#1 of 5 2018 · Music, Documentary
$39M worldwide · 99% of the chart's total
Believer (2018) is the highest-grossing documentary movie released in week 24 of 2018 (Jun 10–16), with $39M worldwide, ahead of Eating Animals (2018) at $154K and The Eyes of Orson Welles (2018) at $68.3K. 5 documentary films released that week report a worldwide gross, $39.3M in all, 1% of it from the US & Canada. That is up 69% on Week 23, 2018, whose releases took $23.3M. By language, English leads with $39.3M across 5 documentary releases.
#1 of 5 2018 · Music, Documentary
$39M worldwide · 99% of the chart's total
Believer (2018) leads with $39M, 99% of the total. The top 5 together took $39.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2018 (Jun 10–16).
Jun 15, 2018 US and Canada: $365.6K Rest of the world: $38.7M Worldwide: $39M
Jun 15, 2018 US and Canada: $149.6K Rest of the world: $4.4K Worldwide: $154K
Jun 14, 2018 US and Canada: $10.3K Rest of the world: $58.1K Worldwide: $68.3K
Jun 11, 2018 US and Canada: – Rest of the world: – Worldwide: $28.6K
Jun 15, 2018 US and Canada: $2.7K Rest of the world: Worldwide: $2.7K Of the top 5, Straight Into a Storm (2018) earned the biggest share at home (100% in the US & Canada), while Believer (2018) made 99% of its gross abroad. Across all 5 films, $528.2K (1%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 24 releases took $39.3M. The biggest of these 9 weeks is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
Of these 10 years, Week 24, 2018 earned the most: $39.3M from 5 films, led by Believer (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2009 Jun 7–13 3 films | 3 | $4.8M | – | Food, Inc. (2009) $4.6M |
| Week 24, 2010 Jun 6–12 2 films · −38% | 2 | $3M | −38% | Joan Rivers: A Piece of Work (2010) $2.9M |
| Week 24, 2011 Jun 5–11 2 films · −77% | 2 | $674.3K | −77% | Reindeerspotting: Escape from Santaland (2011) $655K |
| Week 24, 2012 Jun 10–16 3 films · +4692% | 3 | $32.3M | +4692% | The Dream Team (2012) $31.8M |
| Week 24, 2013 Jun 9–15 5 films · −75% | 5 | $8.1M | −75% | 20 Feet from Stardom (2013) $5.8M |
| Week 24, 2014 Jun 8–14 5 films · −91% | 5 | $759.4K | −91% | Return to Homs (2014) $402.1K |
| Week 24, 2015 Jun 7–13 3 films · +106% | 3 | $1.6M | +106% | The Wolfpack (2015) $1.4M |
| Week 24, 2016 Jun 5–11 5 films · +250% | 5 | $5.5M | +250% | 'Til Madness Do Us Part (2016) $3.6M |
| Week 24, 2017 Jun 11–17 5 films · −3% | 5 | $5.3M | −3% | Return to the Wolves (2017) $4.9M |
| Week 24, 2018 Jun 10–16 5 films · +638% | 5 | $39.3M | +638% | Believer (2018) $39M |
47 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $39.3M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Believer (2018) leads with $39M worldwide, $365.6K of it in the US & Canada. Next come Eating Animals (2018) at $154K and The Eyes of Orson Welles (2018) at $68.3K.
5 documentary films released in week 24 of 2018 (Jun 10–16) report a worldwide gross, $39.3M in all, or $7.9M per film on average. Week 23, 2018 releases took $23.3M.
None. The biggest, Believer (2018), earned $39M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2018 (Jun 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.