 12 Days (2018), earned $722K.
How is the week 11, 2018 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2018 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2018 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.