#1 of 5 'Til Madness Do Us Part (2016)
2016 · Documentary
$3.6M worldwide · 66% of the chart's total
'Til Madness Do Us Part (2016) is the highest-grossing documentary movie released in week 24 of 2016 (Jun 5–11), with $3.6M worldwide, ahead of The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (2016) at $1.3M and Bosch: The Garden of Dreams (2016) at $448.3K. 5 documentary films released that week report a worldwide gross, $5.5M in all, 88% of it from the US & Canada. By language, Chinese leads with $3.6M across 1 documentary release.
#1 of 5 'Til Madness Do Us Part (2016)
2016 · Documentary
$3.6M worldwide · 66% of the chart's total
'Til Madness Do Us Part (2016) leads with $3.6M, 66% of the total. The top 5 together took $5.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2016 (Jun 5–11).
Jun 9, 2016 US and Canada: $3.5M Rest of the world: $143.8K Worldwide: $3.6M
Jun 9, 2016 US and Canada: – Rest of the world: – Worldwide: $448.3K
Jun 10, 2016 US and Canada: $165.2K Rest of the world: $2.8K Worldwide: $168K
Jun 10, 2016 US and Canada: $4.8K Rest of the world: Worldwide: $4.8K Of the top 5, Call Her Applebroog (2016) earned the biggest share at home (100% in the US & Canada), while The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (2016) made 7% of its gross abroad. Across all 5 films, $4.8M (88%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 24 releases took $5.5M. The biggest of these 9 weeks is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
Of these 10 years, Week 24, 2012 earned the most: $32.3M from 3 films, led by The Dream Team (2012). Week 24, 2016 took $5.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2007 Jun 10–16 4 films | 4 | $793.1K | – | When the Road Bends: Tales of a Gypsy Caravan (2007) $469.5K |
| Week 24, 2008 Jun 8–14 6 films · +132% | 6 | $1.8M | +132% | Encounters at the End of the World (2008) $1.2M |
| Week 24, 2009 Jun 7–13 3 films · +161% | 3 | $4.8M | +161% | Food, Inc. (2009) $4.6M |
| Week 24, 2010 Jun 6–12 2 films · −38% | 2 | $3M | −38% | Joan Rivers: A Piece of Work (2010) $2.9M |
| Week 24, 2011 Jun 5–11 2 films · −77% | 2 | $674.3K | −77% | Reindeerspotting: Escape from Santaland (2011) $655K |
| Week 24, 2012 Jun 10–16 3 films · +4692% | 3 | $32.3M | +4692% | The Dream Team (2012) $31.8M |
| Week 24, 2013 Jun 9–15 5 films · −75% | 5 | $8.1M | −75% | 20 Feet from Stardom (2013) $5.8M |
| Week 24, 2014 Jun 8–14 5 films · −91% | 5 | $759.4K | −91% | Return to Homs (2014) $402.1K |
| Week 24, 2015 Jun 7–13 3 films · +106% | 3 | $1.6M | +106% | The Wolfpack (2015) $1.4M |
| Week 24, 2016 Jun 5–11 5 films · +250% | 5 | $5.5M | +250% | 'Til Madness Do Us Part (2016) $3.6M |
53 weeks of 2016 with reported grosses; the biggest is week 18 (Apr 24–30) with $29.2M, led by A Beautiful Planet (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
'Til Madness Do Us Part (2016) leads with $3.6M worldwide, $3.5M of it in the US & Canada. Next come The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (2016) at $1.3M and Bosch: The Garden of Dreams (2016) at $448.3K.
5 documentary films released in week 24 of 2016 (Jun 5–11) report a worldwide gross, $5.5M in all, or $1.1M per film on average.
None. The biggest, 'Til Madness Do Us Part (2016), earned $3.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2016 (Jun 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.